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Viewing Publication 1 - 100 from 4602

2018

An Expressive Brain-computer Music Interface for Musical NeurofeedbackRafael Ramírez 0001, Sergio I. Giraldo, Zacharias Vamvakousis. icmc 2018: [doi]

Proceedings of the 2018 International Computer Music Conference, ICMC 2018, Daegu, South Korea, August 5-10, 2018Michigan Publishing, 2018. [doi]

Is This How It Sounded? The Idea of 'Historic Informed Performance Practice' in Early Mixed MusicMiriam Akkermann. icmc 2018: [doi]

Music Production Mobile App with Voice-to-MIDI FeatureChun-Ming Au, Andrew Horner. icmc 2018: [doi]

Dipole Instruments for Sketching in Hardware with Embedded AcousticsEdgar Berdahl. icmc 2018: [doi]

Inherent Meanings From the Environmental Impacts of the Production and Performance of Electronic MusicMichael Blandino. icmc 2018: [doi]

Spatial Organization in Musical FormBraxton Boren, Michael Musick. icmc 2018: [doi]

Compel: a Crowdsourced Community-building Repository for Reproducible Computer MusicIvica Ico Bukvic, Andrea L. Ogier. icmc 2018: [doi]

LSL.LPSR: Applying Contemporary Compositional Processes Into an Electroacoustic Improvisation ToolVincent Caers. icmc 2018: [doi]

Philosophical Underpinnings of Environmental MusicTate Carson. icmc 2018: [doi]

The Emotional Characteristics of Section String Instruments with Different Pitch and DynamicsHiu Ting Chan, Ronald K. Mo, Chuck-jee Chau, Andrew Horner. icmc 2018: [doi]

The Effects of Pitch, Dynamics, and Vowel on the Emotional Characteristics of The Soprano VoiceBing Yen Chang, Andrew Horner. icmc 2018: [doi]

Studio Report: KEAMSJinok Cho, Donoung Lee. icmc 2018: [doi]

Audioworklet: the Future of Web AudioHongchan Choi. icmc 2018: [doi]

The Lure Towards the Performative in Nonlinear Audiovisual InstallationsTeresa Marie Connors. icmc 2018: [doi]

(Re)discovering Sounds of CCRMA - Towards Computer Music PreservationKevin Dahan. icmc 2018: [doi]

UGG: a Unit Generator GeneratorRoger B. Dannenberg. icmc 2018: [doi]

OBOEJS: a Constraint-based Approach to Instrument-specific Algorithmic CompositionLuc Döbereiner. icmc 2018: [doi]

Imaginary Miles: Modeling Musebots After MusiciansArne Eigenfeldt. icmc 2018: [doi]

Displaced Light: a Composition for Six Instruments and Electronics Mediated Through the Application of MicrosoundMarc Estibeiro. icmc 2018: [doi]

Urban Soundscape: Analyzing Spatiotemporal Patterns of Acoustic Events and Soundscape Components, and Its Influence on the Socioeconomic Status of New York City NeighborhoodsShuraifa Asmah Shad Saleem Faruqi, Tae Hong Park. icmc 2018: [doi]

Spectral Granular SynthesisStefano Fasciani. icmc 2018: [doi]

Tangible Virtual Patch CordsStefano Fasciani, Habibur Rahman. icmc 2018: [doi]

Accessible Digital Musical Instruments - a Survey of Inclusive Instruments Presented at the NIME, SMC and ICMC ConferencesEmma Frid. icmc 2018: [doi]

Sustainability of Compositions Involving Electronic Technology: Part I - in Conversation With Alcides LanzaBrian Garbet. icmc 2018: [doi]

Sonode; a Collaborative Sound Map of Mexico CityHugo Solis Garcia. icmc 2018: [doi]

Vocal Distortion and Real-Time Processing of RoughnessMarta Gentilucci, Luc Ardaillon, Marco Liuni. icmc 2018: [doi]

The Effects of Mode, Pitch, and Dynamics on Valence in Piano Scales and Chord ProgressionsYu Hong, Ronald K. Mo, Andrew Horner. icmc 2018: [doi]

Mugeetion: Musical Interface Using Facial Gesture and EmotionEunjeong Stella Koh, Shahrokh Yadegari. icmc 2018: [doi]

Digital Ensemble Skills in a Laptop OrchestraCheng Lee. icmc 2018: [doi]

Deep Neural Network Based Music Source Conducting SystemMyungin Lee. icmc 2018: [doi]

Electronic Music Documentations, Practices and ModelsSerge Lemouton, Alain Bonardi, Laurent Pottier, Jacques Warnier. icmc 2018: [doi]

Live 4 Life - A Spatial Performance Tool Focused On Rhythm And Parameter LoopsChristophe Lengelé. icmc 2018: [doi]

ENOBIO2OSC: Brain-computer Interface for Musical CreationConstanza Levicán, Vernon Belaúnde, Alberto Vega, Andrés Aparicio, Rodrigo F. Cádiz. icmc 2018: [doi]

