Table of Contents

• A Comparative Evaluation of Algorithms for Discovering Translational Patterns in Baroque Keyboard WorksTom Collins, Jeremy Thurlow, Robin Laney, Alistair Willis, Paul H. Garthwaite. 3-8 [doi]
• A Multi-Perspective Evaluation Framework for Chord RecognitionVerena Konz, Meinard Müller, Sebastian Ewert. 9-14 [doi]
• A Probabilistic Approach to Merge Context and Content Information for Music RetrievalRiccardo Miotto, Nicola Orio. 15-20 [doi]
• A Probabilistic Subspace Model for Multi-instrument Polyphonic TranscriptionGraham Grindlay, Daniel P. W. Ellis. 21-26 [doi]
• A Segmentation-based Tempo Induction MethodMaxime Le Coz, Hélène Lachambre, Lionel Koenig, Régine André-Obrecht. 27-32 [doi]
• AMUSE (Advanced MUSic Explorer) - A Multitool Framework for Music Data AnalysisIgor Vatolkin, Wolfgang M. Theimer, Martin Botteck. 33-38 [doi]
• An Improved Hierarchical Approach for Music-to-symbolic Score AlignmentCyril Joder, Slim Essid, Gaël Richard. 39-45 [doi]
• An Improved Query by Singing/Humming System Using Melody and Lyrics InformationChung-Che Wang, Jyh-Shing Roger Jang, Wennen Wang. 45-50 [doi]
• An Interchange Format for Optical Music Recognition ApplicationsAndrew Hankinson, Laurent Pugin, Ichiro Fujinaga. 51-56 [doi]
• Are Tags Better Than Audio? The Effect of Joint Use of Tags and Audio Content Features for Artistic Style ClusteringDingding Wang, Tao Li, Mitsunori Ogihara. 57-62 [doi]
• Automated Music Slideshow Generation Using Web Images Based on LyricsShintaro Funasawa, Hiromi Ishizaki, Keiichiro Hoashi, Yasuhiro Takishima, Jiro Katto. 63-68 [doi]
• Automatic Characterization of Digital Music for Rhythmic Auditory StimulationEric Humphrey. 69-74 [doi]
• Automatic Mood Classification Using TF*IDF Based on LyricsMenno van Zaanen, Pieter Kanters. 75-80 [doi]
• Automatic Music Tagging With Time Series ModelsEmanuele Coviello, Luke Barrington, Antoni B. Chan, Gert R. G. Lanckriet. 81-86 [doi]
• Autoregressive MFCC Models for Genre Classification Improved by Harmonic-percussion SeparationHalfdan Rump, Shigeki Miyabe, Emiru Tsunoo, Nobutaka Ono, Shigeki Sagayama. 87-92 [doi]
• Bass Playing Style Detection Based on High-level Features and Pattern SimilarityJakob Abesser, Paul Bräuer, Hanna M. Lukashevich, Gerald Schuller. 93-98 [doi]
• Beat Critic: Beat Tracking Octave Error Identification By Metrical Profile AnalysisLeigh M. Smith. 99-104 [doi]
• Boosting for Multi-Modal Music Emotion ClassificationQi Lu, Xiaoou Chen, Deshun Yang, Jun Wang. 105-110 [doi]
• Clustering Beat-Chroma Patterns in a Large Music DatabaseThierry Bertin-Mahieux, Ron J. Weiss, Daniel P. W. Ellis. 111-116 [doi]
• What s Hot? Estimating Country-specific Artist PopularityMarkus Schedl, Tim Pohle, Noam Koenigstein, Peter Knees. 117-122 [doi]
• Identifying Repeated Patterns in Music Using Sparse Convolutive Non-negative Matrix FactorizationRon J. Weiss, Juan Pablo Bello. 123-128 [doi]
• Locating Tune Changes and Providing a Semantic Labelling of Sets of Irish Traditional TunesCillian Kelly, Mikel Gainza, David Dorran, Eugene Coyle. 129-134 [doi]
• Approximate Note Transcription for the Improved Identification of Difficult ChordsMatthias Mauch, Simon Dixon. 135-140 [doi]
• Concurrent Estimation of Chords and Keys from AudioThomas Rocher, Matthias Robine, Pierre Hanna, Laurent Oudre. 141-146 [doi]
• Solving Misheard Lyric Search Queries Using a Probabilistic Model of Speech SoundsHussein Hirjee, Daniel G. Brown 0001. 147-152 [doi]
• Collaborative Filtering Based on P2P NetworksNoam Koenigstein, Gert R. G. Lanckriet, Brian McFee, Yuval Shavitt. 153-158 [doi]
• Combined Audio and Video Analysis for Guitar Chord IdentificationAlex Hrybyk, Youngmoo Kim. 159-164 [doi]
