Table of Contents

• Material embodiments of electroacoustic music: an experimental workshop studyEnrique Tomás, Thomas Gorbach, Hilda Tellioglu, Martin Kaltenbrunner. 1-6 [doi]
• Collaborative Musical Performances with Automatic Harp Based on Image Recognition and Force Sensing ResistorsYupu Lu, Yijie Wu, ShiJie Zhu. 7-8 [doi]
• The Symbaline - An Active Wine Glass Instrument with a Liquid Sloshing Vibrato MechanismLior Arbel, Yoav Y. Schechner, Noam Amir. 9-14 [doi]
• SIBILIM: A low-cost customizable wireless musical interfaceHelena de Souza Nunes, Federico Visi, Lydia Helena Wohl Coelho, Rodrigo Schramm. 15-20 [doi]
• The Risset Cycle, Recent Use Cases With SmartVoxJonathan Bell. 21-24 [doi]
• Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless InterfaceJohnty Wang, Axel Mulder, Marcelo M. Wanderley. 25-30 [doi]
• Improvising a Live Score to an Interactive Brain-Controlled FilmRichard Ramchurn, Juan Pablo Martinez-Avila, Sarah Martindale, Alan Chamberlain, Max L. Wilson 0001, Steve Benford. 31-36 [doi]
• Rebuilding and Reinterpreting a Digital Musical Instrument - The SpongeAjin Jiji Tom, Harish Jayanth Venkatesan, Ivan Franco, Marcelo M. Wanderley. 37-42 [doi]
• Border: A Live Performance Based on Web AR and a Gesture-Controlled Virtual InstrumentKiyu Nishida, Akishige Yuguchi, Kazuhiro Jo, Paul Modler, Markus Noisternig. 43-46 [doi]
• Taming and Tickling the Beast - Multi-Touch Keyboard as Interface for a Physically Modelled Interconnected Resonating Super-HarpPalle Dahlstedt. 47-52 [doi]
• Taptop, Armtop, Blowtop: Evolving the Physical Laptop InstrumentDoga Cavdir, Juan Sierra, Ge Wang. 53-58 [doi]
• Automatic Recognition of Soundpainting for the Generation of Electronic Music SoundsDavid Antonio Gómez Jáuregui, Irvin Dongo, Nadine Couture. 59-64 [doi]
• Magpick: an Augmented Guitar Pick for Nuanced ControlFabio Morreale, Andrea Guidi, Andrew P. McPherson. 65-70 [doi]
• Composing and executing Interactive music using the HipHop.js languageBertrand Petit, Manuel Serrano. 71-76 [doi]
• Ha Dou Ken Music: Different mappings to play music with joysticksGabriel Lopes Rocha, João Teixera Araújo, Flávio Luiz Schiavoni. 77-78 [doi]
• A Physical Intelligent Instrument using Recurrent Neural NetworksTorgrim Rudland Næss, Charles Patrick Martin. 79-82 [doi]
• Creating Order and ProgressAngelo Fraietta. 83-88 [doi]
• Towards the Concept of Digital Dance and Music InstrumentsJoão Tragtenberg, Filipe Calegario, Giordano Cabral 0001, Geber L. Ramalho. 89-94 [doi]
• Somacoustics: Interactive Body-as-InstrumentMaros Suran Bomba, Palle Dahlstedt. 95-100 [doi]
• The Scale Navigator: A System for Networked Algorithmic HarmonyNathan Turczan, Ajay Kapur. 101-104 [doi]
• Bespoke Design for Inclusive Music: The Challenges of EvaluationAlex Michael Lucas, Miguel Ortiz, Franziska Schroeder. 105-109 [doi]
• T-Voks: the Singing and Speaking ThereminXiao Xiao, Grégoire Locqueville, Christophe d'Alessandro, Boris Doval. 110-115 [doi]
• DRMMR: An Augmented Percussion ImplementHunter M. Brown, Spencer Topel. 116-121 [doi]
• Fictional instruments, real values: discovering musical backgrounds with non-functional prototypesGiacomo Lepri, Andrew P. McPherson. 122-127 [doi]
• Exploring the Container Metaphor for Equalisation ManipulationChristopher Dewey, Jonathan P. Wakefield. 128-129 [doi]
• The Half-Physler: An oscillating real-time interface to a tube resonator modelAlex Hofmann, Vasileios Chatziioannou, Sebastian Schmutzhard, Gökberk Erdogan, Alexander Mayer. 130-133 [doi]
• Reanimating the ReadymadePeter Bussigel, Stephan Moore, Scott Smallwood. 134-139 [doi]
• Adaptive Multimodal Music Learning via Interactive Haptic InstrumentYian Zhang, Yinmiao Li, Daniel Chin, Gus Xia. 140-145 [doi]
• El mapa no es el territorio: Sensor mapping for audiovisual performancesFabián Sguiglia, Pauli Coton, Fernando Toth. 146-149 [doi]
