Table of Contents

• Evolving Tooka: from Experiment to InstrumentSidney Fels, Linda Kaastra, Sachiyo Takahashi, Graeme McCaig. 1-6 [doi]
• The Electronic Sitar ControllerAjay Kapur, Ari J. Lazier, Philip Davidson, R. Scott Wilson, Perry R. Cook. 7-12 [doi]
• Sound Feedback for Powerful Karate TrainingMasami Takahata, Kensuke Shiraki, Yutaka Sakane, Yoichi Takebayashi. 13-18 [doi]
• Dynamic Patching for Live Musical PerformanceMartin Kaltenbrunner, Gunter Geiger, Sergi Jordà. 19-22 [doi]
• Aobachi: A New Interface for Japanese DrummingDiana Young, Ichiro Fujinaga. 23-26 [doi]
• Daisyphone: Support for Remote Music CollaborationNick Bryan-Kinns, Patrick G. T. Healey. 27-30 [doi]
• Modeling an air percussion for composition and performanceChristophe Havel, Myriam Desainte-Catherine. 31-34 [doi]
• A Survey of Real-Time MIDI PerformanceMark J. Nelson, Belinda Thom. 35-38 [doi]
• Real-time Gesture Mapping in Pd Environment using Neural NetworksArshia Cont, Thierry Coduys, Cyrille Henry. 39-42 [doi]
• The Decentralized Pianola: Evolving Mechanical Music Instruments Using a Genetic AlgorithmAssaf K. Talmudi. 43-46 [doi]
• Don t Just Play it, Grow it! : Breeding Sound Synthesis and Performance MappingsJames Mandelis, Phil Husbands. 47-50 [doi]
• Tree Music: Composing with GAIAJudith Shatin, David Topper. 51-54 [doi]
• Recycling Music, Answering Back: Toward an Oral Tradition of Electronic MusicGideon D Arcangelo. 55-58 [doi]
• Digital Instruments and Players: Part I - Efficiency and ApprenticeshipSergi Jordà. 59-63 [doi]
• A New Mix of Forgotten Technology: Sound Generation, Sequencing and Performance Using an Optical TurntableNikita Pashenkov. 64-67 [doi]
• You re The Conductor: A Realistic Interactive Conducting System for ChildrenEric Lee, Teresa Marrin Nakra, Jan Borchers. 68-73 [doi]
• PebbleBox and CrumbleBag: Tactile Interfaces for Granular SynthesisM. Sile O Modhrain, Georg Essl. 74-79 [doi]
• Gesture and Musical Interaction: Interactive Engagement Through Dynamic MorphologyGarth Paine. 80-86 [doi]
• On the Choice of Mappings Based On Geometric PropertiesDoug Van Nort, Marcelo M. Wanderley, Philippe Depalle. 87-91 [doi]
• The Squiggle: A Digital Musical InstrumentBrian Sheehan. 92-95 [doi]
• Exploration of the correspondence between visual and acoustic parameter spacesDavid Gerhard, Daryl H. Hepting, Matthew McKague. 96-99 [doi]
• The Architecture of Auracle: a Real-Time, Distributed, Collaborative InstrumentChandrasekhar Ramakrishnan, Jason Freeman, Kristjan Varnik, David Birchfield, Phil Burk, Max Neuhaus. 100-103 [doi]
• Thermoscore: A New-type Musical Score with Temperature SensationHomei Miyashita, Kazushi Nishimoto. 104-107 [doi]
• Toward a generalized friction controller: from the bowed string to unusual musical instrumentsStefania Serafin, Diana Young. 108-111 [doi]
• ThumbTec: A New Handheld Input DevicePhilippe Stanislas Zaborowski. 112-115 [doi]
• Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain ProcessingRyan H. Torchia, Cort Lippe. 116-119 [doi]
• Rencon 2004: Turing Test for Musical ExpressionRumi Hiraga, Roberto Bresin, Keiji Hirata, Haruhiro Katayose. 120-123 [doi]
• Using an Expressive Performance Template in a Music Conducting InterfaceHaruhiro Katayose, Keita Okudaira. 124-129 [doi]
• Acappella synthesis demonstrations using RWC music databaseHideki Kawahara, Hideki Banno, Masanori Morise. 130-131 [doi]
• Aura II: Making Real-Time Systems Safe for MusicRoger B. Dannenberg. 132-137 [doi]
• On-the-fly Programming: Using Code as an Expressive Musical Instrument Ge Wang, Perry R. Cook. 138-143 [doi]
• Live Cinema: Designing an Instrument for Cinema Editing as a Live PerformanceMichael Lew. 144-149 [doi]
• Synthesized Strings for String PlayersCornelius Poepel. 150-153 [doi]
• Mobile Music MakingAtau Tanaka. 154-156 [doi]
• Versatile sensor acquisition system utilizing Network TechnologyEmmanuel Fléty. 157-160 [doi]
• In Duet with Everyday Urban Settings: A User Study of Sonic CityLalya Gaye, Lars Erik Holmquist. 161-164 [doi]
• Issues for Designing a flexible expressive audiovisual system for real-time performance & compositionEnrique Franco, Niall J. L. Griffith, Mikael Fernström. 165-168 [doi]
• A Novel Face-tracking Mouth Controller and its Application to Interacting with Bioacoustic ModelsGamhewage C. de Silva, Tamara Smyth, Michael J. Lyons. 169-172 [doi]
• Measurement of Latency in Interactive Multimedia ArtYoichi Nagashima. 173-176 [doi]
• ism: Improvisation Supporting System based on Melody CorrectionKatsuhisa Ishida, Tetsuro Kitahara, Masayuki Takeda. 177-180 [doi]
• LEMUR s Musical RobotsEric Singer, Jeff Feddersen, Chad Redmon, Bil Bowen. 181-184 [doi]
• EyeMusic: Making Music with the EyesAnthony J. Hornof, Linda Sato. 185-188 [doi]
• The Slidepipe: A Timeline-Based Controller for Real-Time Sample ManipulationMark Argo. 189-192 [doi]
• A Theory of Modulated Objects for New Shamanic Controller DesignMatthew Burtner. 193-196 [doi]
• A Shape-Based Approach to Computer Vision Musical Performance SystemsJean-Marc Pelletier. 197-198 [doi]
• Epipe : A Novel Electronic Woodwind ControllerStephen Hughes, Cormac Cannon, M. Sile O Modhrain. 199-200 [doi]
• SillyTone Squish FactoryGeoffrey C. Morris, Sasha Leitman, Marina Kassianidou. 201-202 [doi]
• StickMusic: Using haptic feedback with a phase vocoderHans-Christoph Steiner. 203-204 [doi]
• TOASTER and KROONDE: High-Resolution and High-Speed Real-time Sensor InterfacesThierry Coduys, Cyrille Henry, Arshia Cont. 205-206 [doi]
• The Case Study of Application of Advanced Gesture Interface and Mapping Interface, - Virtual Musical Instrument Le SuperPolm and Gesture Controller BodySuit Suguru Goto, Takahiko Suzuki. 207-208 [doi]
• Light Pipes: A Light Controlled MIDI InstrumentSook Young Won, Humane Chan, Jeremy Liu. 209-210 [doi]
• Realtime Sample System for the Turntablist version 2: 16padjoystickcontrollerTakuro Mizuta Lippit. 211-212 [doi]
• The Stranglophone: Enhancing Expressiveness in Live Electronic MusicMichael Eyal Sharon. 213-214 [doi]
• Ensemble system with i-traceTomoko Hashida, Yasuaki Kakehi, Takeshi Naemura. 215-216 [doi]