Abstract is missing.
- Fuzzy Song Sets for Music WarehousesFrançois Deliège, Torben Bach Pedersen. 21-26 [doi]
- Music Clustering with ConstraintsWei Peng, Tao Li, Mitsunori Ogihara. 27-32 [doi]
- Sequence Representation of Music Structure Using Higher-Order Similarity Matrix and Maximum-Likelihood ApproachGeoffroy Peeters. 35-40 [doi]
- Algorithms for Determining and Labelling Approximate Hierarchical Self-SimilarityChristophe Rhodes, Michael Casey. 41-46 [doi]
- Transposition-Invariant Self-Similarity MatricesMeinard Müller, Michael Clausen. 47-50 [doi]
- A Supervised Approach for Detecting Boundaries in Music Using Difference Features and BoostingDouglas Turnbull, Gert R. G. Lanckriet, Elias Pampalk, Masataka Goto. 51-54 [doi]
- Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian AnalysisAlan Marsden. 55-58 [doi]
- Improving Genre Classification by Combination of Audio and Symbolic Descriptors Using a Transcription SystemsThomas Lidy, Andreas Rauber, Antonio Pertusa, José Manuel Iñesta Quereda. 61-66 [doi]
- Exploring Mood Metadata: Relationships with Genre, Artist and Usage MetadataXiao Hu, J. Stephen Downie. 67-72 [doi]
- How Many Beans Make Five? The Consensus Problem in Music-Genre Classification and a New Evaluation Method for Single-Genre Categorisation SystemsAlastair J. D. Craft, Geraint A. Wiggins, Tim Crawford. 73-76 [doi]
- Bayesian Aggregation for Hierarchical Genre ClassificationChristopher DeCoro, Zafer Barutçuoglu, Rebecca Fiebrink. 77-80 [doi]
- Finding New Music: A Diary Study of Everyday Encounters with Novel SongsSally Jo Cunningham, David Bainbridge, Dana McKay. 83-88 [doi]
- Improving Efficiency and Scalability of Model-Based Music Recommender System Based on Incremental TrainingKazuyoshi Yoshii, Masataka Goto, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno. 89-94 [doi]
- Virtual Communities for Creating Shared Music ChannelsAmelie Anglade, Marco Tiemann, Fabio Vignoli. 95-100 [doi]
- MusicSun: A New Approach to Artist RecommendationElias Pampalk, Masataka Goto. 101-104 [doi]
- Evaluation of Distance Measures Between Gaussian Mixture Models of MFCCsJesper Højvang Jensen, Daniel P. W. Ellis, Mads Græsbøll Christensen, Søren Holdt Jensen. 107-108 [doi]
- An Analysis of the Mongeau-Sankoff Algorithm for Music Information RetrievalCarlos Gómez, Soraya Abad-Mota, Edna Ruckhaus. 109-110 [doi]
- Assessment of Perceptual Music SimilarityAlberto Novello, Martin F. McKinney. 111-112 [doi]
- jWebMiner: A Web-Based Feature ExtractorCory McKay, Ichiro Fujinaga. 113-114 [doi]
- Meaningfully Browsing Music ServicesTim Pohle, Peter Knees, Markus Schedl, Gerhard Widmer. 115-116 [doi]
- Web-Based Detection of Music Band Members and Line-UpMarkus Schedl, Gerhard Widmer, Tim Pohle, Klaus Seyerlehner. 117-118 [doi]
- Tool Play Live: Dealing with Ambiguity in Artist Similarity Mining from the WebGijs Geleijnse, Jan H. M. Korst. 119-120 [doi]
- Keyword Generation for LyricsBin Wei, Chengliang Zhang, Mitsunori Ogihara. 121-122 [doi]
- Towards Musicdiff: A Foundation for Improved Optical Music Recognition Using Multiple RecognizersIan Knopke, Donald Byrd. 123-126 [doi]
- MIR in Matlab (II): A Toolbox for Musical Feature Extraction from AudioOlivier Lartillot, Petri Toiviainen. 127-130 [doi]
