Table of Contents

• On Cultural, Textual and Experiential Aspects of Music MoodAbhishek Singhi, Daniel Brown. 3-8 [doi]
• Sparse Cepstral, Phase Codes for Guitar Playing Technique ClassificationLi Su, Li-Fan Yu, Yi-Hsuan Yang. 9-14 [doi]
• Automated Detection of Single- and Multi-Note Ornaments in Irish Traditional Flute PlayingMünevver Köküer, Peter Jancovic, Islah Ali-MacLachlan, Cham Athwal. 15-20 [doi]
• The Kiki-Bouba Challenge: Algorithmic Composition for Content-based MIR Research and DevelopmentBob L. Sturm, Nick Collins. 21-26 [doi]
• Transfer Learning by Supervised Pre-training for Audio-based Music ClassificationAäron Van Den Oord, Sander Dieleman, Benjamin Schrauwen. 29-34 [doi]
• Estimating Musical Time Information from Performed MIDI FilesHarald Grohganz, Michael Clausen, Meinard Müller. 35-40 [doi]
• Estimation of the Direction of Strokes and ArpeggiosIsabel Barbancho, George Tzanetakis, Lorenzo J. Tardón, Peter F. Driessen, Ana M. Barbancho. 41-46 [doi]
• Predicting Expressive Dynamics in Piano Performances using Neural NetworksSam van Herwaarden, Maarten Grachten, Bas de Haas. 47-52 [doi]
• An RNN-based Music Language Model for Improving Automatic Music TranscriptionSiddharth Sigtia, Emmanouil Benetos, Srikanth Cherla, Tillman Weyde, Artur S. d'Avila Garcez, Simon Dixon. 53-58 [doi]
• Towards Modeling Texture in Symbolic DataMathieu Giraud, Florence Levé, Florent Mercier, Marc Rigaudière, Donatien Thorez. 59-64 [doi]
• Computational Models for Perceived Melodic Similarity in A Cappella Flamenco SingingNadine Kroher, Emilia Gómez, Catherine Guastavino, Francisco Gómez, Jordi Bonada. 65-70 [doi]
• The VIS Framework: Analyzing Counterpoint in Large DatasetsChristopher Antila, Julie Cumming. 71-76 [doi]
• Hierarchical Approach to Detect Common Mistakes of Beginner Flute PlayersYoonchang Han, Kyogu Lee. 77-82 [doi]
• Robust Joint Alignment of Multiple Versions of a Piece of MusicSiying Wang, Sebastian Ewert, Simon Dixon. 83-88 [doi]
• Formalizing the Problem of Music DescriptionBob L. Sturm, Rolf Bardeli, Thibault Langlois, Valentin Emiya. 89-94 [doi]
• An Association-based Approach to Genre Classification in MusicTom Arjannikov, John Z. Zhang. 95-100 [doi]
• Multiple Viewpiont Melodic Prediction with Fixed-Context Neural NetworksSrikanth Cherla, Tillman Weyde, Artur S. d'Avila Garcez. 101-106 [doi]
• Verovio: A library for Engraving MEI Music Notation into SVGLaurent Pugin, Rodolfo Zitellini, Perry Roland. 107-112 [doi]
• Music Classification by Transductive Learning Using Bipartite Heterogeneous NetworksDiego Furtado Silva, Rafael Geraldeli Rossi, Solange Oliveira Rezende, Gustavo Enrique De Almeida Prado Alves Batista. 113-118 [doi]
• Automatic Melody Transcription based on Chord TranscriptionAntti Laaksonen. 119-124 [doi]
• Audio-to-score Alignment at the Note Level for Orchestral RecordingsMarius Miron, Julio José Carabias-Orti, Jordi Janer. 125-130 [doi]
• A Compositional Hierarchical Model for Music Information RetrievalMatevz Pesek, Ales Leonardis, Matija Marolt. 131-136 [doi]
• An Analysis and Evaluation of Audio Features for Multitrack Music MixturesBrecht De Man, Brett Leonard, Richard King, Joshua D. Reiss. 137-142 [doi]
• Detecting Drops in Electronic Dance Music: Content based approaches to a socially significant music eventKarthik Yadati, Martha Larson, Cynthia C. S. Liem, Alan Hanjalic. 143-148 [doi]
• Towards Automatic Content-Based Separation of DJ Mixes into Single TracksNikolay Glazyrin. 149-154 [doi]
• MedleyDB: A Multitrack Dataset for Annotation-Intensive MIR ResearchRachel M. Bittner, Justin Salamon, Mike Tierney, Matthias Mauch, Chris Cannam, Juan Pablo Bello. 155-160 [doi]
