Abstract is missing.
- Comparing the Timing of Movement Events for Air-Drumming GesturesLuke Dahl. 3-21 [doi]
- Assessing the Influence of Constraints on Cellists' Postural Displacements and Musical ExpressivityJocelyn Rozé, Mitsuko Aramaki, Richard Kronland-Martinet, Thierry Voinier, Christophe Bourdin, Delphine Chadefaux, Marvin Dufrenne, Sølvi Ystad. 22-41 [doi]
- Musical Meter, Rhythm and the Moving Body: Designing Methods for the Analysis of Unconstrained Body MovementsLuiz Naveda, Isabel C. Martínez, Javier Damesón, Alejandro Pereira Ghiena, Romina Herrera, Manuel Alejandro Ordás. 42-57 [doi]
- Evaluating Input Devices for Dance ResearchMari Romarheim Haugen, Kristian Nymoen. 58-70 [doi]
- Estimation of Guitar Fingering and Plucking Controls Based on Multimodal Analysis of Motion, Audio and Musical ScoreAlfonso Pérez Carrillo, Josep Lluís Arcos, Marcelo M. Wanderley. 71-87 [doi]
- Analysis of Mimed Violin Performance Movements of Neophytes - Patterns, Periodicities, Commonalities and IndividualitiesFederico Visi, Esther Coorevits, Rodrigo Schramm, Eduardo Reck Miranda. 88-108 [doi]
- Skill Development and Stabilisation of Expertise for Electronic Music PerformanceJan C. Schacher, Patrick Neff. 111-131 [doi]
- The Hybrid Brain Computer Music Interface - Integrating Brainwave Detection Methods for Extended Control in Musical Performance SystemsJoel Eaton, Eduardo R. Miranda. 132-145 [doi]
- Feeling Sound: Exploring a Haptic-Audio RelationshipJoanne L. Armitage, Kia Ng. 146-152 [doi]
- BOEUF: A Unified Framework for Modeling and Designing Digital OrchestrasFlorent Berthaut, Luke Dahl. 153-166 [doi]
- Decomposing a Composition: On the Multi-layered Analysis of Expressive Music PerformanceEsther Coorevits, Dirk Moelants, Stefan Östersjö, David Gorton, Marc Leman. 167-189 [doi]
- 3CMS: An Interactive Decision System for Live PerformanceRodrigo Schramm, Helena de Souza Nunes, Leonardo de Assis Nunes, Federico Visi, Eduardo R. Miranda. 190-210 [doi]
- A Viewpoint Approach to Symbolic Music TransformationLouis Bigo, Darrell Conklin. 213-227 [doi]
- Balancing Audio: Towards a Cognitive Structure of Sound Interaction in Music ProductionMads Walther-Hansen. 228-242 [doi]
- Conchord: An Application for Generating Musical Harmony by Navigating in the Tonal Interval SpaceGilberto Bernardes, Diogo Cocharro, Carlos Guedes, Matthew E. P. Davies. 243-260 [doi]
- Musical Variation and Improvisation Based on Multi-resolution RepresentationsJohan Loeckx. 261-270 [doi]
- Music with Unconventional Computing: Granular Synthesis with the Biological Computing Substrate Physarum PolycephalumEdward Braund, Eduardo R. Miranda. 271-280 [doi]
- Evaluation and Prediction of Harmonic Complexity Across 76 Years of Billboard 100 HitsKristoffer Jensen, David G. Hebert. 283-296 [doi]
- Information Rate for Fast Time-Domain Instrument ClassificationJordan Ubbens, David Gerhard. 297-308 [doi]
- Escaping from the Abyss of Manual Annotation: New Methodology of Building Polyphonic Datasets for Automatic Music TranscriptionLi Su, Yi-Hsuan Yang. 309-321 [doi]
- The Clustering of Expressive Timing Within a Phrase in Classical Piano Performances by Gaussian Mixture ModelsShengchen Li, Dawn A. A. Black, Mark D. Plumbley. 322-345 [doi]
- Modeling Affective Responses to Music Using Audio Signal Analysis and PhysiologyKonstantinos Trochidis, Simon Lui. 346-357 [doi]
- A New Look at Musical Expectancy: The Veridical Versus the General in the Mental Organization of MusicEmery Schubert, Marcus Pearce. 358-370 [doi]
- Emotional Experiences of Ascending Melodic LinesHans T. Zeiner-Henriksen. 373-386 [doi]
- \sigma GTTM III: Learning-Based Time-Span Tree Generator Based on PCFGMasatoshi Hamanaka, Keiji Hirata, Satoshi Tojo. 387-404 [doi]
- BioComputer Music: Generating Musical Responses with Physarum polycephalum-Based MemristorsEdward Braund, Eduardo R. Miranda. 405-419 [doi]
- 'Understood at Last'?: A Memetic Analysis of Beethoven's 'Bloody Fist'Steven Jan. 420-437 [doi]
- Music and Dementia: Two Case-StudiesAlexis Kirke, Belinda Dixon, Eduardo R. Miranda. 438-448 [doi]
- Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity PerceptionDaniel Gómez-Marín, Sergi Jordà, Perfecto Herrera. 449-463 [doi]
- Cross-Cultural Comparisons of Unconstrained Body Responses to Argentinian and Afro-Brazilian MusicLuiz Naveda, Isabel C. Martínez, Javier Damesón, Alejandro Pereira Ghiena, Romina Herrera, Manuel Alejandro Ordás. 464-482 [doi]