• Small Dynamic Neural Networks for Gesture Classification with The Rulers (a Digital Musical Instrument)Vanessa Yaremchuk, Carolina Brum Medeiros, Marcelo M. Wanderley. 150-155 [doi]
• OtoKin: Mapping for Sound Space Exploration through Dance ImprovisationPalle Dahlstedt, Ami Skånberg Dahlstedt. 156-161 [doi]
• On the Inclusivity of Constraint: Creative Appropriation in Instruments for Neurodiverse Children and Young PeopleJoe Wright, James Dooley. 162-167 [doi]
• AMIGO: An Assistive Musical Instrument to Engage, Create and Learn MusicIsabela Corintha Almeida, Giordano Cabral 0001, Professor Gilberto Bernardes Almeida. 168-169 [doi]
• ESMERIL - An interactive audio player and composition system for collaborative experimental music netlabelsCristiano Figueiró, Guilherme Soares, Bruno Rohde. 170-173 [doi]
• Parameterized Melody Generation with Autoencoders and Temporally-Consistent NoiseAline Weber, Lucas Nunes Alegre, Jim Tørresen, Bruno C. da Silva 0001. 174-179 [doi]
• Designing Gestures for Continuous Sonic InteractionAtau Tanaka, Balandino Di Donato, Michael Zbyszynski, Geert Roks. 180-185 [doi]
• Vrengt: A Shared Body-Machine Instrument for Music-Dance PerformanceCagri Erdem, Katja Henriksen Schia, Alexander Refsum Jensenius. 186-191 [doi]
• Sound Control: Supporting Custom Musical Interface Design for Children with DisabilitiesSamuel Thompson Parke-Wolfe, Hugo Scurto, Rebecca Fiebrink. 192-197 [doi]
• ’Blending Dimensions’ when Composing for DMI and Symphonic OrchestraOliver Hödl. 198-203 [doi]
• A Bassline Generation System Based on Sequence-to-Sequence Learningbehzad haki, Sergi Jordà. 204-209 [doi]
• BLIKSEM: An Acoustic Synthesis Fuzz PedalLloyd May, Spencer Topel. 210-215 [doi]
• NIME Prototyping in Teams: A Participatory Approach to Teaching Physical ComputingAnna Xambó, Sigurd Saue, Alexander Refsum Jensenius, Robin Støckert, Øyvind Brandtsegg. 216-221 [doi]
• A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument ImplementationEduardo Meneses, Johnty Wang, Sérgio Freire 0001, Marcelo M. Wanderley. 222-227 [doi]
• Latin American NIMEs: Electronic Musical Instruments and Experimental Sound Devices in the Twentieth CenturyMartin Matus Lerner. 228-233 [doi]
• Perspectives on Time: performance practice, mapping strategies, & composition with MIGSI Sarah Reid, Ryan Gaston, Ajay Kapur. 234-239 [doi]
• The design of technological interfaces for interactions between music, dance and garment movementsNatacha Lamounier, Luiz Naveda, Adriana Bicalho. 240-245 [doi]
• INTIMAL: Walking to Find Place, Breathing to Feel PresenceXimena Alarcón-Díaz, Victor Evaristo González Sánchez, Cagri Erdem. 246-249 [doi]
• Introducing Locus: a NIME for Immersive Exocentric Aural EnvironmentsDisha Sardana, Woohun Joo, Ivica Ico Bukvic, Greg Earle. 250-255 [doi]
• The SlowQin: An Interdisciplinary Approach to reinventing the GuqinEcho Ho, Alberto de Campo, Hannes Hoelzl. 256-259 [doi]
• An Interactive Musical Prediction System with Mixture Density Recurrent Neural NetworksCharles Patrick Martin, Jim Tørresen. 260-265 [doi]
• Expressive potentials of motion capture in musical performanceNicolas Bazoge, Ronan Gaugne, Florian Nouviale, Valérie Gouranton, Bruno Bossis. 266-271 [doi]
• From Mondrian to Modular Synth: Rendering NIME using Generative Adversarial NetworksAkito Van Troyer, Rébecca Kleinberger. 272-277 [doi]
• Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuationLaurel Pardue, Kurijn Buys, Dan Overholt, Andrew P. McPherson, Michael Edinger. 278-283 [doi]
• Grain Prism: Hieroglyphic Interface for Granular SamplingGabriela Bila Advincula, Don Derek Haddad, Kent Larson. 284-285 [doi]
• Facilitating Creative Exploratory Search with Multiple Networked Audio Devices Using HappyBracketsOliver Bown, Angelo Fraietta, Sam Ferguson, Lian Loke, Liam Bray. 286-291 [doi]
• The reciprocity between ancillary gesture and music structure performed by expert musiciansThais Fernandes Santos. 292-297 [doi]
