Table of Contents

• Controlling a Physical Model with a 2D Force MatrixRandy Jones, Andrew Schloss. 27-30 [doi]
• PHYSMISM: A Control Interface for Creative Exploration of Physical ModelsNiels Böttcher, Steven Gelineck, Stefania Serafin. 31-36 [doi]
• Physical Models and Musical Controllers - Designing a Novel Electronic Percussion InstrumentKatarzyna Chuchacz, Sile O'Modhrain, Roger Woods. 37-40 [doi]
• A Force Sensitive Multi-Touch Array Supporting Multiple 2-D Musical Control StructuresDavid Wessel, Rimas Avizienis, Adrian Freed, Matthew Wright. 41-45 [doi]
• Zstretch: A Stretchy Fabric Music ControllerAngela Chang, Hiroshi Ishii. 46-49 [doi]
• Oculog: Playing with Eye MovementsJuno Kim, Greg Schiemer, Terumi Narushima. 50-55 [doi]
• Active Listening to a Virtual Orchestra Through an Expressive Gestural Interface: The Orchestra ExplorerAntonio Camurri, Corrado Canepa, Gualtiero Volpe. 56-61 [doi]
• The Multimodal Music StandBo Bell, Jim Kleban, Dan Overholt, Lance Putnam, John Thompson, JoAnn Kuchera-Morin. 62-65 [doi]
• The T-Stick: From Musical Interface to Musical InstrumentJoseph Malloch, Marcelo M. Wanderley. 66-69 [doi]
• The Thummer Mapping Project (ThuMP)Garth Paine, Ian Stevenson, Angela Pearce. 70-77 [doi]
• HandSketch Bi-Manual Controller Investigation on Expressive Control Issues of an Augmented TabletNicolas D'Alessandro, Thierry Dutoit. 78-81 [doi]
• Mobile Clavier: New Music Keyboard for Flexible Key TransposeYoshinari Takegawa, Tsutomu Terada. 82-87 [doi]
• Design Principles and User Interfaces of Erkki Kurenniemi's Electronic Musical Instruments of the 1960's and 1970'sMikko Ojanen, Jari Suominen, Titti Kallio, Kai Lassfolk. 88-93 [doi]
• The Acoustic, the Digital and the Body: A Survey on Musical InstrumentsThor Magnusson, Enrike H. Mendieta. 94-99 [doi]
• Ten Years of Tablet Musical Interfaces at CNMATMichael Zbyszynski, Matthew Wright, Ali Momeni, Daniel Cullen. 100-105 [doi]
• Expression and Its Discontents: Toward an Ecology of Musical CreationMichael Gurevich, Jeffrey Treviño. 106-111 [doi]
• Live Coding PracticeClick Nilson. 112-117 [doi]
• Natural Interfaces for Musical Expression: Physiphones and a Physics-Based OrganologySteve Mann. 118-123 [doi]
• Wireless Sensor Interface and Gesture-Follower for Music PedagogyFrédéric Bevilacqua, Fabrice Guédy, Norbert Schnell, Emmanuel Fléty, Nicolas Leroy. 124-129 [doi]
• New Interfaces for Popular Music PerformanceRoger B. Dannenberg. 130-135 [doi]
• Towards Rhythmic Analysis of Human Motion Using Acceleration-Onset TimesEric Lee, Urs Enke, Jan Borchers, Leo de Jong. 136-141 [doi]
• nJam User Experiments: Enabling Remote Musical Interaction from Milliseconds to SecondsNicolas Bouillot. 142-147 [doi]
• Ashitaka: An Audiovisual InstrumentNiall Moody, Nick Fells, Nicholas Bailey. 148-153 [doi]
• Percussion Instruments Using Realtime Convolution: Physical ControllersRoberto Aimi. 154-159 [doi]
• CaMus 2 - Optical Flow and Collaboration in Camera Phone Music PerformanceMichael Rohs, Georg Essl. 160-163 [doi]
• Don't Forget the Laptop: Using Native Input Capabilities for Expressive Musical ControlRebecca Fiebrink, Ge Wang, Perry R. Cook. 164-167 [doi]
• MIDI Scrapyard Challenge WorkshopsKatherine Moriwaki, Jonah Brucken-Cohen. 168-172 [doi]
• REXband: A Multi-User Interactive Exhibit for Exploring Medieval MusicEric Lee, Marius Wolf, Yvonne Jansen, Jan Borchers. 172-177 [doi]
• Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical PerformanceMarije A. J. Baalman, Daniel Moody-Grigsby, Christopher L. Salter. 178-184 [doi]
• ParticleTecture: Interactive Granular Soundspaces for Architectural DesignJoanne Jakovich, Kirsty A. Beilharz. 185-190 [doi]
• New Musical Interfaces in Context: Sonic Interaction Design in the Urban SettingKarmen Franinovic, Yon Visell. 191-196 [doi]
• Musicianship for Robots with StyleMarcelo Gimenes, Eduardo Miranda, Chris Johnson. 197-202 [doi]
