Table of Contents

• Touch, Listen, (Re)Act: Co-designing Vibrotactile Wearable Instruments for Deaf and Hard of HearingDoga Cavdir. [doi]
• Exploring Experiences with New Musical Instruments through Micro-phenomenologyCourtney N. Reed, Charlotte Nordmoen, Andrea Martelloni, Giacomo Lepri, Nicole Robson, Eevee Zayas-Garin, Kelsey Cotton, Lia Mice, Andrew McPherson 0002. [doi]
• Buttons, Sliders, and Keys - A Survey on Musical Grid Interface StandardsBeat Rossmy. [doi]
• Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music PerformanceFelipe Verdugo, Amedeo Ceglia, Christian Frisson, Alexandre Burton, Mickaël Begon, Sylvie Gibet, Marcelo M. Wanderley. [doi]
• AirSticks 2.0: Instrument Design for Expressive Gestural InteractionSam Trolland, Alon Ilsar, Ciaran Frame, Jon McCormack, Elliott Wilson. [doi]
• Technology is Land: Strategies towards decolonisation of technology in artmakingZak Argabrite, Jim Murphy, Sally Jane Norman, Dale A. Carnegie. [doi]
• A Framework for the Design and Analysis of Mixed Reality Musical InstrumentsKaritta Zellerbach, Charlie Roberts. [doi]
• Exploring Musical Form: Digital Scores to Support Live Coding PracticeFrancesco Ardan Dal Rì, Raul Masu. [doi]
• On Board Call: A Gestural Wildlife Imitation MachineAndrew R. Brown. [doi]
• Ghost Play - A Violin-Playing Robot using Electromagnetic Linear ActuatorsTakahiro Kamatani, Yoshinao Sato, Masato Fujino. [doi]
• Bodily Awareness Through NIMEs: Deautomatising Music Making ProcessesCarla Sophie Tapparo, Victor Zappi. [doi]
• Voice at NIME: a Taxonomy of New Interfaces for Vocal Musical ExpressionRébecca Kleinberger, Nikhil Singh 0003, Xiao Xiao 0001, Akito Van Troyer. [doi]
• Squeeze, Twist, Stretch: Exploring Deformable Digital Musical Interfaces Design Through Non-Functional PrototypesJianing Zheng, Nick Bryan-Kinns. [doi]
• Circuit Bending and Environmental Sustainability: Current Situation and Steps ForwardEnrico Dorigatti, Raul Masu. [doi]
• Entangling Practice with Artistic and Educational Aims: Interviews on Technology-based Movement-Sound InteractionsVictor Paredes, Jules Françoise, Frédéric Bevilacqua. [doi]
• The 10, 000 Instruments Workshop - (Im)practical Research for Critical SpeculationGiacomo Lepri, John Bowers 0001, Samantha Topley, Paul Stapleton, Peter Bennett 0001, Kristina Andersen, Andrew McPherson. [doi]
• Vibrating shapes : Design and evolution of a spatial augmented reality interface for actuated instrumentsCagan Arslan, Florent Berthaut, Anthony Beuchey, Paul Cambourian, Arthur Paté. [doi]
• A Computer-aided Multimodal Music Learning System with Curriculum: A Pilot StudyDaniel Chin, Gus Xia. [doi]
• Latent Drummer: A New Abstraction for Modular SequencersNick Warren, Anil Çamci. [doi]
• Today and Yesterday: Two Case Studies of China's NIME CommunityJiayue Cecilia Wu. [doi]
• The Proto-Langspil: Launching an Icelandic NIME Research Lab with the Help of a Marginalised InstrumentJack Armitage, Thor Magnusson, Victor Shepardson, Halldór Úlfarsson. [doi]
• Reflexions upon FeedbackThor Magnusson, Chris Kiefer, Halldór Úlfarsson. [doi]
• Being (A)part of NIME: Embracing Latin American PerspectivesJuan Pablo Martinez-Avila, João Tragtenberg, Filipe Calegario, Ximena Alarcón, Laddy Patricia Cadavid Hinojosa, Isabela Corintha Almeida, Teodoro Dannemann, Javier Jaimovich, Adnan Marquez-Borbon, Martin Matus Lerner, Miguel Angel Ortiz Pérez, Juan Mariano Ramos, Hugo Solís García. [doi]
• Bandoneon 2.0: an interdisciplinary project for research and development of electronic bandoneons in ArgentinaJuan Ramos, Esteban Calcagno, Ramiro Oscar Vergara, Pablo Ernesto Riera, Joaquín Rizza. [doi]
• Mixed Reality Musical Interface: Exploring Ergonomics and Adaptive Hand Pose Recognition for Gestural ControlMax Graf, Mathieu Barthet. [doi]
• The M in NIME: Motivic analysis and the case for a musicology of NIME performancesLia Mice, Andrew McPherson 0002. [doi]
