Table of Contents

• Tempo and Autonomic Control of the HeartBeatrice Bretherton, Luke Windsor, Kia Ng. [doi]
• Representing Altered States of Consciousness in Computer ArtsJonathan Weinel. [doi]
• A Creative Artificial Intelligence System to Investigate User Experience, Affect, Emotion and CreativitySara Salevati, Steve DiPaola. [doi]
• How Songkick is using Technology to Change Live MusicDan Crow. [doi]
• Design and Digital Interactive System for MedicineCristina Portugal. [doi]
• Stitch, Bitch, Make/Peform: Wearables and PerformanceCamille Baker, Kate Sicchio. [doi]
• Infinite Remix Machine: Automatic Analysis and Arrangement of Musical RecordingsRyan Kirkbride, Kia Ng. [doi]
• Data Body Banking: Understanding Post Biological Identity through Embodied Mixed Reality ArtJulian Stadon. [doi]
• Sound SpiralsEvan S. Raskob. [doi]
• Save Our Sounds: Audio preservation and the British LibraryWill Prentice. [doi]
• From Space to Interface: Augmented Reality, a Model for ParticipationLiam Noah Jefferies. [doi]
• ʔeləw̓k̓ʷ - Belongings: A Tangible Interface for Intangible Cultural HeritageReese Muntean, Kate Hennessy, Alissa Nicole Antle, Susan Rowley, Jordan Wilson, Brendan Matkin, Rachael Eckersley, Perry Tan, Ron Wakkary. [doi]
• Innovative, Participatory Listening and Seeing Experiences in MuseumsTobias Ziegler. [doi]
• Hard CopyJo Stockham. [doi]
• Optical Research: A Curated Visual Music CollectionJonathan Weinel. [doi]
• The 3D Scanning of the Mantua ArkMoshe Caine, Andreina Contessa, Zvi Grinberg. [doi]
• Colliding Events: Art Projects at the Large Hadron ColliderChris Henschke. [doi]
• Towards a Digital Museum Dream SpaceSarah Younan. [doi]
• Spiral GallMurray McKeich. [doi]
• Configuring a Haptic Interface for Music PerformanceJoanne L. Armitage, Kia Ng. [doi]
• XV: Reactive SpacesEsteban García Bravo, Jorge A. García, Aaron Zernack. [doi]
• Electrical Impulses (A Keyboard & Clarinet Performance)Marina Vesic, Diogo Lopes. [doi]
• MineCraft - A Media for ResilienceDorine Flies. [doi]
• Fractalnoia - 11 Datasets You Cannot Believe Just HappenedTomi Dufva, Mikko Dufva. [doi]
• A Virtual Tour to the Inscriptions of the UNESCO World Heritage Site St. Michael in HildesheimAnna Neovesky, Julius Peinelt. [doi]
• Exploring Different Ways of Navigating Emotionally Responsive Artwork in Immersive Virtual EnvironmentsMeehae Song, Steve DiPaola. [doi]
• A New Representation System in Tonal Harmony for Analysis and CreationAnna Shvets. [doi]
• meSch - Tools for Interactive ExhibitionsKatrin Wolf 0001, Essam Abdelhady, Yomna Abdelrahman, Thomas Kubitza, Albrecht Schmidt 0001. [doi]
• SequenceAnna Dumitriu, Alex May. [doi]
• Crossing BordersJoe Osmond. [doi]
• Imaging the Egyptian Obelisk at Kingston LacyLindsay MacDonald, Jane Masséglia, Charles Crowther, Ben Altshuler, Sarah Norodom, Andrew Cuffley, James Grasby. [doi]
• Adding Value: Combining Ambient Visual and Vibrotactile Feedback to Encourage Good Posture in Trumpet PlayersMat Dalgleish, Chris Payne, Steve Spencer. [doi]
• The Supersti+Tech Project: A Reinterpretation of Superstition through New Media TechnologyJinhee Kim. [doi]
• Navigating Horizon 2020 FundingChristina Miller. [doi]
• You. Here. NowIan Willcock. [doi]
• The Art of VotingJeremy Pilcher. [doi]
• Storytelling the Information AgeTilly Blyth, Anne Prugnon. [doi]
• Growing Cyberceptive Organs with Electronic EnvironmentsZiva Ljubec. [doi]
• Towards a Borgean Musical Space: An Experimental Interface for Exploring Musical ModelsCharles de Paiva Santana, Jônatas Manzolli, Jean Bresson, Moreno Andreatta. [doi]
• Anywhere is Everywhere - Tales of a Virtual TravellerChris A. Wright. [doi]
• Free lunch: Open Source Solutions for the Digitisation WorkflowMatt Faber. [doi]
• Robots and Cultural Heritage: New Museum ExperiencesMaria Luce Lupetti, Claudio Germak, Luca Giuliano. [doi]
• 'Unheard' Sounds'Joanne L. Armitage, Kia Ng. [doi]
• Galois Connections: Mathematics, Art and ArchivesJonathan P. Bowen, Tula Giannini. [doi]