• Melody Extraction from Polyphonic Audio of Western Opera: A Method based on Detection of the Singer's FormantZheng Tang, Dawn A. A. Black. 161-166 [doi]
• Codebook-based Scalable Music Tagging with Poisson Matrix FactorizationDawen Liang, John Paisley, Dan Ellis. 167-172 [doi]
• Template Adaptation for Improving Automatic Music TranscriptionEmmanouil Benetos, Roland Badeau, Tillman Weyde, Gaël Richard. 175-180 [doi]
• Note-level Music Transcription by Maximum Likelihood SamplingZhiyao Duan, David Temperley. 181-186 [doi]
• Drum Transcription via Classification of Bar-Level Rhythmic PatternsLucas Thompson, Simon Dixon, Matthias Mauch. 187-192 [doi]
• Developing Tonal Perception through Unsupervised LearningCarlos Eduardo Cancino Chacón, Stefan Lattner, Maarten Grachten. 195-200 [doi]
• Exploiting Instrument-wise Playing/Non-Playing Labels for Score Synchronization of Symphonic MusicAlessio Bazzica, Cynthia C. S. Liem, Alan Hanjalic. 201-206 [doi]
• Multi-Strategy Segmentation of MelodiesMarcelo Enrique Rodríguez-López, Anja Volk, Dimitrios Bountouridis. 207-212 [doi]
• A Data Set for Computational Studies of Schenkerian AnalysisPhillip B. Kirlin. 213-218 [doi]
• Systematic Multi-scale Set-class AnalysisAgustín Martorell, Emilia Gómez. 219-224 [doi]
• Spotting a Query Phrase from Polyphonic Music Audio Signals Based on Semi-supervised Nonnegative Matrix FactorizationTaro Masuda, Kazuyoshi Yoshii, Masataka Goto, Shigeo Morishima. 227-232 [doi]
• Bayesian Audio Alignment based on a Unified Model of Music Composition and PerformanceAkira Maezawa, Katsutoshi Itoyama, Kazuyoshi Yoshii, Hiroshi G. Okuno. 233-238 [doi]
• Automatic Set List Identification and Song Segmentation for Full-Length Concert VideosJu-Chiang Wang, Ming-Chi Yen, Yi-Hsuan Yang, Hsin-Min Wang. 239-244 [doi]
• On Inter-rater Agreement in Audio Music SimilarityArthur Flexer. 245-250 [doi]
• Emotional Predisposition of Musical Instrument Timbres with Static SpectraBin Wu, Andrew Horner, Chung Lee. 253-258 [doi]
• Panako - A Scalable Acoustic Fingerprinting System Handling Time-Scale and Pitch ModificationJoren Six, Marc Leman. 259-264 [doi]
• Perceptual Analysis of the F-Measure to Evaluate Section Boundaries in MusicOriol Nieto, Morwaread Farbood, Tristan Jehan, Juan Pablo Bello. 265-270 [doi]
• Keyword Spotting in A-capella SingingAnna M. Kruspe. 271-276 [doi]
• The Importance of F0 Tracking in Query-by-singing-hummingEmilio Molina, Lorenzo J. Tardón, Isabel Barbancho, Ana M. Barbancho. 277-282 [doi]
• Vocal Separation using Singer-Vowel Priors Obtained from Polyphonic AudioShrikant Venkataramani, Nagesh Nayak, Preeti Rao, Rajbabu Velmurugan. 283-288 [doi]
• Improving Query by Tapping via Tempo AlignmentChun-Ta Chen, Jyh-Shing Roger Jang, Chun-Hung Lu. 289-294 [doi]
• Automatic Instrument Classification of Ethnomusicological Audio RecordingsDominique Fourer, Jean-Luc Rouas, Pierre Hanna, Matthias Robine. 295-300 [doi]
• Music Analysis as a Smallest Grammar ProblemKirill A. Sidorov, Andrew Jones, A. David Marshall. 301-306 [doi]
• Frame-Level Audio Segmentation for Abridged Musical WorksThomas Prätzlich, Meinard Müller. 307-312 [doi]
• Creating a Corpus of Jingju (Beijing Opera) Music and Possibilities for Melodic AnalysisRafael Caro Repetto, Xavier Serra. 313-318 [doi]
• Modeling Temporal Structure in Music for Emotion Prediction using Pairwise ComparisonsJens Madsen, Bjørn Sand Jensen, Jan Larsen. 319-324 [doi]
• Musical Structural Analysis Database Based on GTTMMasatoshi Hamanaka, Keiji Hirata, Satoshi Tojo. 325-330 [doi]
• Theoretical Framework of A Computational Model of Auditory Memory for Music Emotion RecognitionMarcelo F. Caetano, Frans Wiering. 331-336 [doi]
