Table of Contents

• Meta-sequencing: Controlling sequence voices and Polyphony using the Polymap, Sieve, valve and Maskxor Objects in Pure DataEdward Kelly. [doi]
• Icast: Trials & Tribulations of Deploying Large Scale Computer-Controlled speaker ArraysStephen David Beck, Brian Willkie, Joseph Patrick. [doi]
• Models and APIs for audio synthesis and Processing a Panel DiscussionStephen Travis Pope, Roger B. Dannenberg. [doi]
• Analysis of Saxophone Performance for Computer-Assisted TutoringMatthias Robine, Graham Percival, Mathieu Lagrange. [doi]
• {TranSpell}Kazuaki Shiota. [doi]
• Sound spatialisation and coupled cell NetworksJonathan Owen Clark. [doi]
• Interactive Music Summarization Based on Interval Distance ProfileMin-Joon Yoo, In-Kwon Lee. [doi]
• An Intelligent Multi-Track audio EditorRoger B. Dannenberg. [doi]
• Data jockey, a Tool for Meta-Data Enhanced Digital DJing and Active listeningAlex Norman, Xavier Amatriain. [doi]
• How Computer Music Modeling and Retrieval Interface with Music-and-Meaning studies: Overview of Panelists' Suggestions for Discussion TopicsCynthia M. Grund. [doi]
• Scrime Studio ReportMyriam Desainte-Catherine, Sylvain Marchand, Pierre Hanna, Mathieu Lagrange, Matthias Robine, Martin Raspaud, Robert Strandh, Antoine Allombert, Guillaume Meurisse, Joan Mouba, Jean Louis Di Santo, Gyorgy Kurtag. [doi]
• Real-Time Analysis of sensory DissonanceJohn MacCallum, Aaron Einbond. [doi]
• Key-Finding with Interval ProfilesSøren Tjagvad Madsen, Gerhard Widmer. [doi]
• A Support System for Basic Practice of Playing the DrumsNaoki Iwami, Masanobu Miura. [doi]
• Musical Applications of Real-Time Corpus-Based concatenative synthesisDiemo Schwarz, Sam Britton, Roland Cahen, Thomas Göpfert. [doi]
• Studio Report: the Program in Electronic Music Composition and Musical production at the School of the arts of the Polytechnic Institute of Castelo BrancoCarlos Guedes, Rui Dias. [doi]
• Musical soundscapes for an Accessible Aquarium: Bringing Dynamic Exhibits to the Visually ImpairedBruce N. Walker, Jonathan Kim, Anandi Pendse. [doi]
• Studio Report: sound arts and Design at London College of CommunicationCathy Lane. [doi]
• Dj SPAT: spatialized Interactions for DJsGeorgios Marentakis, Nils Peters, Stephen McAdams. [doi]
• A Physically Intuitive Haptic DrumstickEdgar Berdahl, Bill Verplank, Julius O. Smith III, Günter Niemeyer. [doi]
• Translating Dance movement into Musical rhythm in Real Time: New Possibilities for Computer-Mediated Collaboration in Interactive Dance PerformanceCarlos Guedes. [doi]
• Perceptual Categorization of Moving sounds for synthesis ApplicationsAdrien Merer, Sølvi Ystad, Richard Kronland-Martinet, Mitsuko Aramaki, Mireille Besson, Jean-Luc Velay. [doi]
• Controlling Aural and Visual Particle Systems through Human movementCarlos Guedes, Kirk A. Woolford. [doi]
• Editing Strategies for Bézier-modeled continuous expression CurvesBret Battey. [doi]
• Extraction of gestural Meaning from a Fabric-Based InstrumentDoug Van Nort, David Gauthier, Sha Xin Wei, Marcelo M. Wanderley. [doi]
• Rts: Real Time Scheduling in Common MusicHeinrich Taube, Todd Ingalls. [doi]
• Aa-cell in Practice: an Approach to Musical Live codingAndrew Sorensen, Andrew R. Brown. [doi]
• Extending the generalized Reed Model with measured Reflection FunctionsTamara Smyth, Jonathan S. Abel. [doi]
• Reconstructing StriaKevin Dahan. [doi]
