Abstract is missing.
- Network Musics - Play , Engagement and the Democratization of PerformanceDavid Kim-Boyle. 3-8 [doi]
- Ten-Hand Piano: A Networked Music InstallationAlvaro Barbosa. 9-12 [doi]
- Large-Scale Mobile Audio Environments for Collaborative Musical InteractionMichael Wozniewski, Nicolas Bouillot, Zack Settel, Jeremy R. Cooperstock. 13-18 [doi]
- Open Sound Control: Constraints and LimitationsAngelo Fraietta. 19-23 [doi]
- SMuSIM: a Prototype of Multichannel Spatialization System with Multimodal Interaction InterfaceMatteo Bozzolan, Giovanni Cospito. 24-27 [doi]
- Realtime Representation and Gestural Control of Musical PolytempiChris Nash, Alan Blackwell. 28-33 [doi]
- Towards Idiomatic and Flexible Score-based Gestural Control with a Scripting LanguageMikael Laurson, Mika Kuuskankare. 34-37 [doi]
- Enhancing the Visualization of Percussion Gestures by Virtual Character AnimationAlexandre Bouënard, Sylvie Gibet, Marcelo M. Wanderley. 38-43 [doi]
- Classification of Common Violin Bowing Techniques Using Gesture Data from a Playable Measurement SystemDiana Young. 44-48 [doi]
- Slide Guitar Synthesizer with Gestural ControlJyri Pakarinen, Vesa Välimäki, Tapio Puputti. 49-52 [doi]
- An Approach to Instrument Augmentation: the Electric GuitarOtso Lähdeoja. 53-56 [doi]
- Sormina - a New Virtual and Tangible InstrumentJuhani Räisänen. 57-60 [doi]
- Practical Hardware and Algorithms for Creating Haptic Musical InstrumentsEdgar Berdahl, Hans-Christoph Steiner, Collin Oldham. 61-66 [doi]
- Considering Virtual & Physical Aspects in Acoustic Guitar DesignAmit Zoran, Pattie Maes. 67-70 [doi]
- Virtual Intimacy: Phya as an InstrumentDylan Menzies. 71-76 [doi]
- Creating Pedagogical Etudes for Interactive InstrumentsJennifer Butler. 77-80 [doi]
- Discourse Analysis Evaluation Method for Expressive Musical InterfacesDan Stowell, Mark D. Plumbley, Nick Bryan-Kinns. 81-86 [doi]
- HCI Methodology For Evaluating Musical Controllers: A Case StudyChris Kiefer, Nick Collins, Geraldine Fitzpatrick. 87-90 [doi]
- The A20: Musical Metaphors for Interface DesignOlivier Bau, Atau Tanaka, Wendy E. Mackay. 91-96 [doi]
- Low Force Pressure Measurement: Pressure Sensor Matrices for Gesture Analysis , Stiffness Recognition and Augmented InstrumentsTobias Grosshauser. 97-102 [doi]
- The Development of Motion Tracking Algorithms for Low Cost Inertial Measurement UnitsGiuseppe Torre, Javier Torres, Mikael Fernström. 103-106 [doi]
- Application of new Fiber and Malleable Materials for Agile Development of Augmented Instruments and ControllersAdrian Freed. 107-112 [doi]
- Transforming Ordinary Surfaces into Multi-touch ControllersAlain Crevoisier, Greg Kellum. 113-116 [doi]
- A Study of Two Thereminists: Towards Movement Informed Instrument DesignNicholas Ward, Kedzie Penfield, Sile O'Modhrain, R. Benjamin Knapp. 117-121 [doi]
- Towards an Affective Gesture Interface for Expressive Music PerformanceVassilios-Fivos A. Maniatakos, Christian Jacquemin. 122-127 [doi]
- Hoppsa Universum - An Interactive Dance Installation for ChildrenAnna Källblad, Anders Friberg, Karl Svensson, Elisabet S. Edelholm. 128-133 [doi]
- Mappe per Affetti Erranti: a Multimodal System for Social Active Listening and Expressive PerformanceAntonio Camurri, Corrado Canepa, Paolo Coletta, Barbara Mazzarino, Gualtiero Volpe. 134-139 [doi]