• Combining Chroma Features For Cover Version IdentificationTeppo E. Ahonen. 165-170 [doi]
• Combining Features Reduces Hubness in Audio SimilarityArthur Flexer, Dominik Schnitzer, Martin Gasser, Tim Pohle. 171-176 [doi]
• Computational Analysis of Musical Influence: A Musicological Case Study Using MIR ToolsNick Collins. 177-182 [doi]
• Crowdsourcing Music Similarity Judgments using Mechanical TurkJin Ha Lee. 183-188 [doi]
• Decomposition Into Autonomous and Comparable Blocks: A Structural Description of Music PiecesFrédéric Bimbot, Olivier Le Blouch, Gabriel Sargent, Emmanuel Vincent. 189-194 [doi]
• Discovering Metadata InconsistenciesBruno Angeles, Cory McKay, Ichiro Fujinaga. 195-200 [doi]
• Discovery of Contrapuntal PatternsDarrell Conklin, Mathieu Bergeron. 201-206 [doi]
• Eigenvector-based Relational Motif DiscoveryAlberto Pinto. 207-212 [doi]
• Evaluating the Genre Classification Performance of Lyrical Features Relative to Audio, Symbolic and Cultural FeaturesCory McKay, John Ashley Burgoyne, Jason Hockman, Jordan B. L. Smith, Gabriel Vigliensoni, Ichiro Fujinaga. 213-218 [doi]
• Evaluation of a Score-informed Source Separation SystemJoachim Ganseman, Paul Scheunders, Gautham J. Mysore, Jonathan S. Abel. 219-224 [doi]
• Evidence for Pianist-specific Rubato Style in Chopin NocturnesMiguel Molina-Solana, Maarten Grachten, Gerhard Widmer. 225-230 [doi]
• Fast vs Slow: Learning Tempo Octaves from User DataJason Hockman, Ichiro Fujinaga. 231-236 [doi]
• Geoshuffle: Location-Aware, Content-based Music Browsing Using Self-organizing Tag CloudsScott Miller, Paul Reimer, Steven R. Ness, George Tzanetakis. 237-242 [doi]
• Handling Repeats and Jumps in Score-performance SynchronizationChristian Fremerey, Meinard Müller, Michael Clausen. 243-248 [doi]
• Hierarchical Co-Clustering of Artists and TagsJingxuan Li, Tao Li, Mitsunori Ogihara. 249-254 [doi]
• State of the Art Report: Music Emotion Recognition: A State of the Art ReviewYoungmoo E. Kim, Erik M. Schmidt, Raymond Migneco, Brandon G. Morton, Patrick Richardson, Jeffrey Scott, Jacquelin A. Speck, Douglas Turnbull. 255-266 [doi]
• Looking Through the Glass Ceiling : A Conceptual Framework for the Problems of Spectral SimilarityIoannis Karydis, Milos Radovanovic, Alexandros Nanopoulos, Mirjana Ivanovic. 267-272 [doi]
• On the Applicability of Peer-to-peer Data in Music Information Retrieval ResearchNoam Koenigstein, Yuval Shavitt, Ela Weinsberg, Udi Weinsberg. 273-278 [doi]
• A Cartesian Ensemble of Feature Subspace Classifiers for Music CategorizationThomas Lidy, Rudolf Mayer, Andreas Rauber, Pedro J. Ponce de León, Antonio Pertusa, José Manuel Iñesta Quereda. 279-284 [doi]
• Improving the Generation of Ground Truths Based on Partially Ordered ListsJulián Urbano, Mónica Marrero, Diego Martín, Juan Lloréns. 285-290 [doi]
• IBT: A Real-time Tempo and Beat Tracking SystemJoão Lobato Oliveira, Fabien Gouyon, Luis Gustavo Martins, Luís Paulo Reis. 291-296 [doi]
• Improving Auto-tagging by Modeling Semantic Co-occurrencesRiccardo Miotto, Luke Barrington, Gert R. G. Lanckriet. 297-302 [doi]
• Improving Markov Model Based Music Piece Structure Labelling with Acoustic InformationJouni Paulus. 303-308 [doi]
• Infinite Latent Harmonic Allocation: A Nonparametric Bayesian Approach to Multipitch AnalysisKazuyoshi Yoshii, Masataka Goto. 309-314 [doi]
• Informed Source Separation of Orchestra and SoloistYushen Han, Christopher Raphael. 315-320 [doi]
• Is There a Relation Between the Syntax and the Fitness of an Audio Feature?Gabriele Barbieri, François Pachet, Mirko Degli Esposti, Pierre Roy. 321-326 [doi]
• Islands of Gaussians: The Self Organizing Map and Gaussian Music Similarity FeaturesDominik Schnitzer, Arthur Flexer, Gerhard Widmer, Martin Gasser. 327-332 [doi]