• Enhancing the Expressivity of the Sensel Morph via Audio-rate SensingRazvan Paisa, Dan Overholt. 298-302 [doi]
• Eolos: a wireless MIDI wind controllerJuan Mariano Ramos. 303-306 [doi]
• Inspecting and Interacting with Meaningful Music Representations using VAERuihan Yang, Tianyao Chen, Yiyi Zhang, Gus Xia. 307-312 [doi]
• Adaptive Mapping of Sound Collections for Data-driven Musical InterfacesGerard Roma, Owen Green, Pierre-Alexandre Tremblay. 313-318 [doi]
• Veneer: Visual and Touch-based Programming for AudioVesa Norilo. 319-324 [doi]
• Generating Convincing Harmony Parts with Simple Long Short-Term Memory NetworksAndrei Faitas, Synne Engdahl Baumann, Torgrim Rudland Næss, Jim Tørresen, Charles Patrick Martin. 325-330 [doi]
• Bendit_I/O: A System for Networked Performance of Circuit-Bent DevicesAnthony T. Marasco, Edgar Berdahl, Jesse T. Allison. 331-334 [doi]
• Where Is The Quiet: Immersive Experience Design Using the Brain, Mechatronics, and Machine LearningMcLean J Macionis, Ajay Kapur. 335-338 [doi]
• Mesh Garden: A creative-based musical game for participatory musical performance Tate Carson. 339-342 [doi]
• The Modular Backward Evolution - Why to Use Outdated TechnologiesBeat Rossmy, Alexander Wiethoff. 343-348 [doi]
• Ephemeral instrumentsVincent Goudard. 349-354 [doi]
• PICO: A portable audio effect box for traditional plucked-string instrumentsJulian Jaramillo, Fernando Iazzetta. 355-360 [doi]
• Composing Understandings: music, motion, gesture and embodied cognitionGuilherme Bertissolo. 361-364 [doi]
• HypeSax: Saxophone acoustic augmentationCristohper Ramos Flores, Jim W. Murphy, Michael Norris. 365-370 [doi]
• CD-Synth: a Rotating, Untethered, Digital SynthesizerPatrick Chwalek, Joe Paradiso. 371-374 [doi]
• Reach: a keyboard-based gesture recognition system for live piano sound modulationNiccolò Granieri, James Dooley. 375-376 [doi]
• Women’s Labor: Creating NIMEs from Domestic Tools Margaret Schedel, Jocelyn Ho, Matthew Blessing. 377-380 [doi]
• HMusic: A domain specific language for music programming and live codingAndré Rauber Du Bois, Rodrigo Geraldo Ribeiro. 381-386 [doi]
• Stellar Command: a planetarium software based cosmic performance interfaceAngelo Fraietta. 387-392 [doi]
• Towards a Telematic Dimension SpacePatrick Müller, Johannes Michael Schuett. 393-400 [doi]
• A MIDI Controller Mapper for the Built-in Audio Mixer in the Unity Game EnginePedro Pablo Lucas. 401-404 [doi]
• AuSynthAR: A simple low-cost modular synthesizer based on Augmented RealityPedro Pablo Lucas. 405-406 [doi]
• The World Wide Web in an Analog PatchbayDon Derek Haddad, Joe Paradiso. 407-410 [doi]
• A "voice" instrument based on vocal tract models by using soft material for a 3D printer and an electrolarynxFou Yoshimura, Kazuhiro Jo. 411-412 [doi]
• Exploring Dynamic Variations for Expressive Mechatronic ChordophonesJuan Pablo Yepez Placencia, Jim W. Murphy, Dale A. Carnegie. 413-418 [doi]
• Searching for the Perfect Instrument: Increased Telepresence through Interactive Evolutionary Instrument DesignDhruv Chauhan, Peter Bennett. 419-422 [doi]
• Learning from History: Recreating and Repurposing Harriet Padberg’s Computer Composed Canon and Free FugueRichard Savery, Benjamin Genchel, Jason Smith 0005, Anthony Caulkins, Molly Jones, Anna Savery. 423-428 [doi]
• A Spatially Distributed Vibrotactile Actuator Array for the FingertipsEdgar Berdahl, Austin Franklin, Eric Sheffield. 429-430 [doi]
• Augmenting Parametric Synthesis with Learned Timbral ControllersJeff Gregorio, Youngmoo E. Kim. 431-436 [doi]
• Exploring Human-Machine Synergy and Interaction on a Robotic InstrumentSang-Won Leigh, Abhinandan Jain, Pattie Maes. 437-442 [doi]
• Show Them My Screen: Mirroring a Laptop Screen as an Expressive and Communicative Means in Computer MusicSang-Won Lee. 443-448 [doi]
• IllumiWear: A Fiber-Optic eTextile for MultiMedia InteractionsJosh Urban Davis. 449-454 [doi]