- New Data Structure for Old Musical Open WorksSergio Canazza, Antonina Dattolo. 140-143 [doi]
- An Agent-based System for Robotic Musical PerformanceArne Eigenfeldt, Ajay Kapur. 144-149 [doi]
- Elementary Gestalts for Gesture SonificationMaurizio Goina, Pietro Polotti. 150-153 [doi]
- Sonically Augmented Found ObjectsStefano Delle Monache, Pietro Polotti, Stefano Papetti, Davide Rocchesso. 154-157 [doi]
- Sonified Motion Flow Fields as a Means of Musical ExpressionJean-Marc Pelletier. 158-163 [doi]
- P[a]ra[pra]xis: Poetry in MotionJosh Dubrau, Mark Havryliv. 164-167 [doi]
- Davos Soundscape, a Location Based Interactive CompositionJan Schacher. 168-171 [doi]
- uOSC: The Open Sound Control Reference Platform for Embedded DevicesAndrew Schmeder, Adrian Freed. 175-180 [doi]
- Addressing Classes by Differentiating Values and Properties in OSCTimothy A. Place, Trond Lossius, Alexander Refsum Jensenius, Nils Peters. 181-184 [doi]
- Microphone as Sensor in Mobile Phone PerformanceAnanya Misra, Georg Essl, Michael Rohs. 185-188 [doi]
- A Mobile Wireless Augmented GuitarNicolas Bouillot, Michael Wozniewski, Zack Settel, Jeremy R. Cooperstock. 189-192 [doi]
- A Mobile Music Environment Using a PD Compiler and Wireless SensorsRobert Jacobs, Mark Feldmeier, Joseph A. Paradiso. 193-196 [doi]
- Gesture ≈ Sound Experiments: Process and MappingsRoss Bencina, Danielle Wilde, Somaya Langley. 197-202 [doi]
- "3rd. Pole" - A Composition Performed via Gestural CuesMiha Ciglar. 203-206 [doi]
- More DJ Techniques on the reactableKjetil Falkenberg Hansen, Marcos Alonso. 207-210 [doi]
- Developing Block-Movement, Physical-Model Based Objects for the ReactableSmilen Dimitrov, Marcos Alonso, Stefania Serafin. 211-214 [doi]
- Real Time Gesture Learning and Recognition: Towards Automatic CategorizationJean-Baptiste Thiebaut, Samer Abdallah, Andrew Robertson, Nick Bryan-Kinns, Mark D. Plumbley. 215-218 [doi]
- Making of VITESSIMO for Augmented Violin: Compositional Process and PerformanceMari Kimura. 219-220 [doi]
- Programming a Music Synthesizer through Data MiningJörn Loviscach. 221-224 [doi]
- i-Maestro: Technology-Enhanced Learning and Teaching for MusicKia Ng, Paolo Nesi. 225-228 [doi]
- The HOP Sensor: Wireless Motion SensorBart Kuyken, Wouter Verstichel, Frederick Bossuyt, Jan Vanfleteren, Michiel Demey, Marc Leman. 229-232 [doi]
- Sensory Chairs: A System for Biosignal Research and PerformanceNiall Coghlan, R. Benjamin Knapp. 233-236 [doi]
- Wearable Interfaces for Cyberphysical Musical ExpressionAndrew B. Godbehere, Nathan J. Ward. 237-240 [doi]
- MusicGlove: A Wearable Musical Controller for Massive Media LibraryKouki Hayafuchi, Kenji Suzuki. 241-244 [doi]
- An Elementary Method for TabletMichael Zbyszynski. 245-248 [doi]
- A Tabletop Waveform Editor for Live PerformanceGerard Roma, Anna Xambó. 249-252 [doi]
- Integrated Algorithmic Composition Fluid systems for including notation in music composition cycleAndrea Valle. 253-256 [doi]
- GeoGraphy: a Real-Time, Graph-Based Composition EnvironmentAndrea Valle. 257-260 [doi]
- Multi-Platform Development of Audiovisual and Kinetic InstallationsIannis Zannos. 261-264 [doi]
- Performer Model: Towards a Framework for Interactive Performance Based on Perceived IntentionGreg Corness. 265-268 [doi]
- Developing an "Antigenous" Art Installation Based on a Touchless Endosystem InterfacePaulo C. Teles, Aidan Boyle. 269-272 [doi]