The Tuning and Synthesis Issue of the Ancient Chinese Chime-bells Instrument From the Tomb of Marquis Yi of the Zeng StateTsung-Ching Liu, Wan Tin Lin. icmc 2018: [doi]

Gestural Envelopes: Aesthetic Considerations for Mapping Physical Gestures Using Wireless Motion SensorsAlex Lough, Mark Micchelli, Mari Kimura. icmc 2018: [doi]

Music Recombination Using a Genetic AlgorithmSanjay Majumder, Benjamin D. Smith. icmc 2018: [doi]

Investigating How Convolution Reverberation Effects the Space of Instrument Emotional CharacteristicsRonald K. Mo, Richard H. Y. So, Andrew Horner. icmc 2018: [doi]

A Physically-distinct, Multi-agent, Sonic Space EcosystemMichael Musick. icmc 2018: [doi]

Chordscanner: Browsing Chord Progressions Based on Musical Typicality and Intra-composer ConsistencyHiromi Nakamura, Tomoyasu Nakano, Satoru Fukayama, Masataka Goto. icmc 2018: [doi]

Center for Arts and Technologies at Seoul National UniversitySangbong Nam, Gang Seong Lee, Pyoung Ryang Ko, Byongoh Ko, Jinok Cho, Donoung Lee. icmc 2018: [doi]

SPATGRIS/SERVERGRIS, Creative Tools for 2D and 3D Sound SpatializationRobert Normandeau, Olivier Bélanger, Christophe Lengelé, David Ledoux. icmc 2018: [doi]

Topographic Synthesis: Parameter Distribution in Spatial TextureErik Nyström. icmc 2018: [doi]

Phil Winsor's Myst: Research and Art - a Technical and Aesthetic ConsiderationKen Paoli. icmc 2018: [doi]

The Electro-acoustic Music Mine (EAMM): an Initiative for the Archival Preservation of Electro-acoustic MusicTae Hong Park, Kent Underwood. icmc 2018: [doi]

Citygram One: Seven Years LaterTae Hong Park, Minjoon Yoo. icmc 2018: [doi]

Do People With Absolute Pitch Really Produce the P300 Response When Processing Tones?Jonghwa Park, Sungeun Lee. icmc 2018: [doi]

Behave: a Heatmap-based Audiovisual Representation of Personal DataSihwa Park. icmc 2018: [doi]

Harvestworks Digital Media Arts CenterCarol Parkinson. icmc 2018: [doi]

Populous Oscillation: Variety in Interactive Evolutionary Computation for Music ImprovisationAnders Bach Pedersen. icmc 2018: [doi]

Using Recurrent Neural Networks to Dream Sequences of AudioAndrew Pfalz, Edgar Berdahl, Jesse T. Allison. icmc 2018: [doi]

Structured Cell: a Work in SpaceDavid Rafferty. icmc 2018: [doi]

Nething: An Educational Open-source Web-based Graphical User Interface for Controlling Ambisonic And Wave Field Speaker ArraysIan Rios, Rob Hamilton. icmc 2018: [doi]

The Contributions of Computer Music Pioneer Knut WiggenJøran Rudi. icmc 2018: [doi]

The Aesthetics of Robot Opera: Human-centric or Mechanized Eccentric?Alexander Sigman. icmc 2018: [doi]

The Emotional Characteristics of Rain Sound EffectsWing Lam Sin, Xiaojuan Ma, Andrew Horner. icmc 2018: [doi]

Locustream Open Microphone ProjectPeter Sinclair. icmc 2018: [doi]

Rainbow Blob: Augmented Handpan Using Leap Motion and Oculus RiftChristine Steinmeier, Dominic Becking. icmc 2018: [doi]

Data Visualization and Analysis for Stage Monitoring SystemsAustin Stillwell, Tae Hong Park. icmc 2018: [doi]

The Murmurator: a Flocking Simulation-driven Multi-channel Software Instrument for Collaborative ImprovisationEli Stine, Kevin Davis. icmc 2018: [doi]

University of Oregon - Future Music Oregon 2018 Studio ReportJeffrey Stolet. icmc 2018: [doi]

AMAI: Adaptive Music for Affect ImprovementDavid Su, Rosalind W. Picard, Yan Liu. icmc 2018: [doi]

"Chorale" Violin Harmonization: A Practical, Compositionally-based System for Generating Live HarmoniesChristopher Tignor. icmc 2018: [doi]

Coding With a Piano: the First Phase of the Codeklavier's DevelopmentAnne Veinberg, Felipe Ignacio Noriega. icmc 2018: [doi]

Music Making Mobile Application Using GeometryGuillaume Villée, Gwendal Le Vaillant. icmc 2018: [doi]

Voice in Electronic Music: Handling Limitations in Stockhausen's Gesang Der Jünglinge and Lansky's Six FantasiesMark Volker. icmc 2018: [doi]

A Study on the Audiovisual Art of Nam June Paik in the Context of Multimodality and SynesthesiaJi Won Yoon, Woon Seung Yeo. icmc 2018: [doi]

