Table of Contents

• InVisible - Movement on the Edge of Two RealitiesAvital Meshi, Treyden Chiaravalloti. [doi]
• Sensor-based Activity Recognition using Deep Learning: A Comparative StudyImen Trabelsi, Jules Françoise, Yacine Bellik. [doi]
• Dance Practice System that Shows What You Would Look Like if You Could Master the DanceShuhei Tsuchida, Haomin Mao, Hideaki Okamoto, Yuma Suzuki, Rintaro Kanada, Takayuki Hori, Tsutomu Terada, Masahiko Tsukamoto. [doi]
• And She Will Sound The Alarm: Performance and Demo of the Body Sample PlayerRyan Ingebritsen, Christopher Knowlton. [doi]
• Feeling movement in live electronic music: An embodied autoethnographyMary Mainsbridge. [doi]
• Experimental Creation of Contemporary Dance Works Using a Body-part Motion Synthesis SystemAsako Soga, Bin Umino, Motoko Hirayama. [doi]
• danceON and softWEAR: Education-level creative coding and programmable wearablesYoav Bergner, William Payne, Kathleen McDermott, Kayla DesPortes. [doi]
• RoboGroove: Creating Fluid Motion for Dancing Robotic ArmsAmit Rogel, Richard Savery, Ning Yang, Gil Weinberg. [doi]
• DesquamationKristin Carlson, Zahra Irannezhad, Laina Carney. [doi]
• Exploring costume-avatar interaction in digital dance experiencesMarina Stergiou, Spyros Vosinakis. [doi]
• Movement Analysis and Decomposition with the Continuous Wavelet TransformJules Françoise, Gabriel Meseguer-Brocal, Frédéric Bevilacqua. [doi]
• Enhancing Film Choreography Through Digital Representation of Camera Movement and AgencyJenny Oyallon-Koloski, Michael J. Junokas. [doi]
• Designing a Choreographic Interface During COVID-19Lins Derry, Jordan Kruguer, Maximilian Mueller, Jeffrey Schnapp. [doi]
• Haptic Technology and Motion Capture to Make Dance More Accessible for the Blind and Visually ImpairedMax Percy. [doi]
• Performers' Use of Space and Body in Movement Interaction with A Movement-based Digital Musical InstrumentDoga Cavdir, Sofia Dahl. [doi]
• Reinforcement Learning Based Dance Movement GenerationMarkus Toverud Ruud, Tale Hisdal Sandberg, Ulrik Johan Vedde Tranvaag, Benedikte Wallace, Seyed Mojtaba Karbasi, Jim Torresen. [doi]
• Motion-Sensor Programming for Accessible InterfacesWilliam Bares, Dexter Aichele, Eva Coulon, Nick Hager, Tina Wang, Julian Le, Abdelrahman Elawadly. [doi]
• Generative Dance - a Taxonomy and SurveyDaniel Bisig. [doi]
• The I-TEC Design Framework for Kinesthetic Transmission in Online SpacesShannon Cuykendall, Thecla Schiphorst. [doi]
• Geocultural Precarities in Canonizing Computing Research Involving Dance: The effects of treating western, EuroAmerican concert dance as universally applicable across geoculturally diverse movement computing research effortsJessica J. Rajko. [doi]
• Stage Together: Remote Rehearsal of Theater BlockingStephanie Fulton, Dexter Aichele, Eva Coulon, Mattew Kizer, Anna Conser, William Bares. [doi]
• PendularElias Jarzombek, Yiran Marcel Wang. [doi]
• Radiant Soma: Visualization of Movement Through Motion Capture and LasersEugenia Sangmie Kim, Jayson Haebich, Álvaro Cassinelli. [doi]
• Blockchain Feels: A Workshop in Choreographing ComplexityRenee Carmichael. [doi]
• Incoherent Robot Groups: How Divergent Motions within a Robot Group Predict Functional and Social InterpretationsAlexandra Bacula, Heather Knight. [doi]
• Skin Hunger: A Telematic InstallationCourtney Douglass Brown, Ira Greenberg 0001, Brent Brimhall. [doi]
• Dance and Movement-Led Research for Designing and Evaluating Wearable Human-Computer InterfacesRobin Otterbein, Elizabeth Jochum, Daniel Overholt, Shaoping Bai, Alex Dalsgaard. [doi]
• Analysis of variability in sign language hand trajectories: development of generative modelPerrine Chassat, Juhyun Park, Nicolas J.-B. Brunel. [doi]
• Machine Art: Exploring Abstract Human Animation Through Machine Learning MethodsJamal Knight, Andrew Johnston, Adam Berry. [doi]
• Towards A Framework For Dancing Beyond DemonstrationPatrick Martin, Kate Sicchio, Charles Dietzel, Alicia Olivo. [doi]
• Spectral Analysis for Dance Movement Query and InterpolationEmily Napier, Gavin Gray, Sageev Oore. [doi]
• From capturing the embodied social experience to music composition: data as mediationVilelmini Kalampratsidou, Pandelis Diamantides, Marina Stergiou, Katerina El Raheb, Yannis E. Ioannidis, Philia Issari, Eugenie Georgaca, Dora Skali, Flora Koliouli, Evangelia Karydi, Panos Giokas, Virginia Vassilakou, Yannis Pappas. [doi]
• Manus TremensSteven Kemper. [doi]
• Extending the Body: An Embodied Practice as Choreography in Virtual Reality PerformanceTara Burns. [doi]
• The BESST System: Explicating a New Component of Time in Laban/Bartenieff Movement Studies Through Work With RobotsAmy LaViers, Cat Maguire. [doi]
• Floating Departures: Developing Quarantine Dance Technique as an Artistic Practice Beyond the PandemicShannon Cuykendall, Steve DiPaola. [doi]
• SmoothOperator : A Device for Characterizing Smoothness in Body MovementAdrián Artacho, Leonhard Horstmeyer. [doi]
• Exploring the Design Space for Body Transformation Wearables to Support Physical Activity through Sensitizing and BodystormingAna Tajadura-Jiménez, Judith Ley-Flores, Omar Valdiviezo, Aneesha Singh, Milagrosa Sanchez-Martin, Joaquin Diaz Duran, Elena Márquez Segura. [doi]
• Professor Plucky: Expressive body movement in human-robot musical ensemblesMichael Krzyzaniak, Laura Bishop. [doi]
• "So... Will You Be Looking at Dance?": Data-led Dance History and the Edges of Movement ComputingHarmony Bench, Kate Elswit. [doi]
• Virtual Dance Mirror: A Functional Approach to Avatar Representation through Movement in Immersive VRSaliha Akbas, Asim Evren Yantaç, Terry Eskenazi, Kemal Kuscu, Sinem Semsioglu, Onur Topal Sumer, Asli Ozturk. [doi]