• Extended Applications of the Wireless Sensor Array (WISEAR)David Topper. 203-204 [doi]
• Celeritas: Wearable Wireless SystemGiuseppe Torre, Mikael Fernström, Brendan O'Flynn, Philip Angove. 205-208 [doi]
• Defining a Control Standard for Easily Integrating Haptic Virtual Environments with Existing Audio / Visual SystemsStephen Sinclair, Marcelo M. Wanderley. 209-212 [doi]
• Chroma Palette: Chromatic Maps of Sound As Granular Synthesis InterfaceJustin Donaldson, Ian Knopke, Chris Raphael. 213-219 [doi]
• Matching Parts: Inner Voice Led Control for Symbolic and Audio AccompanimentNick Collins. 220-223 [doi]
• Rage in Conjunction with the MachineMark Cartwright, Matt Jones, Hiroko Terasawa. 224-227 [doi]
• The Design of a Robotic Marimba Player - Introducing Pitch into Robotic MusicianshipGil Weinberg, Scott Driscoll. 228-233 [doi]
• B-Keeper: A Beat-Tracker for Live PerformanceAndrew Robertson, Mark D. Plumbley. 234-237 [doi]
• Integrating HyperInstruments , Musical Robots & Machine Musicianship for North Indian Classical MusicAjay Kapur, Eric Singer, Manjinder Singh Benning, George Tzanetakis, Trimpin. 238-241 [doi]
• The Wrist-ConductorArthur Clay, Dennis Majoe. 242-245 [doi]
• fMRI-Compatible Electronic ControllersAvrum Hollinger, Christopher Steele, Virginia B. Penhune, Robert J. Zatorre, Marcelo M. Wanderley. 246-249 [doi]
• GHI project and "Cyber Kendang"Yoichi Nagashima. 250-253 [doi]
• Sensillum: An Improvisational Approach to CompositionShinichiro Toyoda. 254-255 [doi]
• The Samchillian Tip Tip Tip Cheeepeeeee: A Relativistic Keyboard InstrumentLeon Gruenbaum. 256-259 [doi]
• Graph Theory: Interfacing Audiences Into the Compositional ProcessJason Freeman. 260-263 [doi]
• The ColorDex DJ System: A New Interface for Live Music MixingNicolas Villar, Hans Gellersen, Matthew Jervis, Alexander Lang. 264-269 [doi]
• The WaveSaw: A Flexible Instrument for Direct Timbral ManipulationLuke Dahl, Nathan Whetsell, John Van Stoecker. 270-272 [doi]
• DAMPER: A Platform for Effortful Interface DevelopmentPeter Bennett, Nicholas Ward, Sile O'Modhrain, Pedro Rebelo. 273-276 [doi]
• Visual Feedback in Performer-Machine Interaction for Musical ImprovisationAlexandre R. J. François, Elaine Chew, Dennis Thurmond. 277-280 [doi]
• >hot_strings SIG<Cornelius Poepel, Günter Marx. 281-284 [doi]
• Tactophonics: Your Favourite Thing Wants to SingAndrew Cook, Graham Pullin. 285-288 [doi]
• Díamair: Composing for Choir and Integral Music ControllerMiguel Angel Ortiz Pérez, R. Benjamin Knapp, Michael Alcorn. 289-292 [doi]
• Interactive Spatialization and Sound Design using an Evolutionary SystemJosé Fornari, Adolfo Maia, Jônatas Manzolli. 293-298 [doi]
• EyeMusic: Performing Live Music and Multimedia Compositions with Eye MovementsAnthony J. Hornof, Troy Rogers, Tim Halverson. 299-300 [doi]
• The FrankenPipe: A Novel Bagpipe ControllerTurner Kirk, Colby Leider. 301-304 [doi]
• Developing Multimodal Interactive Systems with EyesWeb XMIAntonio Camurri, Paolo Coletta, Giovanna Varni, Simone Ghisio. 305-308 [doi]
• Real-Time Feature-Based Synthesis for Live Musical PerformanceMatthew D. Hoffman, Perry R. Cook. 309-312 [doi]
• jPop-E: An Assistant System for Performance Rendering of Ensemble MusicMitsuyo Hashida, Noriko Nagata, Haruhiro Katayose. 313-316 [doi]
• Recognition and Prediction in a Network Music Performance System for Indian PercussionMihir Sarkar, Barry Vercoe. 317-320 [doi]
• JamiOki-PureJoy: A Game Engine and Instrument for Electronically-Mediated Musical ImprovisationBenjamin Vigoda, David Merrill. 321-326 [doi]
• A Look at the Design and Creation of a Graphically Controlled Digital Musical InstrumentDaniel Gómez, Tjebbe Donner, Andrés Posada. 327-329 [doi]
• The MIDI Pick: Trigger Serial Data , Samples, and MIDI from a Guitar PickRoy Vanegas. 330-333 [doi]
• Improved Position Tracking of a 3-D Gesture-Based Musical Controller Using a Kalman FilterManjinder Singh Benning, Michael McGuire, Peter F. Driessen. 334-337 [doi]
