Abstract is missing.
- Primal-Circular SubstitutionsMarcus D. Booth. 3-12 [doi]
- On the Group of Transformations of Classical Types of Seventh ChordsSonia Cannas, Samuele Antonini, Ludovico Pernazza. 13-25 [doi]
- Pairwise Well-Formed Modes and TransformationsDavid Clampitt, Thomas Noll. 26-37 [doi]
- nGrégoire Genuys, Alexandre Popoff. 38-49 [doi]
- A Symmetric Quantum Theory of Modulation in Z\!\!Z_20 Z Z 20J. David Gómez-Téllez, Emilio Lluis-Puebla, Mariana Montiel. 50-62 [doi]
- Almost Difference Sets in Transformational Music TheoryRobert W. Peck. 63-75 [doi]
- Algebra of Harmony: Transformations of Just ConsonancesMarek Zabka. 76-88 [doi]
- Developing Software for Dancing Tango in CompásEmmanuel Amiot, Jean-Philippe Lerat, Bérenger Recoules, Valérie Szabo. 91-103 [doi]
- Using Inharmonic Strings in Musical InstrumentsKevin Hobby, William A. Sethares, Zhenyu Zhang. 104-116 [doi]
- Real-Time Compositional Procedures for Mediated Soloist-Ensemble Interaction: The ComprovisadorPedro Louzeiro. 117-131 [doi]
- Strange SymmetriesEmmanuel Amiot. 135-150 [doi]
- Interval Content vs. DFTEmmanuel Amiot. 151-166 [doi]
- Probing Questions About Keys: Tonal Distributions Through the DFTJason Yust. 167-179 [doi]
- Abstract Gestures: A Unifying Concept in Mathematical Music TheoryJuan Sebastián Arias. 183-200 [doi]
- Mathematical Music Theory and the Musical Math Game - Two Creative Ontological SwitchesGuerino Mazzola. 201-212 [doi]
- Hamiltonian Graphs as Harmonic ToolsGiovanni Albini, Marco Paolo Bernardi. 215-226 [doi]
- New Investigations on Rhythmic OddityFranck Jedrzejewski. 227-237 [doi]
- Polytopic Graph of Latent Relations - A Multiscale Structure Model for Music SegmentsCorentin Louboutin, Frédéric Bimbot. 238-249 [doi]
- Dynamic Time Warping for Automatic Musical Form Identification in Symbolical Music FilesCristian Bañuelos, Felipe Orduña. 253-258 [doi]
- Identification and Evolution of Musical Style I: Hierarchical Transition Networks and Their Modular StructurePablo Padilla, Francis Knights, Adrián Tonatiuh Ruiz, Dan Tidhar. 259-278 [doi]
- A Fuzzy-Clustering Based Approach for Measuring Similarity Between MelodiesBrian Martínez, Vicente Liern. 279-290 [doi]
- The Evolution of Tango Harmony, 1910-1960Bruno Mesz, Augusto Paladino, Juan Pérgola, Pablo Amster. 291-297 [doi]
- Determination of Compositional Systems Through Systemic ModelingLiduino Pitombeira. 298-311 [doi]
- A Cluster Analysis for Mode Identification in Early Music GenresDaniel C. Tompkins. 312-323 [doi]
- Cross Entropy as a Measure of Coherence and UniquenessChristopher Wm. White. 324-334 [doi]
- Complementary Collections in Ligeti's DésordreClifton Callender. 337-349 [doi]
- Probabilistic Generation of Ragtime Music from Classical MelodiesJoel Michelson, Hong Xu, Phillip B. Kirlin. 350-360 [doi]
- Using Probabilistic Parsers to Support Salsa Music CompositionBrayan Rodríguez, Raúl Gutiérrez de Piñérez, Gerardo M. Sarria M.. 361-372 [doi]