Abstract is missing.
- Contrapuntal Aspects of the Mystic Chord and Scriabin's Piano Sonata No. 5Octavio Alberto Agustín-Aquino, Guerino Mazzola. 3-20 [doi]
- ComMute - Towards a Computational Musical Theory of EverythingGuerino Mazzola. 21-30 [doi]
- Groupoids and Wreath Products of Musical Transformations: A Categorical Approach from poly-Klumpenhouwer NetworksAlexandre Popoff, Moreno Andreatta, Andrée C. Ehresmann. 33-45 [doi]
- Fourier Phase and Pitch-Class SumDmitri Tymoczko, Jason Yust. 46-58 [doi]
- Categories, Musical Instruments, and Drawings: A Unification DreamMaria Mannone, Federico Favali. 59-72 [doi]
- Tropical Generalized Interval SystemsGiovanni Albini, Marco Paolo Bernardi. 73-83 [doi]
- Shall We (Math and) Dance?Maria Mannone, Luca Turchet. 84-97 [doi]
- Decontextualizing Contextual InversionJason Yust. 101-112 [doi]
- From Schritte and Wechsel to Coxeter GroupsMarkus Schmidmeier. 113-124 [doi]
- Exploring the Syntonic Side of Major-Minor TonalityThomas Noll, David Clampitt. 125-136 [doi]
- Embedded Structural Modes: Unifying Scale Degrees and Harmonic FunctionsThomas Noll, Karst de Jong. 137-148 [doi]
- Non-Contextual JQZ TransformationsFranck Jedrzejewski. 149-160 [doi]
- The Hierarchy of Rameau GroupsFranck Jedrzejewski. 161-171 [doi]
- Distant Neighbors and Interscalar ContiguitiesDaniel Harasim, Thomas Noll, Martin Rohrmeier. 172-184 [doi]
- Constraint-Based Systems of Triads and Seventh Chords, and Parsimonious Voice-LeadingMatt Klassen. 185-198 [doi]
- Distributional Analysis of n-Dimensional Feature Space for 7-Note Scales in 22-TETGareth M. Hearne, Andrew J. Milne, Roger T. Dean. 201-212 [doi]
- Filtration of Pitch-Class Sets ComplexesLouis Bigo, Moreno Andreatta. 213-226 [doi]
- Synesthesizer: Physical Modelling and Machine Learning for a Color-Based Synthesizer in Virtual RealityGiovanni Santini. 229-235 [doi]
- Mercury®: A Software Based on Fuzzy Clustering for Computer-Assisted CompositionBrian Martínez-Rodríguez, Vicente Liern. 236-247 [doi]
- A Parse-Based Framework for Coupled Rhythm Quantization and Score StructuringFrancesco Foscarin, Florent Jacquemard, Philippe Rigaux, Masahiko Sakai. 248-260 [doi]
- Reinterpreting and Extending Anatol Vieru's Periodic Sequences Through the Cellular Automata FormalismsPaul Lanthier, Corentin Guichaoua, Moreno Andreatta. 261-272 [doi]
- Surprisal, Liking, and Musical AffectNoah R. Fram. 275-286 [doi]
- Autocorrelation of Pitch-Event Vectors in Meter FindingChristopher Wm. White. 287-296 [doi]
- The Envelopes of Consonant Intervals and Chords in Just Intonation and Equal TemperamentLuis Nuño. 297-308 [doi]
- Maximally Even TilingsJeremy Kastine. 309-321 [doi]
- Distributed Vector Representations of Folksong MotifsAitor Arronte Alvarez, Francisco Gómez-Martin. 325-332 [doi]
- Visualizing Temperaments: Squaring the Circle?Gilles Baroin, André Calvet. 333-337 [doi]
- Music Corpus Analysis Using UnwordsDarrell Conklin. 338-343 [doi]
- Maths, Computation and Flamenco: Overview and ChallengesJosé Miguel Díaz-Báñez, Nadine Kroher. 344-351 [doi]
- Formalization of Voice-Leadings and the Nabla AlgorithmIsaac del Pozo, Francisco Gómez 0001. 352-358 [doi]
- Computational Music TherapyBillie Sandak, Avi Mazor, Amichay Asis, Avi Gilboa, David Harel. 359-368 [doi]
- Insiders' Choice: Studying Pitch Class Sets Through Their Discrete Fourier TransformationsThomas Noll. 371-378 [doi]
- Have Fun with Math and Music!Maria Mannone. 379-382 [doi]
- Teaching Music with Mathematics: A Pilot StudyAndrew J. Milne, Andrea M. Calilhanna. 383-389 [doi]
- Integrated Music and Math Projects in Secondary EducationMiguel R. Wilhelmi, Mariana Montiel. 390-393 [doi]
- "Concerférences": of Music and Maths, for the Audience's DelightEmmanuel Amiot. 394-398 [doi]