Table of Contents

• Electric Slide OrganistrumMartin Piñeyro. [doi]
• Perfect Take: Experience design and new interfaces for musical expressionNicolas Makelberge, Álvaro Barbosa, André Perrotta, Luís Sarmento Ferreira. [doi]
• Considering Audience's View Towards an Evaluation Methodology for Digital Musical InstrumentsJerônimo Barbosa, Filipe Calegario, Veronica Teichrieb, Geber Ramalho, Patrick McGlynn. [doi]
• Further Developments in the Electromagnetically Sustained Rhodes PianoGreg Shear, Matthew Wright. [doi]
• The Emotion in Motion Experiment: Using an Interactive Installation as a Means for Understanding Emotional Response to MusicJavier Jaimovich, Miguel Angel Ortiz Pérez, Niall Coghlan, R. Benjamin Knapp. [doi]
• Unsupervised Play: Machine Learning Toolkit for MaxBenjamin D. Smith, Guy E. Garnett. [doi]
• Digito: A Fine-Grain Gesturally Controlled Virtual Musical InstrumentNicholas Gillian, Joseph A. Paradiso. [doi]
• A Reactive Environment for Dynamic Volume ControlDalia El-Shimy, Thomas Hermann, Jeremy R. Cooperstock. [doi]
• Mapping to musical actions in the FILTER systemDoug Van Nort, Jonas Braasch, Pauline Oliveros. [doi]
• Exploring audio and tactile qualities of instrumentality with bowed string simulationsOlivier Tache, Stephen Sinclair, Jean-Loup Florens, Marcelo M. Wanderley. [doi]
• Augmenting human-human interaction in mobile group improvisationRoberto Pugliese, Koray Tahiroglu, Callum Goddard, James Nesfield. [doi]
• DIRTI - Dirty Tangible InterfacesMatthieu Savary, Diemo Schwarz, Denis Pellerin. [doi]
• DrumTop: Playing with Everyday ObjectsAkito Van Troyer. [doi]
• Musical Interaction Design with the CUI32Stem: Wireless Options and the GROVE system for prototyping new interfacesDan Overholt. [doi]
• Tweet Harp: Laser Harp Generating Voice and Text of Real-time Tweets in TwitterAyaka Endo, Takuma Moriyama, Yasuo Kuhara. [doi]
• Extracting Human Expression For Interactive Composition with the Augmented ViolinMari Kimura, Nicolas H. Rasamimanana, Frédéric Bevilacqua, Norbert Schnell, Bruno Zamborlin, Emmanuel Fléty. [doi]
• Augmented Piano Performance using a Depth CameraQi Yang, Georg Essl. [doi]
• TouchKeys: Capacitive Multi-Touch Sensing on a Physical KeyboardAndrew McPherson. [doi]
• A Voice Interface for Sound Generators: adaptive and automatic mapping of gestures to soundStefano Fasciani, Lonce Wyse. [doi]
• Tok! : A Collaborative Acoustic Instrument using Mobile PhonesSang-Won Lee, Ajay Srinivasamurthy, Gregoire Tronel, Weibin Shen, Jason Freeman. [doi]
• The 'Interface' in Site-Specific Sound InstallationKirsty A. Beilharz, Aengus Martin. [doi]
• Music for Flesh II: informing interactive music performance with the viscerality of the body systemMarco Donnarumma. [doi]
• A Customizable Sensate Surface for Music ControlNan-Wei Gong, Nan Zhao, Joseph A. Paradiso. [doi]
• Many-Person Instruments for Computer Music PerformanceMichael Rotondo, Nick Kruge, Ge Wang. [doi]
• Empathetic Interactive Music Video ExperienceMyunghee Lee, Youngsun Kim, Gerard J. Kim. [doi]
• Concept Tahoe: Microphone Midi ControlDaniel Schlessinger. [doi]
• Left and right-hand guitar playing techniques detectionLoïc Reboursière, Otso Lähdeoja, Thomas Drugman, Stéphane Dupont, Cécile Picard-Limpens, Nicolas Riche. [doi]
• Network spaces as collaborative instruments: WLAN trilateration for musical echolocation in sound artStelios Manousakis. [doi]
• Musical Interaction with Hand Posture and Orientation: A Toolbox of Gestural Control MechanismsThomas Mitchell, Sebastian Madgwick, Imogen Heap. [doi]
• PocoPoco: A Kinetic Musical Interface With Electro-Magnetic Levitation UnitsYuya Kikukawa, Takaharu Kanai, Tatsuhiko Suzuki, Toshiki Yoshiike, Tetsuaki Baba, Kumiko Kushiyama. [doi]
• LoopJam: turning the dance floor into a collaborative instrumental mapChristian Frisson, Stéphane Dupont, Julien Leroy 0001, Alexis Moinet, Thierry Ravet, Xavier Siebert, Thierry Dutoit. [doi]