- A Demonstration of the SyncPlayer SystemChristian Fremerey, Frank Kurth, Meinard Müller, Michael Clausen. 131-132 [doi]
- Performance of Philips Audio Fingerprinting under DesynchronisationNeil J. Hurley, Félix Balado, Elizabeth P. McCarthy, Guenole C. M. Silvestre. 133-134 [doi]
- Robust Music Identification, Detection, and AnalysisMehryar Mohri, Pedro Moreno, Eugene Weinstein. 135-138 [doi]
- Audio Identification Using Sinusoidal Modeling and Application to Jingle DetectionMichaël Betser, Patrice Collen, Jean-Bernard Rault. 139-142 [doi]
- Audio Fingerprint Identification by Approximate String MatchingJérôme Lebossé, Luc Brun. 143-144 [doi]
- Desoloing Monaural Audio Using Mixture ModelsYushen Han, Christopher Raphael. 145-148 [doi]
- Monaural Source Separation from Musical Mixtures Based on Time-Frequency Timbre ModelsJuan José Burred, Thomas Sikora. 149-152 [doi]
- Indexing Music Collections Through Graph SpectraAlberto Pinto, Reinier H. van Leuken, M. Fatih Demirci, Frans Wiering, Remco C. Veltkamp. 153-156 [doi]
- Metadata Infrastructure for Sound RecordingsCatherine Lai, Ichiro Fujinaga, David Descheneau, Michael Frishkopf, Jenn Riley, Joseph Hafner, Brian McMillan. 157-158 [doi]
- Enabling Access to Sound Archives Through Integration, Enrichment and Retrieval: The EASAIER ProjectChristian Landone, Joseph Harrop, Josh Reiss. 159-160 [doi]
- Musical Memory of the World - Data Infrastructure in Ethnomusicological ArchivesPolina Proutskova. 161-162 [doi]
- A Digital Collection of Brazilian LundusRosana S. G. Lanzelotte, Adriana O. Ballesté, Martha Ulhoa. 163-164 [doi]
- Alternative Digitization Approach for Stereo Phonograph Records Using Optical Audio ReconstructionBeinan Li, Simon de Leon, Ichiro Fujinaga. 165-166 [doi]
- Globe of Music - Music Library Visualization Using GeosomStefan Leitich, Martin Topf. 167-170 [doi]
- Strike-A-Tune: Fuzzy Music Navigation Using a Drum InterfaceAdam R. Tindale, David Sprague, George Tzanetakis. 171-172 [doi]
- Using 3D Visualizations to Explore and Discover MusicPaul Lamere, Douglas Eck. 173-174 [doi]
- Music Browsing Using a Tabletop DisplayStephen Hitchner, Jennifer Murdoch, George Tzanetakis. 175-176 [doi]
- Search & Select - Intuitively Retrieving Music from Large CollectionsPeter Knees. 177-178 [doi]
- Ensemble Learning for Hybrid Music RecommendationMarco Tiemann, Steffen Pauws, Fabio Vignoli. 179-180 [doi]
- Music Recommendation Mapping and Interface Based on Structural Network EntropyJustin Donaldson, Ian Knopke. 181-182 [doi]
- Influence of Tempo and Subjective Rating of Music in Step Frequency of RunningTeemu Tuomas Ahmaniemi. 183-184 [doi]
- Sociology and Music Recommendation SystemsDaniel McEnnis, Sally Jo Cunningham. 185-186 [doi]
- Visualizing Music: Tonal Progressions and DistributionsArpi Mardirossian, Elaine Chew. 189-194 [doi]
- Localized Key Finding from Audio Using Nonnegative Matrix Factorization for SegmentationÖzgür Izmirli. 195-200 [doi]
- Pitch Spelling with Conditionally Independent VoicesGabi Teodoru, Christopher Raphael. 201-206 [doi]
- A Symmetry Based Approach for Musical Tonality AnalysisG. Gatzsche, M. Mehnert, D. Gatzsche, K. Brandenburg. 207-210 [doi]
- Polyphonic Instrument Recognition Using Spectral ClusteringLuis Gustavo Martins, Juan José Burred, George Tzanetakis, Mathieu Lagrange. 213-218 [doi]