• The Lambent Reactive: An Audiovisual Environment for Kinesthetic PlayformsNoah H. Keating. 338-343 [doi]
• Real-Time Beat-Synchronous Audio EffectsAdam M. Stark, Mark D. Plumbley, Matthew E. P. Davies. 344-345 [doi]
• Automatic Notation GeneratorsHarris Wulfson, G. Douglas Barrett, Michael Winter. 346-351 [doi]
• Bowstroke Database: A Web-Accessible Archive of Violin Bowing DataDiana Young, Anagha Deshmane. 352-357 [doi]
• Gesture Control of Sounds in 3D SpaceJan Schacher. 358-362 [doi]
• Adaptive Tuning Using Theremin as Gestural ControllerAlexandre Torres Porres, Jônatas Manzolli. 363-366 [doi]
• Design Issues in Interaction Modeling for Free ImprovisationWilliam Hsu. 367-370 [doi]
• VR-RoBoser: Real-Time Adaptive Sonification of Virtual Environments Based on Avatar BehaviorSylvain Le Groux, Jônatas Manzolli, Paul F. M. J. Verschure. 371-374 [doi]
• A Unified Toolkit for Accessing Human Interface Devices in Pure Data and Max / MSPHans-Christoph Steiner. 375-378 [doi]
• Control Strategies for Navigation of Complex Sonic Spaces Transformation of Resonant ModelsDoug Van Nort, Marcelo M. Wanderley. 379-383 [doi]
• Articulated Paint: Musical Expression for Non-MusiciansAndré Knörig, Boris Müller, Reto Wettach. 384-385 [doi]
• Freqtric Drums: A Musical Instrument that Uses Skin Contact as an InterfaceTetsuaki Baba, Taketoshi Ushiama, Kiyoshi Tomimatsu. 386-387 [doi]
• Project Scriabin v.3Chang-Min Han. 388-389 [doi]
• Expressive Control of Music and Visual Media by Full-Body MovementGinevra Castellano, Roberto Bresin, Antonio Camurri, Gualtiero Volpe. 390-391 [doi]
• A Hybrid Method for Extended Percussive GestureAdam R. Tindale. 392-393 [doi]
• Use of a Dual-Core DSP in a Low-Cost, Touch-Screen Based Musical InstrumentPaolo Bottoni, Riccardo Caporali, Daniele Capuano, Stefano Faralli, Anna Labella, Mario Pierro. 394-395 [doi]
• Mountain Guitar: a Musical Instrument for EveryoneJunichi Kanebako, James Gibson, Laurent Mignonneau. 396-398 [doi]
• Eobody2: A Follow-up to Eobody's TechnologyMarc Sirguy, Emmanuelle Gallin. 401-402 [doi]
• Wireless Inertial Sensor Package (WISP)Bernie C. Till, Manjinder Singh Benning, Nigel Livingston. 403-404 [doi]
• "Acoustic Map" - An Interactive CityportraitStefan Loewenstein. 405-406 [doi]
• A System for Improvisational Musical Expression Based on Player ' s Sense of TempoTomoko Hashida, Takeshi Naemura, Takao Sato. 407-408 [doi]
• Circle Canon Chorus System Used To Enjoy A Musical Ensemble Singing "Frog Round"Misako Nakamoto, Yasuo Kuhara. 409-410 [doi]
• Loop-R: Real-Time Video InterfaceRui Pereira. 411-414 [doi]
• The Music Cre8tor: an Interactive System for Musical Exploration and EducationJane Rigler, Zachary Seldess. 415-416 [doi]
• Establishing a Musical Channel of Communication between Dancers and Musicians in Computer-Mediated Collaborations in Dance PerformanceCarlos Guedes. 417-419 [doi]
• Cellphonia: WETSteve Bull, Scot Gresham-Lancaster, Kalin Mintchev, Terese Svoboda. 420 [doi]
• MillerDearraindrop. 421 [doi]
• Instant City, a Music Building Game TableSibylle Hauert, Daniel Reichmuth, Volker Böhm. 422 [doi]
• NIME Performance & Installation: Sonic Pong V3.0Andrew Milmoe. 423 [doi]
• The Tipping PointBetsey Biggs. 424 [doi]
• Musique Concrete: Transforming Space , Sound and the City Through SkateboardingSimon Morris. 425 [doi]
• Bd: A Sound Installation with Swarming RobotsYuta Uozumi, Masato Takahashi, Ryoho Kobayashi. 426 [doi]
• SensityStanza. 427 [doi]
• ThresholdsAdriana Sa. 428 [doi]
• bog: Instrumental AliensMasato Takahashi, Hiroya Tanaka. 429 [doi]
• Fijuu2: A Game-Based Audio-Visual Performance and Composition EngineJulian Oliver, Steven Pickles. 430 [doi]
• nite_aura: An Audio-Visual Interactive Immersive InstallationJinsil Seo, Greg Corness. 431 [doi]
• SoundanismMiguel Álvarez-Fernández, Stefan Kersten, Asia Piascik. 432 [doi]
• Human SequencerAlexandre Quessy. 433 [doi]