Abstract is missing.
- Evaluation of emotional response to non-photorealistic imagesRegan L. Mandryk, David Mould, Hua Li. 7-16 [doi]
- Towards ground truth in geometric texturesZainab AlMeraj, Craig S. Kaplan, Paul Asente, Edward Lank. 17-26 [doi]
- Hidden imagesQiang Tong, Song-Hai Zhang, Shi-Min Hu, Ralph R. Martin. 27-34 [doi]
- Snaxels on a planeKevin Karsch, John C. Hart. 35-42 [doi]
- Stylization-based ray prioritization for guaranteed frame ratesBernhard Kainz, Markus Steinberger, Stefan Hauswiesner, Rostislav Khlebnikov, Dieter Schmalstieg. 43-54 [doi]
- Image and video abstraction by multi-scale anisotropic Kuwahara filteringJan Eric Kyprianidis. 55-64 [doi]
- Image simplification and vectorizationSven C. Olsen, Bruce Gooch. 65-74 [doi]
- TexToons: practical texture mapping for hand-drawn cartoon animationsDaniel Sýkora, Mirela Ben-Chen, Martin Cadík, Brian Whited, Maryann Simmons. 75-84 [doi]
- Spatio-temporal analysis for parameterizing animated linesBert Buchholz, Noura Faraj, Sylvain Paris, Elmar Eisemann, Tamy Boubekeur. 85-92 [doi]
- Temporal noise control for sketchy animationGioacchino Noris, Daniel Sýkora, Stelian Coros, Brian Whited, Maryann Simmons, Alexander Hornung, Markus H. Gross, Robert W. Sumner. 93-98 [doi]
- Dynamic stylized shading primitivesDavid Vanderhaeghe, Romain Vergne, Pascal Barla, William V. Baxter III. 99-104 [doi]
- Chromatic shadows for improved perceptionVeronika Soltészová, Daniel Patel, Ivan Viola. 105-116 [doi]
- Portrait painting using active templatesMingtian Zhao, Song Chun Zhu. 117-124 [doi]
- Artistic tessellations by growing curvesHua Li, David Mould. 125-134 [doi]
- Customizing painterly rendering styles using stroke processesMingtian Zhao, Song Chun Zhu. 137-146 [doi]
- XDoG: advanced image stylization with eXtended Difference-of-GaussiansHolger Winnemöller. 147-156 [doi]
- Animation for ancient tile mosaicsDongwann Kang, Yong-Jin Ohn, Myoung-Hun Han, Kyunghyun Yoon. 157-166 [doi]
- Towards automatic concept transferNaila Murray, Sandra Skaff, Luca Marchesotti, Florent Perronnin. 167-176 [doi]