- Supervised and Unsupervised Sequence Modelling for Drum TranscriptionOlivier Gillet, Gaël Richard. 219-224 [doi]
- Combining Temporal and Spectral Features in HMM-Based Drum TranscriptionJouni Paulus, Anssi Klapuri. 225-228 [doi]
- Improving the Classification of Percussive Sounds with Analytical Features: A Case StudyPierre Roy, François Pachet, Sergio Krakowski. 229-232 [doi]
- Automatic Instrument Recognition in a Polyphonic Mixture Using Sparse RepresentationsPierre Leveau, David Sodoyer, Laurent Daudet. 233-236 [doi]
- Audio-Based Cover Song Retrieval Using Approximate Chord Sequences: Testing Shifts, Gaps, Swaps and BeatsJuan Pablo Bello. 239-244 [doi]
- A Unified System for Chord Transcription and Key Extraction Using Hidden Markov ModelsKyogu Lee, Malcolm Slaney. 245-250 [doi]
- A Cross-Validated Study of Modelling Strategies for Automatic Chord Recognition in AudioJohn Ashley Burgoyne, Laurent Pugin, Corey Kereliuk, Ichiro Fujinaga. 251-254 [doi]
- Discovering Chord Idioms Through Beatles and Real Book SongsMatthias Mauch, Simon Dixon, Christopher Harte, Michael Casey, Benjamin Fields. 255-258 [doi]
- Automated Synchronization of Scanned Sheet Music with Audio RecordingsFrank Kurth, Meinard Müller, Christian Fremerey, Yoon-ha Chang, Michael Clausen. 261-266 [doi]
- A Probabilistic Framework for Matching Music RepresentationsPaul H. Peeling, Ali Taylan Cemgil, Simon J. Godsill. 267-272 [doi]
- A Methodology for the Segmentation and Identification of Music WorksRiccardo Miotto, Nicola Orio. 273-278 [doi]
- Polyphonic Music Note Onset Detection Using Semi-Supervised LearningWei You, Roger B. Dannenberg. 279-282 [doi]
- ATTA: Implementing GTTM on a ComputerMasatoshi Hamanaka, Keiji Hirata, Satoshi Tojo. 285-286 [doi]
- An Experiment on the Role of Pitch Intervals in Melodic SegmentationTillman Weyde, Jens Wissmann, Kerstin Neubarth. 287-288 [doi]
- Vivo - Visualizing Harmonic Progressions and Voice-Leading in PWGLMika Kuuskankare, Mikael Laurson. 289-290 [doi]
- Visualizing Music on the Metrical CircleKlaus Frieler. 291-292 [doi]
- Applying Rhythmic Similarity Based on Inner Metric Analysis to Folksong ResearchAnja Volk, Jörg Garbers, Peter van Kranenburg, Frans Wiering, Remco C. Veltkamp, Louis P. Grijp. 293-296 [doi]
- Music Retrieval by Rhythmic Similarity Applied on Greek and African Traditional MusicIasonas Antonopoulos, Aggelos Pikrakis, Sergios Theodoridis, Olmo Cornelis, Dirk Moelants, Marc Leman. 297-300 [doi]
- An Application of Empirical Mode Decomposition on Tempo Induction from Music RecordingsAggelos Pikrakis, Sergios Theodoridis. 301-304 [doi]
- A Dynamic Programming Approach to the Extraction of Phrase Boundaries from Tempo Variations in Expressive PerformancesChing-Hua Chuan, Elaine Chew. 305-308 [doi]
- Creating a Simplified Music Mood Classification Ground-Truth SetXiao Hu, Mert Bay, J. Stephen Downie. 309-310 [doi]
- Assessment of State-of-the-Art Meter Analysis Systems with an Extended Meter Description ModelMatthias Varewyck, Jean-Pierre Martens. 311-314 [doi]
- Evaluation of Real-Time Audio-to-Score AlignmentArshia Cont, Diemo Schwarz, Norbert Schnell, Christopher Raphael. 315-316 [doi]
- Evaluating a Chord-Labelling AlgorithmDaniel Müllensiefen, David Lewis, Christophe Rhodes, Geraint A. Wiggins. 317-318 [doi]