• Macset: a Free Visual Cross-Platform pitch-class Set Theoretical ApplicationMika Kuuskankare, Marcus Castrén, Mikael Laurson. [doi]
• Toward a Complete Open Source Software Environment for the Creation of Interactive poly-Artistic WorksStéphane Donikian, Olivier Delerue, Tommaso Bianco, Gildas Clénet. [doi]
• Effects of Tempo on the Perceived Speed of Human movementKathleya Afanador, Todd Ingalls, Ellen Campana. [doi]
• Sal: a Simple Algorithmic Language in Common MusicHeinrich Taube. [doi]
• Teaching Digital audio Programming: Notes on a two-Year Course sequence at UCSBStephen Travis Pope. [doi]
• Electric Koto by vibrating BodyNaoya Takahashi, Mitsuharu Matsumoto, Shuji Hashimoto. [doi]
• Trakhue - Intuitive gestural control of Live ElectronicsNils Peters, Megan Evans, Eliot Britton. [doi]
• Scripting and Tools for Analysis/resynthesis of audioStephen Travis Pope. [doi]
• Mused: Navigating the Personal sample LibraryGraham Coleman. [doi]
• The electric hydraulophone: A hyperacoustic instrument with acoustic feedbackSteve Mann, Ryan E. Janzen, James Meier. [doi]
• Noisescape: an Interactive 3D audiovisual Multi-User Composition EnvironmentMick Grierson. [doi]
• Investigating the Performance of a Violin Physical Model: Recent Real Player studiesDiana Young, Stefania Serafin. [doi]
• Panel: the Need of Formats for Streaming and Storing Music-Related movement and Gesture DataAlexander Refsum Jensenius, Antonio Camurri, Nicolas Castagné, Esteban Maestre, Joseph Malloch, Douglas McGilvray, Diemo Schwarz, Matthew Wright. [doi]
• Fifty Years of Computer Music: Ideas of the Past Speak to a Future-immersed in Rich DetailJohn Chowning. [doi]
• Automatic Thorough-Bass Realization in Baroque MusicMasahiro Niitsuma, Hiroaki Saito. [doi]
• Shamus - a Sensor-Based Integrated Mobile phone InstrumentGeorg Essl, Michael Rohs. [doi]
• Automatic Notation GeneratorsG. Douglas Barrett, Michael Winter, Harris Wulfson. [doi]
• Using Technology to Ride the reflex/volitional continuum in Improvised Musical PerformanceTim Sayer. [doi]
• On Timbre Based perceptual Feature for Singer identificationSwe Zin Kalayar Khine, Tin Lay Nwe, Haizhou Li. [doi]
• On wave Field synthesis and electro-acoustic Music - State of the Art 2007Marije A. J. Baalman. [doi]
• A Computer-Based Implementation of Basso continuo Rules for Figured Bass realizationsAdam Wead, Ian Knopke. [doi]
• Ccrma Studio ReportFernando Lopez-Lezcano, Carr Wilkerson. [doi]
• VScore: A Real-time Visual Application for Scoring Music, Version 1.1David Topper, Juraj Kojs. [doi]
• A Comparison of Solenoid-Based Strategies for robotic drummingAjay Kapur, Eric Trimpin, Afzal Singer, George Suleman, George Tzanetakis. [doi]
• Acquisition of Violin instrumental gestures using a Commercial EMF tracking DeviceEsteban Maestre, Jordi Bonada, Merlijn Blaauw, Alfonso Pérez, Enric Guaus. [doi]
• Rasterpiece: a Cross-Modal Framework for Real-Time Image Sonification, sound synthesis, and Multimedia ArtWoon Seung Yoo, Jonathan Berger. [doi]
• Munger1~: towards a Cross-Platform Swissarmy Knife of Real-Time Granular synthesisIvica Ico Bukvic, Ji-Sun Kim, Dan Trueman, Thomas Grill. [doi]
• Developing Chinese Style Algorithmic Composition using Markov Chains - from the Classical Chinese-Poetry PerspectiveJenny Ren, Phil Winsor, Chih-Fang Huang. [doi]