2017

Proceedings of the 2017 International Computer Music Conference, ICMC 2017, Shanghai, China, October 16-20, 2017Michigan Publishing, 2017. [doi]

Interactive Composition and Performance Framework with Evolutionary ComputingInsook Choi. icmc 2017: [doi]

A Method for Subjective Analysis of Audiovisual WorksMarko Ciciliani. icmc 2017: [doi]

The Impact of the Digital Interface and the Score on Controlled Improvisation When Using Acoustic Instruments in an Electroacoustic ContextMarc Estibeiro. icmc 2017: [doi]

madBPM: A Modular Multimodal Environment for Data-Driven Composition And SonificationK. Michael Fox, Jeremy Stewart, Rob Hamilton. icmc 2017: [doi]

Musical control of Granular Textures generated by Iterated Function SystemsOliver Hancock. icmc 2017: [doi]

FrameLib: Audio DSP using Frames of Arbitrary Length and TimingAlex Harker. icmc 2017: [doi]

Investigating Guqin Left Hand Modulation TechniquesJingyin He, Jim W. Murphy, Dale A. Carnegie, Ajay Kapur. icmc 2017: [doi]

Recursive Generation of Rhythmic Structures with PTGGsBrian Heim, Donya Quick. icmc 2017: [doi]

Expansion Through the Machine: A Composition for Harmonica and WearableOliver Hickman, Tae Hong Park. icmc 2017: [doi]

Appropriate Isomorphic Layout Determination Using 3-D Helix LatticesHanlin Hu, David Gerhard. icmc 2017: [doi]

Assessment Techniques for New Mechatronic Instruments as Applied to speaker.motionBridget Johnson, Ajay Kapur. icmc 2017: [doi]

The Systematic Grouping of Detection Tools for Properties of Acousmaticity: Binary Tension Between Sonority and PulseJonas Jurkunas. icmc 2017: [doi]

Multimedia Performance Installation with Virtual RealityCheng Lee. icmc 2017: [doi]

Pacific Bell Tower, a sculptural sound installation for live sonification of earthquake dataPerMagnus Lindborg. icmc 2017: [doi]

Improving Robotic Chordophones with Closed-Loop Embedded Audio Feedback SystemsJason Long, Neill Skelly, Jim W. Murphy, Dale A. Carnegie, Ajay Kapur. icmc 2017: [doi]

Mediating a Comprovisation Performance: the Comprovisador's Control InterfacePedro Louzeiro. icmc 2017: [doi]

Cinemacraft: Immersive Live Machinima as an Empathetic Musical Storytelling PlatformSiddharth Narayanan, Ivica Ico Bukvic. icmc 2017: [doi]

Exploring concatenative synthesis units in VRMax Neupert. icmc 2017: [doi]

Performing a Performer: human performers instead of electric sound generatorsKoka Nikoladze. icmc 2017: [doi]

Exploring sonic landscapes through the use of spatial and temporal sampling techniquesFelipe Otondo. icmc 2017: [doi]

Speculative Designs: Towards a Social MusicGascia Ouzounian, Christopher Haworth, Peter D. Bennett. icmc 2017: [doi]

Human Excess: Aesthetics of Post-Internet Electronic MusicAnders Bach Pedersen. icmc 2017: [doi]

Granular Synthesis as Fractal MicropolyphonyPaul Rhys. icmc 2017: [doi]

Case Study of a Sensor Platform System Using the Wireless Microprocessor Module TWE-LITE for Media Art and Computer MusicHirano Saburo, Ochi Akiko. icmc 2017: [doi]

Visual Feedback for DDMM: A Simple Approach for Connecting and Synchronizing Unity Animations with Events from VST PluginsChristine Steinmeier, Dominic Becking. icmc 2017: [doi]

Sonic Explorations of Gumowski-Mira MapsTimothy S. Tan, PerMagnus Lindborg. icmc 2017: [doi]

Tuning to Trust: System Calibration as Creative EnablerPierre-Alexandre Tremblay. icmc 2017: [doi]

A New Method for Objective Measurement of Perceived Audio QualityHsiao-Yen Wang, Jin-Huang Huang, Yu-Chung Tseng. icmc 2017: [doi]

Embodied Sonic Meditation and its Proof-of-Concept: "Resonance of the Heart"Jiayue Cecilia Wu, Julius O. Smith III, Yijun Zhou, Matthew James Wright. icmc 2017: [doi]

SuperSampler: A New Polyphonic Concatenative Sample Synthesizer in SuperCollider for Sound Motive Creative, Live Coding, and ImprovisationShu-Cheng Allen Wu. icmc 2017: [doi]

Redesigning Music Education Through Laptop EnsemblesJuan Pablo Yépez, Jordan Hochenbaum, Spencer Salazar, Ajay Kapur. icmc 2017: [doi]

CalmusWaves: Where Dancers Compose Music in Real-TimeKjartan Ólafsson. icmc 2017: [doi]

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