- A Qualitative Assessment of Measures for the Evaluation of a Cover Song Identification SystemJoan Serrà. 319-322 [doi]
- The Music Information Retrieval Evaluation Exchange Do-It-Yourself Web ServiceAndreas F. Ehmann, J. Stephen Downie, M. Cameron Jones. 323-324 [doi]
- Preliminary Analyses of Information Features Provided by Users for Identifying MusicJin Ha Lee, J. Stephen Downie, M. Cameron Jones. 325-328 [doi]
- Finding Music in Scholarly Sets and Series: The Index to Printed Music (IPM)Elizabeth Davis. 329-330 [doi]
- Towards Query by Singing/Humming on Audio DatabasesAlexander Duda, Andreas Nürnberger, Sebastian Stober. 331-334 [doi]
- A Query by Humming System that Learns from ExperienceDavid Little, David Raffensperger, Bryan Pardo. 335-338 [doi]
- Classifying Music Audio with Timbral and Chroma FeaturesDaniel P. W. Ellis. 339-340 [doi]
- A Closer Look on Artist Filters for Musical Genre ClassificationArthur Flexer. 341-344 [doi]
- A Demonstrator for Automatic Music Mood EstimationJanto Skowronek, Martin F. McKinney, Steven van de Par. 345-346 [doi]
- Mood-ex-Machina: Towards Automation of Moody TunesSten Govaerts, Nik Corthaut, Erik Duval. 347-350 [doi]
- Pedagogical Transcription for Multimodal Sitar PerformanceAjay Kapur, Graham Percival, Mathieu Lagrange, George Tzanetakis. 351-352 [doi]
- Drum Transcription in Polyphonic Music Using Non-Negative Matrix FactorisationArnaud Moreau, Arthur Flexer. 353-354 [doi]
- A Simple Algorithm for Automatic Generation of Polyphonic Piano FingeringsAlia Al Kasimi, Eric Nichols, Christopher Raphael. 355-356 [doi]
- Tuning Frequency Estimation Using Circular StatisticsKarin Dressler, Sebastian Streich. 357-360 [doi]
- TagATune: A Game for Music and Sound AnnotationEdith L. M. Law, Luis von Ahn, Roger B. Dannenberg, Mike Crawford. 361-364 [doi]
- A Web-Based Game for Collecting Music MetadataMichael I. Mandel, Daniel P. W. Ellis. 365-366 [doi]
- Autotagging Music Using Supervised Machine LearningDouglas Eck, Thierry Bertin-Mahieux, Paul Lamere. 367-368 [doi]
- Phoneme Recognition in Popular MusicMatthias Gruhne, Christian Dittmar, Konstantin Schmidt. 369-370 [doi]
- A Stochastic Representation of the Dynamics of Sung MelodyYasunori Ohishi, Masataka Goto, Katunobu Itou, Kazuya Takeda. 371-372 [doi]
- Singing Melody Extraction in Polyphonic Music by Harmonic TrackingChuan Cao, Ming Li, Jian Liu, YongHong Yan. 373-374 [doi]
- Singer Identification in Polyphonic Music Using Vocal Separation and Pattern Recognition MethodsAnnamaria Mesaros, Tuomas Virtanen, Anssi Klapuri. 375-378 [doi]
- Multipitch Analysis with Harmonic Nonnegative Matrix ApproximationStanislaw Andrzej Raczynski, Nobutaka Ono, Shigeki Sagayama. 381-386 [doi]
- Automatic Transcription of Music Audio Through Continuous Parameter TrackingEric Nichols, Christopher Raphael. 387-392 [doi]
- Synthesized Polyphonic Music Database with Verifiable Ground Truth for Multiple F0 EstimationChunghsin Yeh, Niels Bogaards, Axel Röbel. 393-398 [doi]
- High Time-Resolution Estimation of Multiple Fundamental FrequenciesJayme Garcia Arnal Barbedo, Amauri Lopes, Patrick J. Wolfe. 399-402 [doi]
- Identifying Words that are Musically MeaningfulDavid A. Torres, Douglas Turnbull, Luke Barrington, Gert R. G. Lanckriet. 405-410 [doi]