• Exploring Reinforcement Learning for Mobile Percussive CollaborationNate Derbinsky, Georg Essl. [doi]
• Real-time Modification of Music with Dancer's Respiration PatternJeong-seob Lee, Woon Seung Yeo. [doi]
• TC-11: A Programmable Multi-Touch Synthesizer for the iPadKevin Schlei. [doi]
• A Survey and Thematic Analysis Approach as Input to the Design of Mobile Music GUIsAtau Tanaka, Adam Parkinson, Zack Settel, Koray Tahiroglu. [doi]
• Patchwork: Multi-User Network Control of a Massive Modular SynthesizerBrian D. Mayton, Gershon Dublon, Nicholas Joliat, Joseph A. Paradiso. [doi]
• Collaborative composition and socially constituted instruments: Ensemble laptop performance through the lens of ethnographyGraham Booth, Michael Gurevich. [doi]
• Interactive Mobile Music Performance with Digital CompassBongjun Kim, Woon Seung Yeo. [doi]
• Approaches to Interaction in a Digital Music EnsembleIan Hattwick, Kojiro Umezaki. [doi]
• Using a seeing/blindfolded paradigm to study audience experiences of live-electronic performances with voiceAndreas Bergsland, Tone Åse. [doi]
• Palm-area sensitivity to vibrotactile stimuli above 1~kHzLonce Wyse, Suranga Nanayakkara, Paul J. Seekings, Sim Heng Ong, Elizabeth A. Taylor. [doi]
• Musician Assistance and Score Distribution (MASD)Nathan Magnus, David Gerhard. [doi]
• Granular Learning Objects for Instrument Design and Collaborative Performance in K-12 EducationIvica Ico Bukvic, Liesl Baum, Bennett Layman, Kendall Woodard. [doi]
• Sensor Based Measurements of Musicians' Synchronization IssuesTobias Grosshauser, Victor Candia, Horst Hildebrandt, Gerhard Tröster. [doi]
• Gest-O: Performer gestures used to expand the sounds of the saxophoneJonh Melo, Daniel Gómez, Miguel Vargas. [doi]
• Movement to emotions to music: using whole body emotional expression as an interaction for electronic music generationAlexis Clay, Nadine Couture, Myriam Desainte-Catherine, Pierre-Henri Vulliard, Joseph Larralde, Elodie Decarsin. [doi]
• Two Shared Rapid Turn Taking Sound Interfaces for NovicesAnne-Marie Skriver Hansen, Hans Jørgen Andersen, Pirkko Raudaskoski. [doi]
• Recontextualizing the Multi-touch SurfacePatrick McGlynn, Victor Lazzarini, Gordon Delap, Xiaoyu Chen. [doi]
• A Comparative User Study of Two Methods of Control on a Multi-Touch Surface for Musical ExpressionBlake Johnston, Owen Vallis, Ajay Kapur. [doi]
• The JD-1: an Implementation of a Hybrid Keyboard/Sequencer Controller for Analog SynthesizersJeff Snyder, Andrew McPherson. [doi]
• Kritaanjali: A Robotic Harmonium for Performance, Pedogogy and ResearchAjay Kapur, Jim W. Murphy, Dale A. Carnegie. [doi]
• Virtual Pottery: An Interactive Audio-Visual InstallationYoon Chung Han, Byeong-jun Han. [doi]
• EnActor: A Blueprint for a Whole Body Interaction Design Software PlatformVangelis Lympouridis. [doi]
• Bubble Drum-agog-ing: Polyrhythm Games & Other Inter ActivitiesJay Alan Jackson. [doi]
• A Digital Mobile Choir: Joining Two Interfaces towards Composing and Performing Collaborative Mobile MusicNicolas D'Alessandro, Aura Pon, Johnty Wang, David Eagle, Ehud Sharlin, Sidney Fels. [doi]
• The Deckle Project : A Sketch of Three SensorsHongchan Choi, John Granzow, Joel Sadler. [doi]
• A New Keyboard-Based, Sensor-Augmented Instrument For Live PerformanceRed Wierenga. [doi]
• MAGE -A Platform for Tangible Speech SynthesisMaria Astrinaki, Nicolas D'Alessandro, Thierry Dutoit. [doi]
• A Component-Based Approach for Modeling Plucked-Guitar Excitation SignalsRaymond Migneco, Youngmoo E. Kim. [doi]
• Real-Time Music Notation, Collaborative Improvisation, and Laptop EnsemblesSang-Won Lee, Jason Freeman, Andrew Colella. [doi]
• MuDI -Multimedia Digital Instrument for Composing and Performing Digital Music for Films in Real-timePedro Patrício. [doi]
• The Human Skin as an Interface for Musical ExpressionAlexander Müller-Rakow, Jochen Fuchs. [doi]
