Table of Contents

• Computational Mechanisms of Human Color ConstancyDavid H. Brainard. 1 [doi]
• Image Reproduction: An OxymoronReiner Eschbach. 2-5 [doi]
• The Importance of Being Not Too EarnestRobert W. G. Hunt. 6-15 [doi]
• Illumination and Color in the Hockney Theory of Renaissance Painting Praxis: A Critical EvaluationDavid G. Stork. 11-15 [doi]
• Interactive Goniochromatic Color DesignClement Shimizu, Gary W. Meyer, Joseph P. Wingard. 16-22 [doi]
• Reproducing 3D Prints on Monitor by Relative-Glossiness Matching TechniqueToru Ishi, Norimichi Tsumura, Masami Shishikura, Yoichi Miyake. 23-29 [doi]
• Spectral Measurement of Omnidirectional Light Distribution and Its Application to Image RenderingShoji Tominaga, Norihiro Tanaka. 30-35 [doi]
• Rendering HDR ImagesGarrett M. Johnson, Mark D. Fairchild. 36-41 [doi]
• Biological Gain Control for High Dynamic Range CompressionHedva Spitzer, Yan Karasik, Shmuel Einav. 42-50 [doi]
• The Spatial Proprties of ContrastJohn J. McCann, Alessandro Rizzi. 51-58 [doi]
• Region-Based Image Classification for Automatic Color CorrectionClément Fredembach, Michael Schröder 0003, Sabine Süsstrunk. 59-65 [doi]
• Optimal Color Spaces for Balancing Digital Color ImagesGeoffrey J. Woolfe, Kevin E. Spaulding, Edward Giorgianni. 66-70 [doi]
• Television Image Quality Enhancement Using Observer Interactive ToolByoung-Ho Kang, Jin-Seo Kim, Maeng-Sub Cho. 71-76 [doi]
• Estimating the Directions to Light Sources Using Images of Eye for Reconstructing 3D Human FaceNorimichi Tsumura, Minh Nguyet Dang, Yoichi Miyake. 77-81 [doi]
• Color Temperature Estimation of Fluorescent Scene IlluminationShoji Tominaga, Sachiko Okamoto. 82-87 [doi]
• Reflection Component Based Color SimilarityMichael Hild. 88-93 [doi]
• Color Image Processing Using Wavelet-Based Multiscale EdgesBruce A. Thomas. 94-99 [doi]
• Color Aliasing in Multi-Dimensional Sparse LUTsSteven F. Weed, Tomasz J. Cholewo. 100-106 [doi]
• Using Colour to Model OutliersDavid Hasler, Sabine Süsstrunk. 107-114 [doi]
• Seamless Processing for Three Dimension Color Object ModelsChia-Lun Chen, Chao-Hua Wen, Wen-Hsin Chan. 115-120 [doi]
• Colour Differences for Complex ImagesChikako Sano, Tao Song, M. Ronnier Luo. 121-126 [doi]
• Colour-Difference Evaluation Using Colour Appearance ModelsChangjun Li, M. Ronnier Luo, Guihua Cui. 127-131 [doi]
• Application of PQS for Image Quality Analysis at Visible Spectral ImagingQun Sun, Mark D. Fairchild. 132-136 [doi]
• Correlating Objective and Subjective Color Image Quality Evaluation for JPEG2000-Compressed ImagesAdrian Stoica, Constantin Vertan, Christine Fernandez-Maloigne. 137-142 [doi]
• Influence Of Test Image Choice On Experimental ResultsJán Morovic, Yu Wang. 143-148 [doi]
• Spectral Imaging of Matisse s Pot of Geraniums: A Case StudyRoy S. Berns, Lawrence A. Taplin, Francisco H. Imai, Ellen A. Day, David C. Day. 149-153 [doi]
• Blending Images of Stained Glass WindowsAlfredo Giani, Lindsay W. MacDonald. 154-159 [doi]
• A Large Image Database for Color Constancy ResearchFlorian Ciurea, Brian V. Funt. 160-164 [doi]
• Color Appearance in Mesopic Vision and Its ModelingJaeChul Shin, Naoki Matsuki, Hirohisa Yaguchi, Satoshi Shioiri. 165-169 [doi]
• Predicting Cone Quantum Catches Under Illumination ChangeGraham D. Finlayson, Brian V. Funt, Hao Jiang. 170-174 [doi]
• A Radial Sampling of the OSA Uniform Color ScalesNathan Moroney. 175-180 [doi]
• Signal-Based Bit Expansion Method for LCDsSatoshi Ueno, Shigeki Imai, Yasuhiro Yoshida. 181-186 [doi]
• Spectral Color Processing Using an Interim Connection SpaceMitchell R. Rosen, Noboru Ohta. 187-192 [doi]