• Improving Music Structure Segmentation using lag-priorsGeoffroy Peeters, Victor Bisot. 337-342 [doi]
• Study of the Similarity between Linguistic Tones and Melodic Pitch Contours in Beijing Opera SingingShuo Zhang, Rafael Caro Repetto, Xavier Serra. 343-348 [doi]
• A Proximity Grid Optimization Method to Improve Audio Search for Sound DesignChristian Frisson, Stéphane Dupont, Willy Yvart, Nicolas Riche, Xavier Siebert, Thierry Dutoit. 349-354 [doi]
• Introducing a Dataset of Emotional and Color Responses to MusicMatevz Pesek, Primoz Godec, Mojca Poredos, Gregor Strle, Joze Guna, Emilija Stojmenova, Matevz Pogacnik, Matija Marolt. 355-360 [doi]
• In-depth Motivic Analysis based on Multiparametric Closed Pattern and Cyclic Sequence MiningOlivier Lartillot. 361-366 [doi]
• MIR_EVAL: A Transparent Implementation of Common MIR MetricsColin Raffel, Brian McFee, Eric J. Humphrey, Justin Salamon, Oriol Nieto, Dawen Liang, Daniel P. W. Ellis. 367-372 [doi]
• Computational Modeling of Induced Emotion Using GEMSAnna Aljanaki, Frans Wiering, Remco C. Veltkamp. 373-378 [doi]
• Cognition-inspired Descriptors for Scalable Cover Song RetrievalJan Van Balen, Dimitrios Bountouridis, Frans Wiering, Remco C. Veltkamp. 379-384 [doi]
• A Cross-Cultural Study on the Mood of K-POP SongsXiao Hu, Jin Ha Lee, Kahyun Choi, J. Stephen Downie. 385-390 [doi]
• Cadence Detection in Western Traditional Stanzaic Songs using Melodic and Textual FeaturesPeter van Kranenburg, Folgert Karsdorp. 391-396 [doi]
• Discovering Typical Motifs of a Raga from One-Liners of Songs in Carnatic MusicShrey Dutta, Hema A. Murthy. 397-402 [doi]
• Analyzing Song Structure with Spectral ClusteringBrian McFee, Dan Ellis. 405-410 [doi]
• Identifying Polyphonic Musical Patterns From Audio Recordings Using Music Segmentation TechniquesOriol Nieto, Morwaread Farbood. 411-416 [doi]
• Boundary Detection in Music Structure Analysis using Convolutional Neural NetworksKaren Ullrich, Jan Schlüter, Thomas Grill. 417-422 [doi]
• Tracking the "Odd": Meter Inference in a Culturally Diverse Music CorpusAndre Holzapfel, Florian Krebs, Ajay Srinivasamurthy. 425-430 [doi]
• Transcription and Recognition of Syllable based Percussion Patterns: The Case of Beijing OperaAjay Srinivasamurthy, Rafael Caro Repetto, Sundar Harshavardhan, Xavier Serra. 431-436 [doi]
• Taste Space Versus the World: an Embedding Analysis of Listening Habits and GeographyJoshua L. Moore, Thorsten Joachims, Douglas Turnbull. 439-444 [doi]
• Enhancing Collaborative Filtering Music Recommendation by Balancing Exploration and ExploitationZhe Xing, Xinxi Wang, Ye Wang. 445-450 [doi]
• Improving Music Recommender Systems: What Can We Learn from Research on Music Tastes?Audrey Laplante. 451-456 [doi]
• Social Music in CarsSally Jo Cunningham, David M. Nichols, David Bainbridge, Hassan Ali. 457-462 [doi]
• A Combined Thematic and Acoustic Approach for a Music Recommendation Service in TV CommercialsMohamed Morchid, Richard Dufour, Georges Linares. 465-470 [doi]
• Are Poetry and Lyrics All That Different?Abhishek Singhi, Daniel Brown. 471-476 [doi]
• Singing-Voice Separation from Monaural Recordings using Deep Recurrent Neural NetworksPo-Sen Huang, Minje Kim, Mark Hasegawa-Johnson, Paris Smaragdis. 477-482 [doi]
• Impact of Listening Behavior on Music RecommendationKatayoun Farrahi, Markus Schedl, Andreu Vall, David Hauger, Marko Tkalcic. 483-488 [doi]
• Towards Seamless Network Music Performance: Predicting an Ensemble's Expressive Decisions for Distributed PerformanceBogdan Vera, Elaine Chew. 489-494 [doi]
• Detection of Motor Changes in Violin Playing by EMG SignalsLing-Chi Hsu, Yu-Lin Wang, Yi-Ju Lin, Cheryl D. Metcalf, Alvin W. Y. Su. 495-500 [doi]