• Studying Aesthetics in a Musical Interface Design Process Through `Aesthetic Experience Prism'Matti Luhtala, Ilkka Niemeläinen, Johan Plomp, Markku Turunen, Julius Tuomisto. [doi]
• FutureGrab: A wearable subtractive synthesizer using hand gestureYoonchang Han, Jinsoo Na, Kyogu Lee. [doi]
• The Dual-Analog Gamepad as a Practical Platform for Live Electronics Instrument and Interface DesignChristopher Ariza. [doi]
• A Design Approach to Engage with Audience with Wearable Musical Instruments: Sound GlovesChi-Hsia Lai, Koray Tahiroglu. [doi]
• Mobile Controls On-The-Fly: An Abstraction for Distributed NIMEsCharles Roberts, Graham Wakefield, Matthew Wright. [doi]
• Techniques and Circuits for Electromagnetic Instrument ActuationAndrew McPherson. [doi]
• Temporal Control In the EyeHarp Gaze-Controlled Musical InterfaceZacharias Vamvakousis, Rafael Ramirez. [doi]
• Optoelectronic Acquisition and Control Board for Musical ApplicationsAvrum Hollinger, Marcelo M. Wanderley. [doi]
• Towards fast multi-point force and hit detection in tabletops using mechanically intercoupled force sensing resisorsMathieu Bosi, Sergi Jordà. [doi]
• Development and Evaluation of a ZigFlea-based Wireless Transceiver Board for CUI32Jim Tørresen, Øyvind N. Hauback, Dan Overholt, Alexander Refsum Jensenius. [doi]
• Performing experimental music by physical simulationJulien Castet. [doi]
• Voicon: An Interactive Gestural Microphone For Vocal PerformanceYongki Park, Hoon Heo, Kyogu Lee. [doi]
• Play-A-Grill: Music To Your TeethAisen Caro Chacin. [doi]
• Developing the Dance Jockey System for Musical Interaction with the Xsens MVN SuitStåle Andreas Skogstad, Kristian Nymoen, Yago de Quay, Alexander Refsum Jensenius. [doi]
• The Music Ball Project: Concept, Design, Development, PerformanceAlexander Refsum Jensenius, Arve Voldsund. [doi]
• SenSynth: a Mobile Application for Dynamic Sensor to Sound MappingRyan McGee, Daniel Ashbrook, Sean White. [doi]
• Better Drumming Through Calibration: Techniques for Pre-Performance Robotic Percussion OptimizationJim W. Murphy, Ajay Kapur, Dale A. Carnegie. [doi]
• Borderlands -An Audiovisual Interface for Granular SynthesisChris Carlson, Ge Wang. [doi]
• Non-invasive sensing and gesture control for pitched percussion hyper-instruments using the KinectShawn Trail, Michael Dean, Gabrielle Odowichuk, Tiago Fernandes Tavares, Peter F. Driessen, W. Andrew Schloss, George Tzanetakis. [doi]
• The Planetarium as a Musical InstrumentDale Parson, Phillip Reed. [doi]
• Bowing a vibration-enhanced force feedback deviceMarcello Giordano, Stephen Sinclair, Marcelo M. Wanderley. [doi]
• Wireless Interactive Sensor Platform for Real-Time Audio-Visual ExperienceJia-liang Lu, Da-Lei Fang, Yi Qin, Jiuqiang Tang. [doi]
• Investigation of Gesture Controlled Articulatory Vocal Synthesizer using a Bio-Mechanical Mapping LayerJohnty Wang, Nicolas D'Alessandro, Sidney Fels, Robert Pritchard. [doi]
• Making Sound Synthesis Accessible for ChildrenChristoph Trappe. [doi]
• Kugelschwung - a Pendulum-based Musical InstrumentJamie Henson, Benjamin Collins, Alexander Giles, Kathryn Webb, Matthew Livingston, Thomas Mortensson. [doi]
• The body as mediator of music in the Emotion LightAdinda Rosa van't Klooster. [doi]
• The Gesturally Extended PianoWilliam Brent. [doi]
• AuRal: A Mobile Interactive System for Geo-Locative Audio SynthesisJesse T. Allison, Christian Dell. [doi]
• SoundStrand: a Tangible Interface for Composing Music with Limited Degrees of FreedomEyal Shahar. [doi]
• Instant Instrument Anywhere: A Self-Contained Capacitive SynthesizerDavid Gerhard, Brett Park. [doi]
• Unsupervised Play: Machine Learning Toolkit for MaxBenjamin D. Smith, Guy E. Garnett. [doi]
• An Interface for Emotional Expression in Audio-VisualsKamer Ali Yüksel, Sinan Buyukbas, Elif Ayiter. [doi]
