Table of Contents

• Movement of Things Exploring Inertial Motion Sensing When Autonomous, Tiny and WirelessAndreas Schlegel, Cedric Honnet. [doi]
• BalOnSe: Ballet Ontology for Annotating and Searching Video performancesKaterina El Raheb, Nicolas Papapetrou, Vivi Katifori, Yannis E. Ioannidis. [doi]
• Voice and movement as predictors of gesture types and physical effort in virtual object interactions of classical Indian singingStella Paschalidou, Tuomas Eerola, Martin Clayton. [doi]
• InterACTE: Improvising with a Virtual ActorDimitrios Batras, Judith Guez, Jean-François Jégo. [doi]
• Quantitative Evaluation of Percussive Gestures by Ranking Trainees versus TeacherLei Chen, Sylvie Gibet, Pierre-François Marteau, Fabrice Marandola, Marcelo M. Wanderley. [doi]
• I Am a Tree: Embodiment Using Physically Based Animation Driven by Expressive Descriptors of MotionCaroline Larboulette, Sylvie Gibet. [doi]
• Rock Art Rocks MeAnne Dubos, Jean-François Jégo. [doi]
• Movement Notation and Digital Media Art in the Contemporary Dance Practice: Aspects of the Making of a Multimedia Dance PerformanceFoteini Papadopoulou, Martin Schulte. [doi]
• Pottery gestures style comparison by exploiting Myo sensor and forearm anatomyDimitrios Ververidis, Sotirios Karavarsamis, Spiros Nikolopoulos, Ioannis Kompatsiaris. [doi]
• WhoLoDancE: Towards a methodology for selecting Motion Capture Data across different Dance Learning PracticeAntonio Camurri, Katerina El Raheb, Oshri Even-Zohar, Yannis E. Ioannidis, Amalia Markatzi, Jean-Marc Matos, Edwin Morley-Fletcher, Pablo Palacio, Muriel Romero, Augusto Sarti, Stefano Di Pietro, Vladimir Viro, Sarah Whatley. [doi]
• m+m: A novel Middleware for Distributed, Movement based Interactive Multimedia SystemsUlysses Bernardet, Dhruv Adhia, Norman Jaffe, Johnty Wang, Michael Nixon, Omid Alemi, Jordon Phillips, Steve DiPaola, Philippe Pasquier, Thecla Schiphorst. [doi]
• The i-Treasures Intangible Cultural Heritage datasetNikolaos Grammalidis, Kosmas Dimitropoulos, Filareti Tsalakanidou, Alexandros Kitsikidis, Pierre Roussel, Bruce Denby, P. Chawah, Lise Buchman, Stéphane Dupont, Sohaib Laraba, Benjamin Picart, Mickaël Tits, Joëlle Tilmanne, Stelios Hadjidimitriou, Leontios J. Hadjileontiadis, Vasileios S. Charisis, Christina Volioti, A. Stergiaki, Athanasios Manitsaris, Odysseas Bouzos, Sotiris Manitsaris. [doi]
• Gestures: Emotions Interaction: e-Viographima application for visual artistic synthesisIfigeneia I. Mavridou. [doi]
• INGREDIBLE: A platform for full body interaction between human and virtual agent that improves co-presenceElisabetta Bevacqua, Romain Richard, Julien Soler, Pierre De Loor. [doi]
• Sarka: Sonification and Somaesthetic Appreciation DesignIlias Bergström, Martin Jonsson. [doi]
• Towards a Multimodal Repository of Expressive Movement Qualities in DanceStefano Piana, Paolo Coletta, Simone Ghisio, Radoslaw Niewiadomski, Maurizio Mancini, Roberto Sagoleo, Gualtiero Volpe, Antonio Camurri. [doi]
• A tabletop instrument for manipulation of sound morphologies with hands, fingertips and upper-bodyEdgar Hemery, Sotiris Manitsaris, Fabien Moutarde. [doi]
• Automatic Affect Classification of Human Motion Capture Sequences in the Valence-Arousal ModelWilliam Li, Philippe Pasquier. [doi]
• Presenting a Performative Presence: materializing movement data for the design of digital interactionsLise Amy Hansen. [doi]
• Moving Music: Exploring Movement-to-Sound RelationshipsJan C. Schacher. [doi]
• Perspectives on Real-time Computation of Movement CoarticulationFrédéric Bevilacqua, Baptiste Caramiaux, Jules Françoise. [doi]
• Outcome Measures of Deliberate and Spontaneous MotionsVilelmini Kalampratsidou, Elizabeth B. Torres. [doi]
• A Novel Tool for Motion Capture Database Factor Statistical ExplorationMickaël Tits, Joëlle Tilmanne, Nicolas D'Alessandro. [doi]
• Techniques and Approaches in Static Visualization of Motion Capture DataWilliam Li, Lyn Bartram, Philippe Pasquier. [doi]
• Autopoiesis in Creativity and ArtJ. Mark Bishop, Mohammad Majid al-Rifaie. [doi]