• An Evaluation of Multispectral Imaging Techniques for Camera CharacterizationTsz Lock Vien Cheung, Stephen Westland. 193-198 [doi]
• A New Colour Appearance Model - Kwak03Youngshin Kwak, Lindsay W. MacDonald, M. Ronnier Luo. 199-204 [doi]
• Illuminant and Device Invariance Using Histogram EqualisationGraham D. Finlayson, Steven D. Hordley, Gerald Schaefer, Gui Yun Tian. 205-211 [doi]
• Group Theoretical Invariants in Color Image ProcessingReiner Lenz, Linh Viet Tran, Thanh Hai Bui. 212-217 [doi]
• Optimization of Subtractive Color Dyes for Dye-Based Color Inkjet PrinterTakayuki Ogasahara. 218-223 [doi]
• Characterization of Color Printers Using Robust Parameter EstimationCarlos Lana, Mario Rotea, Daniel E. Viassolo. 224-231 [doi]
• Issues Encountered in Creating a Version 4 ICC sRGB profileKok-Wei Koh, Ingeborg Tastl, Mary Nielsen, Daid M. Berfanger, Huan Zeng, Jack Holm. 232-237 [doi]
• Improvement of Color Matching Accuracy with an Inkjet ProoferKatsumi Kimura, Tsutomu Nakagawa, Fumie Nakasai, Hiromi Takahashi, Nae Utsumi, Shinya Kitaoka. 238-243 [doi]
• The Impact of Spectrally-Stable Ink Variability on Spectral Color ManagementEdward F. Hattenberger, Mitchell R. Rosen, Noboru Ohta. 244-247 [doi]
• A Practical Approach to Measuring and Modelling Paper Fluorescense for Improved Colorimetric Characterisation of Printing ProcessesGraeme W. Gill. 248-254 [doi]
• Optical Properties of Printed Recycled Paper Exposed to AgeingV. Dzimbeg-Malcic, V. Mikac Dadic, Z. Bolanca. 255-260 [doi]
• A Neutral Axis Calibration Method Using 3D Inverse InterpolationYifeng Wu. 261-265 [doi]
• Illuminant Multiplexed Imaging: Special Effects Using GCRGaurav Sharma, Robert P. Loce, Steven J. Harrington, Yeqing (Juliet) Zhang. 266-271 [doi]
• A Visual Survey of Colour on Paper and Colour Changes During Exposure to LightCarinna Parraman. 272-276 [doi]
• A Multi-Ink Color-Separation Algorithm Maximizing Color ConstancyYongda Chen, Roy S. Berns, Lawrence A. Taplin, Francisco H. Imai. 277-281 [doi]
• A Multi-Resolution, Full-Colour Spatial Gamut Mapping AlgorithmJán Morovic, Yu Wang. 282-287 [doi]
• Brighter is Better? Investigating Spectral Color Prediction of Ink on Optically Brightened SubstrateAnthony J. Calabria, Danny C. Rich. 288-293 [doi]
• The Color Between Two OthersEthan D. Montag. 294-300 [doi]
• Prediction of Lightness in Mesopic VisionYoungshin Kwak, Lindsay W. MacDonald, M. Ronnier Luo. 301-307 [doi]
• Specifying the Colour Appearance of a Real RoomK. Xiao, M. Ronnier Luo, Changjun Li, Peter A. Rhodes, C. Taylor. 308-312 [doi]
• The Evolving Digital Workflow in CinemaChuck Harrison. 313-318 [doi]
• Color Management Technology for Digital Film MasteringAdo Ishii. 319-325 [doi]
• Emulating the Film Color Model in Digital Movie ProductionDave Bancroft. 326-334 [doi]
• An Experiment in Digital Intermediate Color Management Using ICC ProfilesJoseph Goldstone. 335-340 [doi]
• Colorimetric Characterization of Negative Film for Digital Cinema Post-ProductionAlexis Gatt, Ján Morovic, Leonardo Noriega. 341-345 [doi]
• Colorimetric Characterization Model for DLP ProjectorsDavid R. Wyble, Hongqin Zhang. 346-350 [doi]
• Influence of Spectral Sensitivity Functions on Color DemosaicingDavid Alleysson, Sabine Süsstrunk, Joanna Marguier. 351-357 [doi]
• Palette-Based RGB to Spectral Image Conversion, Compression, and Print Image Rendition Under Different IlluminantsHiroaki Kotera. 358-363 [doi]
• Color and Color Constancy in a Translation Model for Object RecognitionKobus Barnard, Prasad Gabbur. 364-369 [doi]