• An Analysis of Startup and Dynamic Latency in phase vocoder-Based Time-stretching AlgorithmsEric Lee, Thorsten Karrer, Jan O. Borchers. [doi]
• A GA Tool for Computer Assisted Music CompositionDimitrios Tzimeas, Eleni E. Mangina. [doi]
• Learning Sounding gesturesAmalia de Götzen, Luca Mion, Federico Avanzini, Stefania Serafin. [doi]
• Genesynth: noise band-Based Genetic Algorithm Analysis/synthesis FrameworkMichael Chinen, Naotoshi Osaka. [doi]
• The Methodology and Research of the Interactive Intermedia Art using the gyroscope Sensor for sound and VisionYi-Tso Chen, Chih-Fang Huang. [doi]
• Physmism: Re-Introducing Physical Modelling for Electronic Musical ExplorationNiels Böttcher, Steven Gelineck, Stefania Serafin. [doi]
• A Computer-Aided soundtrack Composition System designed for HumansEdwin Vane, William Cowan. [doi]
• An Introduction to Musical Semantics: the Gesture in ModelizationOle Kühl. [doi]
• Where's the beat? Tools for Dynamic Tempo calculationsJan C. Schacher, Martin Neukom. [doi]
• An Experimental Comparison of Formal Measures of rhythmic SyncopationFrancisco Gómez, Eric Thul, Godfried Toussaint. [doi]
• Studio Report: Center for Experimental Music and IntermediaAndrew May, Jon Christopher Nelson. [doi]
• Adaptive whitening for Improved Real-Time audio onset DetectionDan Stowell, Mark D. Plumbley. [doi]
• A Score-to-singing voice synthesis System for the Greek LanguageVarvara Kyritsi, Anastasia Georgaki, Georgios Kouroupetroglou. [doi]
• The electro-acoustic Music Center at the University of Wisconsin-MilwaukeeChristopher Burns, Kevin Schlei, Jon Welstead. [doi]
• Stirring, Shaking, and mixing: Musicalizing everyday ActionsJuraj Kojs, Stefania Serafin. [doi]
• Cognitive Implications of Musical PerceptionAdam Lockhart. [doi]
• Direct Design of Parallel second-order filters for Instrument Body ModelingBalázs Bank. [doi]
• Sound&media Studios @ Londonmet, Commercial RD. London Metropolitan UniversityJavier Alejandro Garavaglia. [doi]
• Fractured Sounds, Fractured Meanings: A Glove-Controlled Spectral InstrumentDavid Litke. [doi]
• Artabilitation Icmc Panel Paper Denmark 2007: non-Formal rehabilitation via Immersive Interactive Music EnvironmentsAnthony L. Brooks, Barry Eaglestone, Phil Ellis, Rolf Gehlhaar, Luís Miguel Girão, Wendy Magee, Eduardo Miranda, Eva Petersson, Paulo Maria Rodrigues. [doi]
• Development Tools for PwglsynthVesa Norilo, Mikael Laurson. [doi]
• Note-Based Segmentation and Hierarchy in the Classification of Digital Musical InstrumentsPeter Somerville, Alexandra L. Uitdenbogerd. [doi]
• Combining DJ Scratching, tangible Interfaces and a Physics-Based Model of friction soundsKjetil Falkenberg Hansen, Marcos Alonso, Smilen Dimitrov. [doi]
• Nn Music: improvising with a 'Living' ComputerMichael Young. [doi]
• Immersive audio and Music in the AlloSphereXavier Amatriain, Tobias Höllerer, JoAnn Kuchera-Morin, Stephen Travis Pope. [doi]
• Computer-Aided Orchestration Based on Probabilistic Instruments Models and Genetic ExplorationDamien Tardieu, Grégoire Carpentier, Xavier Rodet. [doi]
• Expressive modifications of Musical audio recordings: Preliminary ResultsMarco Fabiani, Anders Friberg. [doi]
• F0 estimation of Inharmonic Piano tones using Partial frequencies deviation MethodJukka Rauhala, Vesa Vôlimôki. [doi]
• Fatta: Full Automatic Time-Span Tree AnalyzerMasatoshi Hamanaka, Keiji Hirata, Satoshi Tojo. [doi]
• A Score-Based Interface for Interactive Computer MusicDavid Litke, Keith Hamel. [doi]
