Abstract is missing.
- MusicFlower: A Web App and Python Framework for Interactive Music VisualisationRobert Lieck. 1-8 [doi]
- Introducing WebPdL2OrkIvica Ico Bukvic, William Furgerson, Justin Kerobo, Bradley Davis. 9-16 [doi]
- Sonic Scribbles - Constructing Sketch Classes from Visual Associations of the Mental Model for AudioLars Engeln, Rainer Groh 0001. 17-28 [doi]
- Sound's Influences on Perceptions of Anthropomorphism and Animacy in InterfacesK. C. Collins, Maya Murad, Adel Manji. 29-40 [doi]
- Investigating the Affective Quality of Audio Designs in Virtual RealityAlvaro F. Olsen. 41-57 [doi]
- Meaningful Interactions in Human-AI MusickingOliver Miles, Adrian Hazzard, Solomiya Moroz, Laura Bishop, Craig Vear. 58-69 [doi]
- Leveraging small datasets for ethical and responsible AI music makingNick Bryan-Kinns, Anna Wszeborowska, Olga Sutskova, Elizabeth Wilson, Phoenix Perry, Rebecca Fiebrink, Gabriel Vigliensoni, Rikard Lindell, Andrei Coronel, Nuno N. Correia. 70-81 [doi]
- Motiv: A Dataset of Latent Space Representations of Musical Phrase MotionsNádia Carvalho, Jorge Sousa, Gilberto Bernardes, Henrique Portovedo. 82-93 [doi]
- Interface Sound Variations Influence Learned User ResponsesHéctor Miguel Valle, K. C. Collins. 94-106 [doi]
- Two Empirical Studies on Audiovisual Semiotics of UncertaintySita Aukje Vriend, David Hägele, Daniel Weiskopf. 107-123 [doi]
- Cyclic Patterns and Spatial Orientations in Artificial Impulsive Autonomous Sensory Meridian Response (ASMR) SoundsHenrik Haraldsen Sveen, Laura Bishop, Alexander Refsum Jensenius. 124-131 [doi]
- Harmonic Materials: Composing with found objects and a camera-based synthesiserJasmine Butt, Nathan Renney, Benedict R. Gaster, Tom Mitchell 0001. 132-140 [doi]
- Sound design for HRI: a case study exploring appropriateness, naturalness, and sociality of a zoomorphic robotBalandino Di Donato, Marta Romeo, Matthew P. Aylett. 141-153 [doi]
- Sound-driven Design through the lens of four applications for healthcareElif Özcan, Nicolas Misdariis, Stefano Delle Monache. 154-163 [doi]
- Listening Together-Apart: On the Social Mediation of Sound Installation ListeningNicole Robson, Andrew P. McPherson, Nick Bryan-Kinns. 164-177 [doi]
- Beyond Universality: Cultural Diversity in Music and Its Implications for Sound Design and SonificationRubén García-Benito. 178-189 [doi]
- The Conduction Series: Live Collaborative Transmission Art across BordersAugust Black, Betsey Biggs, Anna Friz, Maximilian Goldfarb, Peter Courtemanche, Florencia Curci, Virginia Mantinian, Jimmy Garver, Jeff Economy, Rodrigo Ríos Zunino, Galen Joseph-Hunter. 190-198 [doi]
- Plétude: New Paradigms for Notation with Game Engine-Based ScoresAustin Franklin, Mary Alexander Bergeron. 199-206 [doi]
- An Exploratory Phenomenological Study into how Audio Shapes Emotions in Player ExperiencePedro Garruço, Licínio Roque, Luís Lucas Pereira. 207-215 [doi]
- I am the BallYann Seznec. 216-222 [doi]
- Sonification Strategies for Mapping Visible Element Emission Spectra to Perceptually Relevant Sounds While Retaining Tonal InformationWalker Smith, Marina Bosi. 223-235 [doi]
- Mapping the Neighborhood of Microtonal Music Scales Using Self-Organizing MapsKousha Nikkar, Matteo Sacchetto, Cristina Rottondi. 236-245 [doi]
- Navigable Semantic Sound Maps for Auditory DisplaysMika Alexander Sieweke, Thomas Hermann 0001. 246-254 [doi]
- An Interactive Self-Assembly Swarm Music System in Extended RealityPedro Pablo Lucas, Stefano Fasciani, Alex Szorkovszky, Kyrre Glette. 255-269 [doi]
