Abstract is missing.
- Automated Collage Generation - With More IntentMichael Cook, Simon Colton. 1-3 [doi]
- Multiobjective Optimization for Meaningful Metrical PoetryFahrurrozi Rahman, Ruli Manurung. 4-9 [doi]
- Autonomously Creating Quality ImagesDavid Norton, Derrall Heath, Dan Ventura. 10-15 [doi]
- Knowledge-level Creativity in Game DesignAdam M. Smith, Michael Mateas. 16-21 [doi]
- We Can Re-Use It For You Wholesale: Serendipity and Objets Trouvs in Linguistic CreativityTony Veale. 22-26 [doi]
- Negotiated Content: Generative Soundscape Composition by Autonomous Musical Agents in Coming Together: FreesoundArne Eigenfeldt, Philippe Pasquier. 27-32 [doi]
- Shared Mental Models in Improvisational Digital CharactersBrian Magerko, Peter Dohogne, Daniel Fuller. 33-35 [doi]
- Artificial Creative Systems and the Evolution of LanguageRob Saunders. 36-41 [doi]
- Understanding Human Creativity for Computational PlayAlexander Zook, Mark O. Riedl, Brian Magerko. 42-47 [doi]
- Theme-Based Cause-Effect Planning for Multiple-Scene Story GenerationKaren Ang, Sherie Yu, Ethel Ong. 48-53 [doi]
- Experimental Results from a Rational Reconstruction of MINSTRELBrandon Robert Tearse, Peter A. Mawhorter, Michael Mateas, Noah Wardrip-Fruin. 54-59 [doi]
- Automatic Generation of Emotionally-Targeted SoundtracksKristine Monteith, Virginia Francisco, Tony R. Martinez, Pablo Gervás, Dan Ventura. 60-62 [doi]
- A System for Evaluating Novelty in Computer Generated NarrativesRafael Pérez y Pérez, Otoniel Ortiz, Wulfrano Luna, Santiago Negrete, Vicente Castellanos-Cerda, Eduardo Peñalosa, Rafael Ávila. 63-68 [doi]
- Fractal Analogies: Preliminary Results from the Raven's Test of IntelligenceKeith McGreggor, Maithilee Kunda, Ashok K. Goel. 69-71 [doi]
- Computational Creativity Theory: Inspirations behind the FACE and the IDEA modelsAlison Pease, Simon Colton. 72-77 [doi]
- Picasso, Pato and Perro: Reconciling Procedure with CreativityPatrick Summerhays McNally, Kristian J. Hammond. 78-83 [doi]
- A Vision of Creative Computation in Music PerformanceRoger B. Dannenberg. 84-89 [doi]
- Computational Creativity Theory: The FACE and IDEA Descriptive ModelsSimon Colton, John Charnley, Alison Pease. 90-95 [doi]
- Towards MCTS for Creative DomainsCameron Browne. 96-101 [doi]
- Evaluating Evaluation: Assessing Progress in Computational Creativity ResearchAnna Jordanous. 102-107 [doi]
- No Free Lunch in the Search for CreativityDan Ventura. 108-110 [doi]
- Dynamic Inspiring Sets for Sustained Novelty in Poetry GenerationPablo Gervás. 111-116 [doi]
- Bimba: Sensor Embedded Balls for Creative Sound GenerationPol Pla, Patricia Maes. 117-119 [doi]
- How the Obscure Features Hypothesis Leads to Innovation Assistant SoftwareTony McCaffrey, Lee Spector. 120-122 [doi]
- Scuddle: Generating Movement Catalysts for Computer-Aided ChoreographyKristin Carlson, Thecla Schiphorst, Philippe Pasquier. 123-128 [doi]
- Towards Knowledge-Oriented Creativity Support in Game DesignAdam M. Smith, Michael Mateas. 129-131 [doi]
- Interpretation-driven Visual AssociationKazjon Grace, Rob Saunders, John S. Gero. 132-134 [doi]
- (Missing) Concept Discovery in Heterogeneous Information NetworksTobias Kötter, Michael R. Berthold. 135-140 [doi]
- Creative Cognition in ChoreographyDavid Kirsh. 141-146 [doi]
- Steps Toward the AIR Toolkit: An Approach to Modeling Social Identity Phenomena in Computational MediaD. Fox Harrell, Greg Vargas, Rebecca Perry. 147-152 [doi]
- Simulating the Everyday Creativity of ReadersBrian O'Neill, Mark Riedl. 153-158 [doi]