• Composition with sound Web Services AndworkflowsJohn ffitch, James Mitchell, Julian Padget. [doi]
• Ghi Project : New Approach for Musical InstrumentsYoichi Nagashima. [doi]
• A Real-Time Genetic Algorithm in Humanrobot Musical ImprovisationGil Weinberg, Mark Godfrey, Alex Rae, John Rhoads. [doi]
• Real-Time, low Latency audio Processing in JavaNicolas Juillerat, Stefan Müller Arisona, Simon Schubiger-Banz. [doi]
• How Musical are Images? From sound Representation to Image Sonification: an Eco Systemic ApproachJean-Baptiste Thiebaut, Juan Pablo Bello, Diemo Schwarz. [doi]
• An Overview of the Research Approaches on Musical Performance robotsJorge Solis, Atsuo Takanishi. [doi]
• Non-linear Scaling Techniques for uncovering the perceptual Dimensions of TimbreJohn Ashley Burgoyne, Stephen McAdams. [doi]
• Libintegra: a System for Software-Independent Multimedia Module Description and StorageJamie Bullock, Henrik Frisk. [doi]
• Excitation signal Extraction for Guitar tonesNelson Lee, Zhiyao Duan, Julius O. Smith III. [doi]
• The Dome: a Case Study for Generative sound in Public ArtDavid Birchfield, Aaron Cuthbertson, Laurie Lundquist, Roger Smith. [doi]
• Using a 3D Modelling Program as a Musical controllerRodney Berry. [doi]
• Using Lua for audiovisual CompostionGraham Wakefield, Wesley Smith. [doi]
• Preserving the Structure of the Moog VCF in the Digital DomainFederico Fontana. [doi]
• Int.Lib - a Graphical Preset interpolator for Max MSPOliver Larkin. [doi]
• The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and auditory Spatial SchemataGary S. Kendall. [doi]
• Gamelunch: a Physics-Based Sonic Dining TableStefano Delle Monache, Pietro Polotti, Stefano Papetti, Davide Rocchesso. [doi]
• Sound Controlled Musical Instruments Based on Physical ModelsAndrew Johnston, Benjamin Marks, Linda Candy. [doi]
• A Practice-Based Approach to using Acoustics and Technology in Musicianship TrainingJohn Fariselli Young, Lorenzo Picinali, Dimitris Moraitis. [doi]
• Mobile Immersive MusicJacques Lemordant, Agnès Guerraz. [doi]
• A New gestural control Paradigm for Musical expression: Real-Time conducting Analysis via Temporal Expectancy ModelsDilip Swaminathan, Harvey D. Thornburg, Todd Ingalls, Jodi James, Stjepan Rajko, Kathleya Afanador. [doi]
• Dynamic Large-Scale gestural control in Supercollider ServerJoshua Parmenter. [doi]
• Sharing and Combining listening Experience: a Social Approach to Web RadioClaudio Baccigalupo, Enric Plaza. [doi]
• The Featsynth Framework for Feature-Based synthesis: Design and ApplicationsMatthew D. Hoffman, Perry R. Cook. [doi]
• Litter Mutators: Moving Morphological Mutation inside TimePeter Castine. [doi]
• Expectation along the beat: a Use Case for Music Expectation ModelsAmaury Hazan, Paul Brossier, Piotr Holonowicz, Perfecto Herrera, Hendrik Purwins. [doi]
• Fabricating Aural Landscapes: some Compositional Implications of Trompe L'oreillePeter Batchelor. [doi]
• The 3D Augmented mirror: motion Analysis for String Practice TrainingKia Ng, Oliver Larkin, Thijs Koerselman, Bee Ong, Diemo Schwarz, Frédéric Bevilacqua. [doi]
• On timbre stamps and other frequency-domain filtersMiller Puckette. [doi]
• Recovering Giacinto Scelsi's TapesNicola Bernardini. [doi]
• The Stringball: a ball Interface with Strings for Collaborative PerformanceWoon Seung Yoo, Ji Won Yoon, Hee Young Cho. [doi]