• Pitch Fingering Systems and the Search for PerfectionTravis J. West. [doi]
• The Mobile Audience as a Digital Musical Persona in Telematic PerformanceAnna Xambó, Visda Goudarzi. [doi]
• Evaluating polaris~ - An Audiovisual Augmented Reality Experience Built on Open-Source Hardware and SoftwareSam Bilbow. [doi]
• The Effect of Visualisation Level and Situational Visibility in Co-located Digital Musical EnsemblesFlorent Berthaut, Luke Dahl. [doi]
• Approaching the Norns Shield as a Laptop Alternative for Democratizing Music Technology EnsemblesAnthony T. Marasco. [doi]
• Augmented Touch: A Mounting Adapter for Oculus Touch Controllers that Enables New Hyperreal InstrumentsAnil Çamci, John Granzow. [doi]
• Bottom-up live coding: Analysis of continuous interactions towards predicting programming behavioursGeorgios Diapoulis, Iannis Zannos, Kivanç Tatar, Palle Dahlstedt. [doi]
• Dialogic Design of Accessible Digital Musical Instruments: Investigating Performer ExperienceEevee Zayas-Garin, Andrew McPherson 0002. [doi]
• Cubing Sound: Designing a NIME for Head-mounted Augmented RealityYichen Wang, Charles Martin 0001. [doi]
• HyperModels - A Framework for GPU Accelerated Physical Modelling Sound SynthesisHarri Renney, Silvin Willemsen, Benedict R. Gaster, Tom Mitchell 0001. [doi]
• Latency-, Sync-, and Bandwidth-Agnostic Tightly-Timed Telematic and Crowdsourced Musicking Made Possible Using L2Ork TweeterIvica Bukvic. [doi]
• ForceHost: an open-source toolchain for generating firmware embedding the authoring and rendering of audio and force-feedback hapticsChristian Frisson, Mathias Kirkegaard, Thomas Pietrzak, Marcelo M. Wanderley. [doi]
• Kanchay_Yupana\slash \slash: Tangible rhythm sequencer inspired by ancestral Andean technologiesLaddy Patricia Cadavid Hinojosa. [doi]
• A virtual instrument for physics-based musical gesture: CHONRodney DuPlessis. [doi]
• A Toolkit for the Analysis of the NIME Proceedings ArchiveJackson Goode, Stefano Fasciani. [doi]
• The Concentric Sampler: A musical instrument from a repurposed floppy disk driveTimothy Tate. [doi]
• Syntex: parametric audio texture datasets for conditional training of instrumental interfacesLonce Wyse, Prashanth Thattai Ravikumar. [doi]
• Slapbox: Redesign of a Digital Musical Instrument Towards Reliable Long-Term PracticeBrady Boettcher, John Sullivan, Marcelo M. Wanderley. [doi]
• Post-digital sax - a digitally controlled acoustic single-reed woodwind instrumentKrzysztof Cybulski. [doi]
• Towards User Interface Guidelines for Musical Grid InterfacesBeat Rossmy, Maximilian Rauh, Alexander Wiethoff. [doi]
• Being With The Waves: An Ultrasonic Art Installation Enabling Rich Interaction Without SensorsNicole Robson, Andrew McPherson 0002, Nick Bryan-Kinns. [doi]
• User-Friendly MIDI in the Web BrowserJean-Philippe Côté. [doi]
• early prototypes and artistic practice with the muboneTravis J. West, Kalun Leung. [doi]
• The Other Hegemony: Effects of software development culture on music software, and what we can do about itLaurel Pardue, S. M. Astrid Bin. [doi]
• Rethinking networked collaboration in the live coding environment GibberCharlie Roberts, Ian Hattwick, Eric Sheffield, Gillian Smith 0001. [doi]
• Introducing the t-Tree: Using Multiple t-Sticks for Performance and InstallationLinnea Kirby, Paul Buser, Marcelo M. Wanderley. [doi]
• CAVI: A Coadaptive Audiovisual Instrument-CompositionÇagri Erdem, Benedikte Wallace, Alexander Refsum Jensenius. [doi]
• Mapper4Live: Using Control Structures to Embed Complex Mapping Tools into Ableton LiveBrady Boettcher, Joseph W. Malloch, Johnty Wang, Marcelo M. Wanderley. [doi]
• Quantitative evaluation of aspects of embodiment in new digital musical instrumentsAndrea Guidi, Andrew McPherson 0002. [doi]
• Decolonizing the Violin with Active Shoulder Rests (ASRs)Seth D. Thorn, Byron Lahey. [doi]