• On mapping emotional states and implicit gestures to sonification output from the 'Intangible Musical Instrument'Christina Volioti, Stelios Hadjidimitriou, Sotiris Manitsaris, Leontios J. Hadjileontiadis, Vasileios S. Charisis, Athanasios Manitsaris. [doi]
• A User-Adaptive Gesture Recognition System Applied to Human-Robot Collaboration in FactoriesEva Coupeté, Fabien Moutarde, Sotiris Manitsaris. [doi]
• Touching Data Through Personal Devices: Engaging Somatic Practice and Haptic Design in Felt Experiences of Personal DataJessica Rajko, Michael Krzyzaniak, Jacqueline Wernimont, Eileen Standley, Stjepan Rajko. [doi]
• A serious games platform for validating sonification of human full-body movement qualitiesKsenia Kolykhalova, Paolo Alborno, Antonio Camurri, Gualtiero Volpe. [doi]
• Motions and Experiences in a Multiuser Interactive Installation: Towards an Embodied Account of Visitors' JourneyTom Giraud, Matthieu Courgeon, Michèle Gouiffès, Michel Bertier, Aymard de Mengin, Xavier Maitre. [doi]
• spaceDisplaced: Investigating Presence Through Mediated Participatory EnvironmentsProphecy Sun, Shannon Cuykendall, Kristin Carlson, Maria Lantin, Thecla Schiphorst. [doi]
• 3D Annotation in Contemporary Dance: Enhancing the Creation-Tool Video AnnotatorClaudia Ribeiro, Rafael Kuffner dos Anjos, Carla Fernandes, João Madeiras Pereira. [doi]
• Hand gestures during collaborative problem solvingDimitra Anastasiou, Mehmetcan Fal, Eric Ras. [doi]
• Error prooving and sensorimotor feedback for singing voiceK. Kokkinidis, A. Stergiaki, A. Tsagaris. [doi]
• Exploring Audience Behaviour During Contemporary Dance PerformancesLida Theodorou, Patrick G. T. Healey, Fabrizio Smeraldi. [doi]
• MoComp: A Tool for Comparative Visualization between Takes of Motion Capture DataCarl Malmstrom, Yaying Zhang, Philippe Pasquier, Thecla Schiphorst, Lyn Bartram. [doi]
• Compensating for sub-pixel shift in motion estimationKonstantinos Konstantoudakis, Elpida Machairidou, George Papanikolaou. [doi]
• Towards the design of augmented feedforward and feedback for sensorimotor learning of motor skillsParaskevi Kritopoulou, Sotiris Manitsaris, Fabien Moutarde. [doi]
• Using Interactive Machine Learning to Sonify Visually Impaired Dancers' MovementSimon Katan. [doi]
• Extending Methods of Composition and Performance for Live Media Art Through Markerless Voice and Movement Interfaces: An Artist PerspectiveVesna Petresin. [doi]
• Fingers gestures early-recognition with a unified framework for RGB or depth cameraSotiris Manitsaris, Apostolos Tsagaris, Alina Glushkova, Fabien Moutarde, Frédéric Bevilacqua. [doi]
• Control of a slide flute: a mechatronic projectBrigitte d'Andréa-Novel, C. Joly, T. Noël, J. Senpauroca. [doi]
• How Do Choreographers Craft Dance?: Designing for a Choreographer-Technology PartnershipMarianela Ciolfi Felice, Sarah Fdili Alaoui, Wendy E. Mackay. [doi]
• Learning Activity Patterns Performed With EmotionQi Wang, Thierry Artières, Yu Ding. [doi]
• A 3D application to familiarize children with sign language and assess the potential of avatars and motion capture for learning movementRémi Brun, Ahmed Turki, Aurélien Laville. [doi]
• What is Movement Interaction in Virtual Reality for?Marco Gillies. [doi]
• The Dancer in the Eye: Towards a Multi-Layered Computational Framework of Qualities in MovementAntonio Camurri, Gualtiero Volpe, Stefano Piana, Maurizio Mancini, Radoslaw Niewiadomski, Nicola Ferrari, Corrado Canepa. [doi]
• Neural Narratives: Dance with Virtual Body ExtensionsDaniel Bisig, Pablo Palacio. [doi]
• Prototyping interactions with Online Multimodal Repositories and Interactive Machine LearningCarles Fernandes Julià, Panos Papiotis, Sebastián Mealla Cincuegrani, Sergi Jordà. [doi]
• Motion, Captured: an Open Repository for Comparative Movement StudiesVarsha Iyengar, Grisha Coleman, David Tinapple, Pavan K. Turaga. [doi]
• 3D-scene modelling of professional gestures when interacting with moving, deformable and revolving objectsOdysseas Bouzos, Yannick Jacob, Sotiris Manitsaris, Alina Glushkova. [doi]
• Deaf Poetry: saying everything without speakingDimitrios Batras, Jean-François Jégo, Chu-Yin Chen. [doi]