• Automatic Key Partition Based on Tonal Organization Information of Classical MusicWang-Kong Lam, Tan Lee. 501-506 [doi]
• Bayesian Singing-Voice SeparationPo-Kai Yang, Chung-Chien Hsu, Jen-Tzung Chien. 507-512 [doi]
• Probabilistic Extraction of Beat Positions from a Beat Activation FunctionFilip Korzeniowski, Sebastian Böck, Gerhard Widmer. 513-518 [doi]
• Geographical Region Mapping Scheme Based on Musical PreferencesSanghoon Jun, Seungmin Rho, Eenjun Hwang. 519-524 [doi]
• On Comparative Statistics for Labelling Tasks: What can We Learn from MIREX ACE 2013?John Ashley Burgoyne, Bas de Haas, Johan Pauwels. 525-530 [doi]
• Merged-Output HMM for Piano Fingering of Both HandsEita Nakamura, Nobutaka Ono, Shigeki Sagayama. 531-536 [doi]
• Modeling Rhythm Similarity for Electronic Dance MusicMaria Panteli, Niels Bogaards, Aline K. Honingh. 537-542 [doi]
• MuSe: A Music Recommendation Management SystemMartin Przyjaciel-Zablocki, Thomas Hornung, Alexander Schätzle, Sven Gauß, Io Taxidou, Georg Lausen. 543-548 [doi]
• Tempo- and Transposition-invariant Identification of Piece and Score PositionAndreas Arzt, Gerhard Widmer, Reinhard Sonnleitner. 549-554 [doi]
• Gender Identification and Age Estimation of Users Based on Music MetadataMing-Ju Wu, Jyh-Shing Roger Jang, Chun-Hung Lu. 555-560 [doi]
• Information-Theoretic Measures of Music Listening BehaviourDaniel Boland, Roderick Murray-Smith. 561-566 [doi]
• Evaluation Framework for Automatic Singing TranscriptionEmilio Molina, Ana M. Barbancho, Lorenzo J. Tardón, Isabel Barbancho. 567-572 [doi]
• What is the Effect of Audio Quality on the Robustness of MFCCs and Chroma Features?Julián Urbano, Dmitry Bogdanov, Perfecto Herrera, Emilia Gómez, Xavier Serra. 573-578 [doi]
• Music Information Behaviors and System Preferences of University Students in Hong KongXiao Hu, Jin Ha Lee, Leanne Ka Yan Wong. 579-584 [doi]
• LyricsRadar: A Lyrics Retrieval System Based on Latent Topics of LyricsShoto Sasaki, Kazuyoshi Yoshii, Tomoyasu Nakano, Masataka Goto, Shigeo Morishima. 585-590 [doi]
• JAMS: A JSON Annotated Music Specification for Reproducible MIR ResearchEric J. Humphrey, Justin Salamon, Oriol Nieto, Jon Forsyth, Rachel M. Bittner, Juan Pablo Bello. 591-596 [doi]
• On The Changing Regulations of Privacy and Personal Information in MIRPierre Saurel, Francis Rousseaux, Marc Danger. 597-602 [doi]
• A Multi-model Approach to Beat Tracking Considering Heterogeneous Music StylesSebastian Böck, Florian Krebs, Gerhard Widmer. 603-608 [doi]
• Extending Harmonic-Percussive Separation of Audio SignalsJonathan Driedger, Meinard Müller, Sascha Disch. 611-616 [doi]
• Singing Voice Separation Using Spectro-Temporal Modulation FeaturesFrederick Yen, Yin-Jyun Luo, Tai-Shih Chi. 617-622 [doi]
• Harmonic-Temporal Factor Decomposition Incorporating Music Prior Information for Informed Monaural Source SeparationTomohiko Nakamura, Kotaro Shikata, Norihiro Takamune, Hirokazu Kameoka. 623-628 [doi]
• Design And Evaluation of Onset Detectors using Different Fusion PoliciesMi Tian, György Fazekas, Dawn A. A. Black, Mark B. Sandler. 631-636 [doi]
• Evaluating the Evaluation Measures for Beat TrackingMatthew E. P. Davies, Sebastian Böck. 637-642 [doi]
• Improving Rhythmic Transcriptions via Probability Models Applied Post-OMRMaura Church, Michael Scott Cuthbert. 643-648 [doi]
• Classifying EEG Recordings of Rhythm PerceptionSebastian Stober, Daniel J. Cameron, Jessica A. Grahn. 649-654 [doi]
• Ten Years of MIREX (Music Information Retrieval Evaluation eXchange): Reflections, Challenges and OpportunitiesJ. Stephen Downie, Xiao Hu, Jin Ha Lee, Kahyun Choi, Sally Jo Cunningham, Yun Hao. 657-662 [doi]