• Aesthetic Heuristics in UbimusDamián Keller, Nuno Otero, Leandro Lesqueves Costalonga. [doi]
• Processes and Variations in Digital LandscapesGareth Polmeer. [doi]
• New Relations with the Architectual Heritage EducationCarla Maria Furuno Rimkus, Rita de Cássia Maia da Silva. [doi]
• MAUERSCHAU: A Mobile Virtual Museum Postmodern Storytelling through Digital MediaMaximilian von Grafenstein, Eva Schneider, Nancy Richter. [doi]
• Mapping Motion II: Motion Capture and the Visualisation of DanceKelly Hamilton. [doi]
• The Scales of Life - A case study on an Art-Science VisualisationElaine Shemilt. [doi]
• 360 'Beyond the Screen' - Immersive, Stereo-Surround Projects in cooperation with Museum of Ancient Seafaring in MainzMichael Orthwein. [doi]
• Computer-aided Weaving: From Numerical Data to Generative TextileMarinos Koutsomichalis, Afroditi Psarra. [doi]
• Multidisciplinary Perspectives on Affective ExperiencesMarianne Markowski, Irida Ntalla, Christina Kamposiori, Vasileios Routsis. [doi]
• Reflections of EssenceSteve DiPaola, Sara Salevati. [doi]
• The Tech behind Creating an Experience on a Mobile/Tablet PlatformIñaki Arredondo. [doi]
• A Magic Lantern Data ProjectorMark Hursty, Victoria Bradbury. [doi]
• The Impossibility of Control: Real-time Negotiations with the HeartJohn MacCallum, Teoma Naccarato. [doi]
• Beneath the Waves and Beyond the Screen: Visualising Subsea Survey Data in Three DimensionsDylan Gauld. [doi]
• Music of the SpheresCharlotte Jarvis, Nick Goldman. [doi]
• Live SculptureChiara Passa. [doi]
• Art Wonder: Using Technology Enhanced Learning (TEL) and Wearable-enhanced Learning (WELL) in the Museum Context to Enhance their Visitors' ExperienceFrancesca Guerrera. [doi]
• The Prosumer: The Key Player of the Museum of the FutureValentina Fois. [doi]
• Face Value - Augmented Reality Enhanced PhotographyElke E. Reinhuber. [doi]
• Collecting and Conserving Software-based Art (outside the institution)Tom Ensom. [doi]
• [arra]stre- A Data-driven BalletPaul Golz, Genevieve Smith-Nunes. [doi]
• Stopmotion Photowalk Animation for Spatial Immersion in a Remote Cultural Heritage SiteScott L. Smith. [doi]
• Uchronie: Revisiting Analogue Computing to Expand the Language of A/V SynthesisMat Dalgleish, Chris Payne, Richard Burn. [doi]
• AniMorph: Animation Driven Audio MosaicingAugoustinos Tsiros, Grégory Leplâtre. [doi]
• Art Visualisation in the EMDR Psychotherapy ProcessJerome J. Leary. [doi]
• Playful Interactions: A Critical Inquiry into Interactive Art and PlayTine Bech. [doi]
• LIVeMotion: A Multi-Sensory System to Encourage the Awareness of MindfulnessIsabel Briant, Jeremy Gaisie, Thomas Morris, Francis Robson, David Moore, Kia Ng. [doi]
• Zaytoun, Visualising Human made Disaster through Interactive IllustrationHadi Mehrpouya, Chris Barker, Mina Braun. [doi]
• Gilcrease on Wheels: Incorporating Electronic Interactive ExperiencesDuc Tran, Andrew Couch, Robert Pickering, J. C. Diaz. [doi]
• Butchery by LightEric Lesdema, Stephanie Bolt. [doi]
• PULse 04: Be[ing] in the Zone - a Moist Emotion Between Body Matter and Digital MediaLorna Moore. [doi]
• Designing for the Impossible: Creating a Mobile Application to Track Time DilationDaniel Buzzo, David Jonas. [doi]
• Design and Narrative for Deaf and Listener ChildrenCristina Portugal, Eliane Jordy, Ana Correia, Rita Couto, Felipe Alram. [doi]
• Memory Machines: Exploring How Digital and Wearable Technologies can be used to Visualise the Phenomena of Memory and the Concept of IdentityDalia Yassine. [doi]
• Omega Point: An Electronic Visualisation of a Quantum Theory of ConsciousnessMarios Athanasiou. [doi]
• Art and EngineeringOana Gui, Radu Moraru. [doi]
• Museum and Maps in Virtual RealityIvan Grinko. [doi]
• Enhancing Global Collaboration through Network-empowered Live PerformanceJames C. Oliverio, Angelos Barmpoutis, Chad Juehring, Anton Yudin. [doi]
• Images of Protest in Social Media for the Virtual CommunityEleanor Lisney, Kirsten Forkert. [doi]