- Sonic Skater Jump: Exploring the Sound Design of Complex Auditory Movement Guidance for Physical TherapyDaniel Hug 0002, Michelle Haas, Jasmin Meier, Eveline Graf. 270-280 [doi]
- SoniBould: Towards understanding the design of sonified expressions for boulderingHakan Yilmazer, Aykut Coskun, Florian 'Floyd' Mueller. 281-293 [doi]
- Spatial Audio Paths - Spatial Expressiveness of Immersive 3D Audio Trajectory EditingLars Engeln, Leon Georgi, Robert Ludwig, Krishnan Chandran, Fabian Töpfer, Matthew McGinity. 294-302 [doi]
- Detmold musical Instrument Timbre Explorer (DmITE): Interactive visualization of musical instruments radiation pattern using IEEE 1599Davide Andrea Mauro, Luca Andrea Ludovico, Hamit Batuhan Aydin, Axel Berndt, Timo Grothe. 303-308 [doi]
- In the middle of the music: A qualitative study of headset and loudspeaker distributed interactive spatial audio within a musical mixed-reality environmentLaurence Cliffe, Mairah Khan, Steve Benford. 309-317 [doi]
- A Sensor is not a Sensor: Diffracting the Preservation of Sonic Microinteraction with the SiFiBandHugh Alexander von Arnim, Çagri Erdem, Ulysse Côté Allard, Alexander Refsum Jensenius. 318-325 [doi]
- From Installation to Instrument: A Qualitative Inquiry into Gesture, Expression, and Composition with SoundscapeTrevor Glyn Hunter, Eve Klein, Stephen Viller. 326-336 [doi]
- An investigation into the mapping of sonic parameters to pen movement in tablet tasksGeorgios N. Marentakis, Ahmed Raza Mir. 337-343 [doi]
- Where is That Bird? The Impact of Artificial Birdsong in Public Indoor EnvironmentsMaham Riaz, Jinyue Guo, Bilge Serdar Göksülük, Alexander Refsum Jensenius. 344-351 [doi]
- Playing With Sound Beings: A Phenomenological ExplorationMariana Seiça, Licínio Roque, Pedro Martins 0003, F. Amílcar Cardoso. 352-360 [doi]
- A case study of translating sonifications across musical cultures for an educational applicationChris M. Harrison, James W. Trayford, Arron George, Leigh Harrison, Rubén García-Benito, Shirin Haque, Rose Shepherd. 361-366 [doi]
- Non/Repeat: Three Case Studies of Non-linear Live-Music PracticesMaria Kallionpää, Axel Berndt, Davide Andrea Mauro, Damian Dziwis. 367-372 [doi]
- Comparing Trend-Based and Direct HRV Biofeedback in an Adaptive Game EnvironmentMichael Nicholas Louka, Hassan Vakhajevitsj Mahauri, Kedi Krasniqi, Georgios N. Marentakis. 373-378 [doi]
- 360 VSP: Issues and limitations of 360 Virtual Sound Productions for mobile devicesBalandino Di Donato, Martin Rieger, Iain McGregor. 379-383 [doi]
- Making a Binaural Microphone: Comparing Audio Quality, Listener Experience, and Costs of DIY with a Commercial OptionAndré Hedlund, Tanja Jörgensen, Rikard Lindell. 384-389 [doi]
- Speed and Direction as two Overlapping Rhythms: Accuracy and Precision in Interpretation and PerformanceAlessio Bellino, Davide Rocchesso, Chiara Mascetti, Giorgio Presti. 390-393 [doi]
- DJ AI: Optimizing Playlist Alignment and Generating Transitions with Generative and Embedding ModelsOrkun Kinay, Baris Tekdemir, Göktug Gökyilmaz, Ekmel Yavuz, Berk Ay, Selim Balcisoy. 394-399 [doi]
- Creating the Ideal Soundscape: Designing Study Friendly Cafe EnvironmentsXinyue Hu. 400-407 [doi]
- RhyGlyph: Radial Glyph Visualization of Rhythm InteractionsÇagri Erdem, Carsten Griwodz, Davide Rocchesso. 408-416 [doi]
- User-Centered Insights into Analogue and Digital Mixing: Perspectives of Novice Music ProducersVanja Budsberg, Christopher P. Dewey, Austin Moore. 417-423 [doi]