- A Semantic Space for Music Derived from Social TagsMark Levy, Mark Sandler. 411-416 [doi]
- The Music OntologyYves Raimond, Samer A. Abdallah, Mark B. Sandler, Frederick Giasson. 417-422 [doi]
- Signal + Context = Better ClassificationJean-Julien Aucouturier, François Pachet, Pierre Roy, Anthony Beurivé. 425-430 [doi]
- Raag Recognition Using Pitch-Class and Pitch-Class Dyad DistributionsParag Chordia, Alex Rae. 431-436 [doi]
- Towards a Human-Friendly Melody Characterization by Automatically Induced RulesPedro J. Ponce de León, David Rizo, José Manuel Iñesta Quereda. 437-440 [doi]
- Stereo Panning Features for Classifying Recording Production StyleGeorge Tzanetakis, Randy Jones, Kirk McNally. 441-444 [doi]
- VISA: The Voice Integration/Segregation AlgorithmIoannis Karydis, Alexandros Nanopoulos, Apostolos N. Papadopoulos, Emilios Cambouropoulos. 445-448 [doi]
- Using Pitch Stability Among a Group of Aligned Query Melodies to Retrieve Unidentified Variant MelodiesJörg Garbers, Peter van Kranenburg, Anja Volk, Frans Wiering, Remco C. Veltkamp, Louis P. Grijp. 451-456 [doi]
- Algorithms for Polyphonic Music Retrieval: The Hausdorff Metric and Geometric HashingChristian André Romming, Eleanor Selfridge-Field. 457-462 [doi]
- Content-Based Music Retrieval Using Query Integration for Users with Diverse PreferencesKeiichiro Hoashi, Hiromi Ishizaki, Kazunori Matsumoto, Fumiaki Sugaya. 463-466 [doi]
- A Music Information Retrieval System Based on Singing Voice TimbreHiromasa Fujihara, Masataka Goto. 467-470 [doi]
- Methodological Considerations in Studies of Musical SimilarityHamish Allan, Daniel Müllensiefen, Geraint A. Wiggins. 473-478 [doi]
- Similarity Based on Rating DataMalcolm Slaney, William White. 479-484 [doi]
- A Study on Attribute-Based Taxonomy for Music Information RetrievalJeremy Reed, Chin-Hui Lee. 485-490 [doi]
- Variable-Size Gaussian Mixture Models for Music Similarity MeasuresWietse Balkema. 491-494 [doi]
- Comparative Analysis of Multiple Musical PerformancesCraig Stuart Sapp. 497-500 [doi]
- The Probado Music Repository at the Bavarian State LibraryJürgen Diet, Frank Kurth. 501-504 [doi]
- Towards Integration of MIR and Folk Song ResearchPeter van Kranenburg, Jörg Garbers, Anja Volk, Frans Wiering, Louis P. Grijp, Remco C. Veltkamp. 505-508 [doi]
- A Comparative Survey of Image Binarisation Algorithms for Optical Recognition on Degraded Musical SourcesJohn Ashley Burgoyne, Laurent Pugin, Greg Eustace, Ichiro Fujinaga. 509-512 [doi]
- MAP Adaptation to Improve Optical Music Recognition of Early Music Documents Using Hidden Markov ModelsLaurent Pugin, John Ashley Burgoyne, Ichiro Fujinaga. 513-516 [doi]
- From Rhythm Patterns to Perceived TempoKlaus Seyerlehner, Gerhard Widmer, Dominik Schnitzer. 519-524 [doi]
- The Quest for Ground Truth in Musical Artist Tagging in the Social Web EraGijs Geleijnse, Markus Schedl, Peter Knees. 525-530 [doi]
- Annotating Music Collections: How Content-Based Similarity Helps to Propagate LabelsMohamed Sordo, Cyril Laurier, Òscar Celma. 531-534 [doi]
- A Game-Based Approach for Collecting Semantic Annotations of MusicDouglas Turnbull, Ruoran Liu, Luke Barrington, Gert R. G. Lanckriet. 535-538 [doi]
- Human Similarity Judgments: Implications for the Design of Formal EvaluationsM. Cameron Jones, J. Stephen Downie, Andreas F. Ehmann. 539-542 [doi]