| 1 | -- | 2 | Tanja Belinda Andersen, Tony Brooks, Sue Gollifer, Lone Malmborg, Julia Sussner. Editorial |
| 3 | -- | 20 | Andrew Morrison, Geska Helena Andersson, Robert Brecevic, Synne Skjulstad. Disquiet in the plasma |
| 21 | -- | 46 | Margaret A. Boden, Ernest A. Edmonds. What is generative art? |
| 47 | -- | 58 | Jian Chang, Xiaosong Yang, Jian J. Zhang. Hyper-twist |
| 59 | -- | 78 | Siu-Tsen Shen, Stephen D. Prior, Kuen-Meau Chen. Comparing the perspicacity, appropriateness and preference of web browser icons with Chinese users |
| 79 | -- | 94 | Jeff Smith, David Mould, Mark Daley. Constructures: supporting human ingenuity in software |
| 95 | -- | 113 | Johannes Birringer, Michèle Danjoux. Wearable performance |
| 115 | -- | 124 | Oguzhan Özcan, Asim Evren Yantaç, Mary Lou O'Neil. Breaking the rules in interactive media design education |
| 125 | -- | 131 | Gabriella Giannachi. San Francisco Museum of Modern Art | The Art of Participation: 1950 to Now |