Abstract is missing.
- Laramedia Inc., an Internet distribution network for commercial audioTom Laramee. 3-11 [doi]
- Distributed multimedia plays with QoS guarantees over IPArne Lie, Leif Arne Rønningen. 12-15 [doi]
- Use of the MPEG-21 rights expression language for music distributionJaime Delgado, Isabel Gallego, Eva Rodríguez. 16-19 [doi]
- Potato System and signed media format - an alternative approach to online music businessJürgen Nützel, Rüdiger Grimm. 23-26 [doi]
- Key success factors in the emerging landscape of mobile music servicesPavlos A. Vlachos, Adam P. Vrechopoulos. 27-30 [doi]
- Enhancement of existing Web applications to support audio and musical toolsGiovanni Tummarello, Christian Morbidoni, Francesco Piazza. 31-34 [doi]
- Automatic music transcription supporting different instrumentsIvan Bruno, S. L. Monni, Paolo Nesi. 37-44 [doi]
- Producing accessible multimedia musicDavid Crombie, Roger Lenoir, Neil McKenzie. 45-48 [doi]
- The need of perceptual hashing techniques for music scoresJonathan Irons, Martin Schmucker. 49-52 [doi]
- Attacks on digital audio watermarks and countermeasuresMichael Arnold. 55-62 [doi]
- Unitary approach of watermarking and attack algorithms for audio signalsT. Muntean, M. Najim. 63-66 [doi]
- On the spectral singularities of watermarked audioXianfeng Zhao, Weinong Wang, Kefei Chen. 67-70 [doi]
- Watermarking of audio signals using independent component analysisBorémi Toch, David Lowe, David Saad. 71-74 [doi]
- Modeling musical style using grammatical inference techniques: a tool for classifying and generating melodiesPedro P. Cruz-Alcázar, Enrique Vidal Ruiz. 77-84 [doi]
- Semantic relationship and identification of musicFrank Seifert, Wolfgang Benn. 85-92 [doi]
- Determining the chromatic index of musicDionysios Politis, Dimitrios Margounakis. 93-100 [doi]
- Computer-aided composition from melodic contours and tabular constraintsHung-Che Shen, Chungnan Lee. 101-104 [doi]
- CBS: a concept-based sequencer for soundtrack compositionMichael O. Jewell, Mark S. Nixon, Adam Prügel-Bennett. 105-108 [doi]
- Preserving interactive digital music: a report on the MUSTICA research initiativeBruno Bachimont, Jean-François Blanchette, Andrew Gerzso, Anne Swetland, Olivier Lescurieux, Pierre Morizet-Mahoudeaux, Nicolas Donin, Jill Teasley. 109-112 [doi]
- The application of digital rights management systems in the music industry - an empirical investigationMarc Fetscherin, Matthias Schmid. 115-121 [doi]
- LicenseScript: a novel digital rights language and its semanticsCheun Ngen Chong, Ricardo Corin, Sandro Etalle, Pieter H. Hartel, Willem Jonker, Yee Wei Law. 122-129 [doi]
- Editorial metadata in the Cuidado music browser: between universalism and isolationismAmaury La Burthe, François Pachet, Jean-Julien Aucouturier. 130-137 [doi]
- Using cultural metadata for artist recommendationsStephan Baumann, Oliver Hummel. 138-141 [doi]
- Beyond the talking head: the Web delivery of methodology and field experience for music educationEugenie Burkett, Grace Ohlenbusch. 145-150 [doi]
- Watermarking music sheets, it is possible?Maurizio Campanai, Paolo Nesi, Marius B. Spinu. 151-152 [doi]
- Using MusicXML for file interchangeMichael Good, Geri Actor. 153 [doi]
- Interactive sound player (ISP): enabling interactive sound in digital mediaMichael Westermann. 154 [doi]