• It s Time for a Song - Transcribing Recordings of Bell-playing ClocksMatija Marolt, Marieke Lefeber. 333-338 [doi]
• Learning Features from Music Audio with Deep Belief NetworksPhilippe Hamel, Douglas Eck. 339-344 [doi]
• Learning Similarity from Collaborative FiltersBrian McFee, Luke Barrington, Gert R. G. Lanckriet. 345-350 [doi]
• Characterization and Similarity in A Cappella Flamenco CantesJoaquín Mora, Francisco Gómez, Emilia Gómez, Francisco Escobar-Borrego, José Miguel Díaz-Báñez. 351-356 [doi]
• Melody Extraction from Polyphonic Audio Based on Particle FilterSeokhwan Jo, Chang D. Yoo. 357-362 [doi]
• Multiple Pitch Transcription using DBN-based Musicological ModelsStanislaw Andrzej Raczynski, Emmanuel Vincent, Frédéric Bimbot, Shigeki Sagayama. 363-368 [doi]
• Modified Ais-based Classifier for Music Genre ClassificationNoor Azilah Draman, Campbell Wilson, Sea Ling. 369-374 [doi]
• Monophonic Instrument Sound Segregation by Clustering NMF Components Based on Basis Similarity and Gain DisjointnessKazuma Murao, Masahiro Nakano, Yu Kitano, Nobutaka Ono, Shigeki Sagayama. 375-380 [doi]
• Multiple Viewpoints Modeling of Tabla SequencesParag Chordia, Avinash Sastry, Trishul Mallikarjuna, Aaron Albin. 381-386 [doi]
• Music Genre Classification via Compressive SamplingKaichun K. Chang, Jyh-Shing Roger Jang, Costas S. Iliopoulos. 387-392 [doi]
• Sparse Multi-label Linear Embedding Within Nonnegative Tensor Factorization Applied to Music TaggingYannis Panagakis, Constantine Kotropoulos, Gonzalo R. Arce. 393-398 [doi]
• Learning Tags that Vary Within a SongMichael I. Mandel, Douglas Eck, Yoshua Bengio. 399-404 [doi]
• Predicting High-level Music Semantics Using Social Tags via Ontology-based ReasoningJun Wang, Xiaoou Chen, Yajie Hu, Tao Feng. 405-410 [doi]
• Understanding Features and Distance Functions for Music Sequence AlignmentÖzgür Izmirli, Roger B. Dannenberg. 411-416 [doi]
• A Multi-pass Algorithm for Accurate Audio-to-Score AlignmentBernhard Niedermayer, Gerhard Widmer. 417-422 [doi]
• Accurate Real-time Windowed Time WarpingRobert Macrae, Simon Dixon. 423-428 [doi]
• Music Structure Discovery in Popular Music using Non-negative Matrix FactorizationFlorian Kaiser, Thomas Sikora. 429-434 [doi]
• Musical Instrument Recognition using Biologically Inspired Filtering of Temporal Dictionary AtomsSteven K. Tjoa, K. J. Ray Liu. 435-440 [doi]
• YAAFE, an Easy to Use and Efficient Audio Feature Extraction SoftwareBenoît Mathieu, Slim Essid, Thomas Fillon, Jacques Prado, Gaël Richard. 441-446 [doi]
• On the Use of Microblogging Posts for Similarity Estimation and Artist LabelingMarkus Schedl. 447-452 [doi]
• Parataxis: Morphological Similarity in Traditional MusicAndre Holzapfel, Yannis Stylianou. 453-458 [doi]
• Pitch Class Set Categories as Analysis Tools for Degrees of TonalityAline K. Honingh, Rens Bod. 459-464 [doi]
• Prediction of Time-varying Musical Mood Distributions from AudioErik M. Schmidt, Youngmoo E. Kim. 465-470 [doi]
• Quantifying the Benefits of Using an Interactive Decision Support Tool for Creating Musical Accompaniment in a Particular StyleChing-Hua Chuan, Elaine Chew. 471-476 [doi]
• Query-by-conducting: An Interface to Retrieve Classical-music Interpretations by Real-time Tempo InputAkira Maezawa, Masataka Goto, Hiroshi G. Okuno. 477-482 [doi]
• Querying Improvised Music: Do You Sound Like Yourself?Michael O. Jewell, Christophe Rhodes, Mark d Inverno. 483-488 [doi]
• Real-time Polyphonic Music Transcription with Non-negative Matrix Factorization and Beta-divergenceArnaud Dessein, Arshia Cont, Guillaume Lemaitre. 489-494 [doi]
• Recognising Classical Works in Historical RecordingsTim Crawford, Matthias Mauch, Christophe Rhodes. 495-500 [doi]