- The 'Suspended Clarinet' with the 'Uncaused Sound': Description of a Renewed Musical InstrumentSilvia Lanzalone. 273-276 [doi]
- A Directable Performance Rendering System: ItopulMitsuyo Hashida, Yosuke Ito, Haruhiro Katayose. 277-280 [doi]
- Designing Ambient Musical Information SystemsWilliam R. Hazlewood, Ian Knopke. 281-284 [doi]
- The Elbow Piano: Sonification of Piano Playing MovementsAristotelis Hadjakos, Erwin Aitenbichler, Max Mühlhäuser. 285-288 [doi]
- UnitKeyboard: An Easily Configurable Compact ClavierYoshinari Takegawa, Masahiko Tsukamoto. 289-292 [doi]
- Eight Years of Practice on the Hyper-Flute: Technological and Musical PerspectivesCléo Palacio-Quintin. 293-298 [doi]
- A Tangible Virtual Vibrating String: A Physically Motivated Virtual Musical Instrument InterfaceEdgar Berdahl, Julius O. Smith. 299-302 [doi]
- Towards Participatory Design and Evaluation of Theremin-based Musical InterfacesChristian Geiger, Holger Reckter, David Paschke, Florian Schulz, Cornelius Poepel. 303-306 [doi]
- META-EVI Innovative Performance Paths with a Wind ControllerTomás Henriques. 307-310 [doi]
- Database and Mapping Design for Audiovisual Prepared Radio Set InstallationRobin Price, Pedro Rebelo. 311-314 [doi]
- Monalisa: "See the Sound , Hear the Image"Kazuhiro Jo, Norihisa Nagano. 315-318 [doi]
- A Turing Test for B-Keeper: Evaluating an InteractiveAndrew Robertson, Mark D. Plumbley, Nick Bryan-Kinns. 319-324 [doi]
- Interaction with Tonal Pitch SpacesGabriel Gatzsche, Markus Mehnert, Christian Stöcklmeier. 325-330 [doi]
- Real-Time Raag Recognition for Interactive MusicParag Chordia, Alex Rae. 331-334 [doi]
- Bending Common Music with Physical ModelsAnders Vinjar. 335-338 [doi]
- Scoring an Interactive, Multimedia Performance WorkMargaret Schedel, Alison Rootberg, Elizabeth de Martelly. 339-342 [doi]
- Rhythmic Instruments Ensemble Simulator Generating Animation Movies Using Bluetooth Game ControllerAyaka Endo, Yasuo Kuhara. 345-346 [doi]
- Stage-Worthy Sensor Bows for Stringed InstrumentsKeith A. McMillen. 347-348 [doi]
- Plink JetLesley Flanigan, Andrew Doro. 349-351 [doi]
- Oto-Shigure: An Umbrella-Shaped Sound Generator for Musical ExpressionYusuke Kamiyama, Mai Tanaka, Hiroya Tanaka. 352-353 [doi]
- The Pond: Interactive Multimedia InstallationSean Follmer, Chris Warren, Adnan Marquez-Borbon. 354-355 [doi]
- Swing Set: Musical Controllers with Inherent Physical DynamicsEthan Hartman, Jeff Cooper, Kyle Spratt. 356-357 [doi]
- Video Based Recognition of Hand Gestures by Neural Networks for the Control of Sound and MusicPaul Modler, Tony Myatt. 358-359 [doi]
- beacon: Embodied Sound Media Environment for Socio-Musical InteractionKenji Suzuki, Miho Kyoya, Takahiro Kamatani, Toshiaki Uchiyama. 360-361 [doi]
- Prototype GO: Wireless Controller for Pure DataEva Sjuve. 362-363 [doi]
- From Toy to Tutor: Note-Scroller is a Game to Teach MusicRobert Macrae, Simon Dixon. 364-365 [doi]
- Gluisax: Bent Leather Band's Augmented Saxophone ProjectStuart Favilla, Joanne Cannon, Tony Hicks, Dale Chant, Paris Favilla. 366-369 [doi]
- The Cyclotactor: Towards a Tactile Platform for Musical InteractionStaas de Jong. 370-371 [doi]
- The Musical Synchrotron: Using Wireless Motion Sensors to Study How Social Interaction Affects Synchronization with Musical TempoMichiel Demey, Marc Leman, Frederick Bossuyt, Jan Vanfleteren. 372-373 [doi]