• Physical and Behavioral Circuit Modeling of the SP-12 samplerDavid T. Yeh, John Nolting, Julius O. Smith. [doi]
• Creating von Foerster's non-Trivial Machine in Digital audioArun Chandra. [doi]
• Recognition of Physical motion Pattern using stochastic Petri Nets for sound synthesisMunetatsu Go, Naotoshi Osaka. [doi]
• The effect of Timbre in Clarinet InterpretationMathieu Barthet, Philippe Depalle, Richard Kronland-Martinet, Sølvi Ystad. [doi]
• Digital Preservation of Interactive Multimedia performancesKia Ng, Tran Vu Pham, Bee Ong, Jérôme Barthélemy, Alain Bonardi, David Giaretta. [doi]
• Causal/anticausal Decomposition for mixed-phase Description of brass and Bowed String soundsNicolas D'Alessandro, Alexis Moinet, Thomas Dubuisson, Thierry Dutoit. [doi]
• Audio Oracle: a New Algorithm for Fast Learning of audio StructuresShlomo Dubnov, Gérard Assayag, Arshia Cont. [doi]
• Back to the Sea: a Software Realization of Dexter Morrill's Sea SongsRobert Hamilton. [doi]
• The Creation of Evolutionary rhythms within a Multi-Agent Networked Drum EnsembleArne Eigenfeldt. [doi]
• Audiovisual concatenative synthesisNick Collins. [doi]
• An Exploration into potential Relevance of differences of Individual sounds in Drum PatternsMatthias Rath, Marcel Wältermann. [doi]
• Manifold Compositions: Formal control, Intuition, and the Case for Comprehensive SoftwareSever Tipei. [doi]
• From controller to sound: Tools for Collaborative Development of Digital Musical InstrumentsJoseph Malloch, Stephen Sinclair, Marcelo M. Wanderley. [doi]
• Real-Time Music synthesis in Java using the Metronome Garbage CollectorJoshua S. Auerbach, David F. Bacon, Florian Bömers, Perry Cheng. [doi]
• Maps and Legends: FPS-Based Interfaces for Composition and Immersive PerformanceRobert Hamilton. [doi]
• How to be lost: Principled Priming and Pruning with particles in Score followingCharles W. Fox, John Quinn. [doi]
• Interactive Soundscape Design with Evolutionary sound ProcessingJosé Fornari, Adolfo Maia, Jônatas Manzolli. [doi]
• Production of Immersive Musical Architectures by Physical Modelling of Self Sustained oscillating StructuresFrançois Poyer, Claude Cadoz. [doi]
• Audio Matching for the Philological Analysis of Electroacoustic MusicNicola Orio, Laura Zattra. [doi]
• Soundspotter / remix-TV: Fast Approximate Matching for audio and video PerformanceMichael A. Casey, Mick Grierson. [doi]
• Are Cognitive Styles an Important factor in the Design of Electroacoustic Music Software?Barry Eaglestone, Nigel Ford, Peter G. Holdridge, Jenny Carter. [doi]
• Harmonic, Melodic, and Functional Automatic AnalysisPlácido R. Illescas, David Rizo, José Manuel Iñesta Quereda. [doi]
• A Playable synthesis Model and controller for Bowed String InstrumentsTapio Takala. [doi]
• RealitvPeter Castine, John Dekron. [doi]
• The Electroacoustic Resource Site (Ears) Approaches its Next phase: Going Global and Addressing the YoungLeigh Landy. [doi]
• Real-Time Processing on the Road: a Guided Tour of [IKS]'s abstr/Cncr setupPierre-Alexandre Tremblay, Nicolas Boucher, Sylvain Pohu. [doi]
• Design and Implementation of CNMAT's Pedagogical SoftwareMichael Zbyszynski, Matthew Wright, Edmund Campion. [doi]
• Immersion: An immersive digital application for creative interaction with sound art archivesJ. Milo Taylor. [doi]