• Recognition of Variations Using Automatic Schenkerian ReductionAlan Marsden. 501-506 [doi]
• Scalable Genre and Tag Prediction with Spectral CovarianceJames Bergstra, Michael I. Mandel, Douglas Eck. 507-512 [doi]
• Similarity Measures for Chinese Pop Music Based on Low-level Audio Signal AttributesChun-Man Mak, Tan Lee, Suman Senapati, Yu Ting Yeung, Wang-Kong Lam. 513-518 [doi]
• Singing / Rap Classification of Isolated Vocal TracksDaniel Gärtner. 519-524 [doi]
• Singing Pitch Extraction by Voice Vibrato / Tremolo Estimation and Instrument Partial DeletionChao-Ling Hsu, Jyh-Shing Roger Jang. 525-530 [doi]
• SongWords: Exploring Music Collections Through LyricsDominikus Baur, Bartholomäus Steinmayr, Andreas Butz. 531-536 [doi]
• String Quartet Classification with Monophonic ModelsRuben Hillewaere, Bernard Manderick, Darrell Conklin. 537-542 [doi]
• Supervised and Unsupervised Web Document Filtering Techniques to Improve Text-Based Music RetrievalPeter Knees, Markus Schedl, Tim Pohle, Klaus Seyerlehner, Gerhard Widmer. 543-548 [doi]
• Symbol Classification Approach for OMR of Square Notation ManuscriptsCarolina Ramirez, Jun Ohya. 549-554 [doi]
• Tempo Induction Using Filterbank Analysis and Tonal FeaturesAggelos Gkiokas, Vassilios Katsouros, George Carayannis. 555-558 [doi]
• The Standardized Variogram as a Novel Tool for Music Similarity EvaluationSimone Sammartino, Lorenzo J. Tardón, Cristina de la Bandera, Isabel Barbancho, Ana M. Barbancho. 559-564 [doi]
• ThumbnailDJ: Visual Thumbnails of Music ContentYa-Xi Chen, René Klüber. 565-570 [doi]
• Timbral Qualities of Semantic Structures of MusicRafael Ferrer, Tuomas Eerola. 571-576 [doi]
• Towards More Robust Geometric Content-Based Music RetrievalKjell Lemström. 577-582 [doi]
• Tunepal - Disseminating a Music Information Retrieval System to the Traditional Irish Music CommunityBryan Duggan, Brendan O Shea. 583-588 [doi]
• Universal Onset Detection with Bidirectional Long Short-Term Memory Neural NetworksFlorian Eyben, Sebastian Böck, Björn Schuller, Alex Graves. 589-594 [doi]
• Unsupervised Accuracy Improvement for Cover Song Detection Using Spectral Connectivity NetworkMathieu Lagrange, Joan Serrà. 595-600 [doi]
• Users Relevance Criteria in Music Retrieval in Everyday Life: An Exploratory StudyAudrey Laplante. 601-606 [doi]
• Using jWebMiner 2.0 to Improve Music Classification Performance by Combining Different Types of Features Mined from the WebGabriel Vigliensoni, Cory McKay, Ichiro Fujinaga. 607-612 [doi]
• Vocalist Gender Recognition in Recorded Popular MusicBjörn Schuller, Christoph Kozielski, Felix Weninger, Florian Eyben, Gerhard Rigoll. 613-618 [doi]
• When Lyrics Outperform Audio for Music Mood Classification: A Feature AnalysisXiao Hu, J. Stephen Downie. 619-624 [doi]
• State of the Art Report: Audio-Based Music Structure AnalysisJouni Paulus, Meinard Müller, Anssi Klapuri. 625-636 [doi]
• Music21: A Toolkit for Computer-Aided Musicology and Symbolic Music DataMichael Scott Cuthbert, Christopher Ariza. 637-642 [doi]
• An Audio Processing Library for MIR Application Development in FlashJeffrey Scott, Raymond Migneco, Brandon G. Morton, Christian M. Hahn, Paul Diefenbach, Youngmoo E. Kim. 643-648 [doi]
• What Makes Beat Tracking Difficult? A Case Study on Chopin MazurkasPeter Grosche, Meinard Müller, Craig Stuart Sapp. 649-654 [doi]
• Upbeat and Quirky, With a Bit of a Build: Interpretive Repertoires in Creative Music SearchCharlie Inskip, Andy MacFarlane, Pauline Rafferty. 655-661 [doi]
• A Roadmap Towards Versatile MIREmmanuel Vincent, Stanislaw Andrzej Raczynski, Nobutaka Ono, Shigeki Sagayama. 662-664 [doi]
• Predicting Development of Research in Music Based on Parallels with Natural Language ProcessingJacek Wolkowicz, Vlado Keselj. 665-667 [doi]