• Liveness and Flow in Notation UseChris Nash, Alan Blackwell. [doi]
• Ecological considerations for participatory design of DMIsA. Cavan Fyans, Adnan Marquez-Borbon, Paul Stapleton, Michael Gurevich. [doi]
• Sinkapater -An Untethered Beat SequencerJiffer Harriman. [doi]
• Direct and surrogate sensing for the Gyil african xylophoneShawn Trail, Tiago Fernandes Tavares, Dan Godlovitch, George Tzanetakis. [doi]
• DIY Hybrid Analog/Digital Modular SynthesisGreg Surges. [doi]
• Bubble Drum-agog-ing: Polyrhythm Games & Other Inter ActivitiesJay Alan Jackson. [doi]
• Multiple Pianolas in Antheil's Ballet mécaniquePaul D. Lehrman. [doi]
• Music for Sleeping & Waking Minds (paper submission)Gascia Ouzounian, R. Benjamin Knapp, Eric D. Lyon, Roger Luke DuBois. [doi]
• A Dimension Space for Evaluating Collaborative Musical Performance SystemsIan Hattwick, Marcelo M. Wanderley. [doi]
• LOLbot: Machine Musicianship in Laptop EnsemblesSidharth Subramanian, Jason Freeman, Scott McCoid. [doi]
• The Sound Space as Musical Instrument: Playing Corpus-Based Concatenative SynthesisDiemo Schwarz. [doi]
• Comparing Motion Data from an iPod Touch to a High-End Optical Infrared Marker-Based Motion Capture SystemKristian Nymoen, Arve Voldsund, Ståle Andreas Skogstad, Alexander Refsum Jensenius, Jim Tørresen. [doi]
• NIME Education at the HKU, Emphasizing performanceHans Leeuw, Jorrit Tamminga. [doi]
• Crossole: A Gestural Interface for Composition, Improvisation and Performance using KinectSertan Sentürk, Sang-Won Lee, Avinash Sastry, Anosh Daruwalla, Gil Weinberg. [doi]
• Pencil Fields: An Expressive Low-Tech Performance Interface for Analog SynthesisPalle Dahlstedt. [doi]
• A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical InterfaceGabriel Vigliensoni, Marcelo M. Wanderley. [doi]
• OMaxist Dialectics: Capturing, Visualizing and Expanding ImprovisationsBenjamin R. Levy, Georges Bloch, Gérard Assayag. [doi]
• Node and Message Management with the JunctionBox Interaction ToolkitLawrence Fyfe, Adam R. Tindale, Sheelagh Carpendale. [doi]
• TedStick: A Tangible Electrophonic DrumstickCory Levinson. [doi]
• The electrumpet, additions and revisionsHans Leeuw. [doi]
• Wicked Problems and Design Considerations in Composing for Laptop OrchestraLuke Dahl. [doi]
• SABRe: The Augmented Bass ClarinetSébastien Schiesser, Jan C. Schacher. [doi]
• Simpletones: A System of Collaborative Physical Controllers for NovicesFrancisco Zamorano. [doi]
• Strategies for Engagement in Computer-Mediated Musical PerformanceJames Nesfield. [doi]
• Designing Mappings for Musical Interfaces Using Preset InterpolationMartin Marier. [doi]
• Designing for Cumulative Interactivity: The _derivations SystemBenjamin Carey. [doi]
• Musician Maker: Play expressive music without practiceJohn Buschert. [doi]
• Towards Speeding Audio EQ Interface Building with Transfer LearningBryan Pardo, David Little, Darren Gergle. [doi]
• The 'Interactive Music Awareness Program' (IMAP) for Cochlear Implant UsersBenjamin R. Oliver, Rachel M. van Besouw, David R. Nicholls. [doi]
• An Electronic Bagpipe Chanter for Automatic Recognition of Highland Piping OrnamentationDuncan Menzies, Andrew McPherson. [doi]
• The Fingerphone: a Case Study of Sustainable Instrument RedesignAdrian Freed. [doi]
• Sonik SpringTomás Henriques. [doi]
• Introducing CrossMapper: Another Tool for Mapping Musical Control ParametersLiam O'Sullivan, Dermot Furlong, Frank Boland. [doi]
• massMobile -an Audience Participation FrameworkNathan Weitzner, Jason Freeman, Stephen Garrett, Yan-Ling Chen. [doi]
• The EMvibe: An Electromagnetically Actuated VibraphoneN. Cameron Britt, Jeff Snyder, Andrew McPherson. [doi]
• Graphic Score Grammars for End-UsersAlistair Stead, Alan F. Blackwell, Samual Aaron. [doi]
• Drum Stroke Computing: Multimodal Signal Processing for Drum Stroke Identification and Performance MetricsJordan Hochenbaum, Ajay Kapur. [doi]