• Rhythm Interaction System Based on rhythm AssociationShunichi Kasahara, Tomoyuki Yamaguchi, Ryo Saegusa, Shuji Hashimoto. [doi]
• From Fux to Ragas-Morphing Contrapuntal WorldsJulien Junod, Guerino Mazzola. [doi]
• Addressing the Network: performative Strategies for Playing apartFranziska Schroeder, Alain Renaud, Pedro Rebelo, Fernando Gualda. [doi]
• Score-Based control of Guqin synthesisMikael Laurson, Mika Kuuskankare, Henri Penttinen, Henbing Li. [doi]
• Song identification through HMM-Based Modeling of the Main MelodyNicola Orio, Cristiano Zen. [doi]
• Computer Assisted Composition in equal tunings: tonal Cognition and the Thirteen tone MarchJohn Chow Seymour. [doi]
• Virtual Objects as Mediation between Sonic Textures and Interactive gesturesJean-Julien Filatriau, Daniel Arfib, Donald Glowinski, Gualtiero Volpe. [doi]
• Fast sound Texture synthesis using Overlap-AddMartin Fröjd, Andrew Horner. [doi]
• Musicians outperform non-Musicians in a Study with speech imitationBarbara Pastuszek-Lipiñska. [doi]
• Composing with Hyperscore: an Intuitive Interface for Visualizing Musical StructureMorwaread M. Farbood, Henry Kaufman, Kevin Jennings. [doi]
• Abstract Behaviors for Structured Music ProgrammingRoger B. Dannenberg. [doi]
• Convocare_consonare: a Duet for Four voicesDavid Gerhard, Ellen Moffat. [doi]
• Petri Nets Applicability to Music Analysis and CompositionAdriano Baratè, Goffredo Haus, Luca A. Ludovico. [doi]
• 2Mara Helmuth, Jennifer Bernard Merkowitz, Brian McKinney, Kazuaki Shiota, Christopher Stark. [doi]
• Combining Analysis and synthesis in the Chuck Programming LanguageGe Wang, Rebecca Fiebrink, Perry R. Cook. [doi]
• The Toncolarium - Immersive Color-Music InstrumentDavid Yanagisawa. [doi]
• Feature modulation synthesis (FMS)Tae Hong Park, Jonathan Biguenet, Zhiye Li, Conner Richardson, Travis Scharr. [doi]
• Sped - a sound File EditorJaska Uimonen. [doi]
• Understanding Emotion in Raag: an Empirical Study of listener responsesParag Chordia, Alex Rae. [doi]
• Performance control of a Flute Physical Model using fuzzy LogicPatricio de la Cuadra, Rodrigo F. Cádiz, Benoît Fabre, Nicolas Montgermont. [doi]
• Libxtract: a Lightweight Library for audio Feature ExtractionJamie Bullock. [doi]
• Soundanism: Blurred by BreathingMiguel Álvarez-Fernández, Asia Piascik, Stefan Kersten. [doi]
• Combining Physical Modeling and additive synthesis as a Mapping Strategy for Realtime controlPhilippe Guillemain, Vincent Verfaille. [doi]
• Drum Circle: Intelligent Agents in Max/MSPArne Eigenfeldt. [doi]
• The Usability of Music Theory Software: the Analysis of twelve-tone Music as a Case StudyTuukka Ilomôki. [doi]
• A Systematic Approach to Musical vibrotactile feedbackDavid Birnbaum, Marcelo M. Wanderley. [doi]
• A Musical Framework with Swarming robotsYuta Uozumi, Masato Takahashi, Ryoho Kobayashi. [doi]
• Sonofusion: Development of a Multimedia Composition for Overtone ViolinJohn Thompson, Dan Overholt. [doi]
• Navigating the Oracle: a Heuristic ApproachGérard Assayag, Georges Bloch. [doi]
• Nonlinear filtersRisto Holopainen. [doi]
• The sliding phase vocoderRussell J. Bradford, Richard Dobson, John ffitch. [doi]
• Focus-plus-Context displays for audio InteractionDavid Gerhard, Jarrod Ellis. [doi]
• Inventing New Instruments Based on a Computational "Hack" to Make an out-of-tune or unpitched Instrument Play in Perfect HarmonySteve Mann, Ryan E. Janzen, Raymond Chun Hing Lo, Chris Aimone. [doi]
• Guidage: a Fast audio Query Guided assemblageArshia Cont, Shlomo Dubnov, Gérard Assayag. [doi]
• Biotools: Introducing a Hardware and Software Toolkit for Fast Implementation of Biosignals for Musical ApplicationsMiguel Angel Ortiz Pérez, R. Benjamin Knapp. [doi]
• Designing and Controlling a Source-filter Model for Naturalistic and Expressive singing voice synthesisOlivier Bélanger, Caroline Traube, Jean Piché. [doi]
• Physical Modelling as a Proposed Framework for the conception, the Design and the Implementation of sound TransformationsAlexandros Kontogeorgakopoulos, Claude Cadoz. [doi]
• New Media Music at Hanyang University: Studio ReportJongwoo Yim, Richard Dudas. [doi]
• Automated quantisation and transcription of Ornaments from audio recordingsGeorg Boenn. [doi]
• Serial RSS sound Installation as Open Work: the BabelcastChristopher Ariza. [doi]
• Effects of Musically Meaningful operators in Evolutionary CompositionJohn Huddleston, Jiana Zhang. [doi]
• The Influence of Body Morphology on Preferred Dance TemposSofia Dahl, David Huron. [doi]
• Feedback Instruments: Generating Musical sounds, gestures, and Textures in Real Time with Complex feedback SystemsJeffrey M. Morris. [doi]
• The sound InstallationManuel Rocha Iturbide. [doi]
• Live coding: an OverviewJohannes Zmölnig, Gerhard Eckel. [doi]
• The Ixiquarks: Merging Code and GUI in One Creative SpaceThor Magnusson. [doi]
• Extended Applications of the Wireless Sensor Array (WISEAR)David Topper, Troy Rodgers. [doi]
• Psychoacoustic manipulation of the sound induced Illusory FlashSonia Wilkie, Catherine Stevens, Roger Dean. [doi]
• Remembering the Future : an Overview of Co-Evolution in Musical ImprovisationDavid Plans, Davide Morelli. [doi]
• The Electromagnetically-prepared Piano and its Compositional ImplicationsPer Bloland. [doi]
• Cnmat Information InfrastructureAndrew Schmeder, Matthew Wright, Adrian Freed, Edmund Campion, David Wessel. [doi]
• Introduction of Dips3 (Version 2) for Max/MSPTakayuki Rai, Chikashi Miyama, Shu Matsuda, Takayuki Hamano, Takuto Fukuda, Yota Morimoto. [doi]
• Indirect Acquisition of Fingerings of harmonic Notes on the FluteCorey Kereliuk, Bertrand Scherrer, Vincent Verfaille, Philippe Depalle, Marcelo M. Wanderley. [doi]
• Applications of ultrasonic sound beams in Performance and sound ArtJuan Pampin, Joel S. Kollin, Eunsu Kang. [doi]
• The Carnegie Mellon Laptop OrchestraRoger B. Dannenberg, Sofia Cavaco, Eugene Ang, Igor Avramovic, Barkin Aygun, Jinwook Baek, Eric Barndollar, Daniel Duterte, Jeffrey Grafton, Robert Hunter, Chris Jackson, Umpei Kurokawa, Daren Makuck, Timothy Mierzejewski, Michael Rivera, Dennis Torres, Apphia Yu. [doi]
• A hand drumming Dataset for Physical ModelingRandy Jones, Mathieu Lagrange, W. Andrew Schloss. [doi]
• Placement of sound Sources in the Stereo Field using measured Room impulse responsesWilliam D. Haines, Jesse R. Vernon, Roger B. Dannenberg, Peter F. Driessen. [doi]
• Deconcert: bathing in the light, sound, and Waters of the Musical BrainbathsSteve Mann, James Fung, Ariel Garten. [doi]
• Drum'n'Bayes: on-Line variational Inference for beat tracking and rhythm RecognitionCharles W. Fox, Iead Rezek, Stephen J. Roberts. [doi]
• Between Mapping, Sonification and Composition: Responsive audio Environments in Live PerformanceChristopher L. Salter, Marije A. J. Baalman, Daniel Moody-Grigsby. [doi]