Abstract is missing.
- Introduction - welcome to ongoings: the fine arts galleryLynn Pocock. 7 [doi]
- Utah portalJohn S. Banks. 8 [doi]
- Untitled 10John S. Banks. 9 [doi]
- NomadSheriann Ki Sun Burnham. 10 [doi]
- Cape FloraSheriann Ki Sun Burnham. 11 [doi]
- PeacockAnna M. Chupa. 12 [doi]
- AengusAnna M. Chupa. 13 [doi]
- AssumptionAnna M. Chupa. 14 [doi]
- Brain cellAnna M. Chupa. 15 [doi]
- At the gates 2Anna M. Chupa. 16 [doi]
- DescansoAnna M. Chupa. 17 [doi]
- Canto five/union of oppositesDiane Fenster. 18 [doi]
- Canto six/in the shadow of the cathedralDiane Fenster. 19 [doi]
- Canto seven/the path of lightning as it descends from the skyDiane Fenster. 20 [doi]
- Canto nine/nine nights I hung on a windy treeDiane Fenster. 21 [doi]
- Canto ten/perhaps you might remember meDiane Fenster. 22 [doi]
- Canto thirteen/the interior life of the deadDiane Fenster. 23 [doi]
- Tangent @ 23 XPhillip George. 24 [doi]
- Tangent @ 23 firePhillip George. 25 [doi]
- Artist's gardenMadge Gleeson. 26 [doi]
- Endangered speciesMadge Gleeson. 27 [doi]
- Golden parachuteMadge Gleeson. 28 [doi]
- High flyerMadge Gleeson. 29 [doi]
- Road warriorMadge Gleeson. 30 [doi]
- Mirror, mirrorMadge Gleeson. 31 [doi]
- Untitled #33, from the museum of broken identities (after Goya's black paintings)Ken Gonzales-Day. 32 [doi]
- Untitled #35, from the museum of broken identities (after Goya's black paintings)Ken Gonzales-Day. 33 [doi]
- Gris de payne & ochreJean-Pierre Hébert. 35 [doi]
- Deux lignes ochresJean-Pierre Hébert. 35 [doi]
- After the acheChris S. Johnson. 36 [doi]
- CabritoChris S. Johnson. 37 [doi]
- CASE STUDY 118Tammy Knipp. 39 [doi]
- CASE STUDY 2442Tammy Knipp. 40 [doi]
- CASE STUDY 2442Tammy Knipp. 41 [doi]
- CASE STUDY 107Tammy Knipp. 42 [doi]
- CASE STUDY 107Tammy Knipp. 43 [doi]
- À la recherche du centre exact: Amsterdam AveMichael O'Rourke. 44 [doi]
- À la recherche du centre exact: ArastraderoMichael O'Rourke. 45 [doi]
- À la recherche du centre exact: Portola ValleyMichael O'Rourke. 46 [doi]
- À la recherche du centre exact: Santa CruzMichael O'Rourke. 47 [doi]
- Icon #1Michael O'Rourke. 48 [doi]
- Icon #4Michael O'Rourke. 49 [doi]
- The decorative arts of the marinerAnna Ullrich. 50 [doi]
- The judgement of LyonAnna Ullrich. 51 [doi]
- Carnival, pathway seriesRoman Verostko. 52 [doi]
- Pathway seriesRoman Verostko. 53 [doi]
- Heaven and earthRoman Verostko. 54 [doi]
- Nested swallowRoman Verostko. 55 [doi]
- Diamond lake apocalypse: BuddhaRoman Verostko. 56 [doi]
- Scarab seriesRoman Verostko. 57 [doi]
- Dedication - Robert Mallary, 1917-1997Lynn Pocock, Robert Mallary. 58-59 [doi]
- Introduction - the electric gardenRick Hopkins. 63-65 [doi]
- Toco the toucan: a synthetic character guided by perception, emotion, and storyDeb Roy. 66 [doi]
- The Grimm showM. R. Petit. 67 [doi]
- JPL space garden: space data visualizationWilliam B. Green. 68 [doi]
- Nerve gardenBruce Damer. 69 [doi]
- d-rhumDaniel Schwartz. 70-71 [doi]
- Bodymaps: artifacts of touch (the sensuality and anarchy of touch)Thecla Schiphorst. 72-73 [doi]
- Multiple identities MAPRichard Yelle. 74-75 [doi]
- Iamascope: an interactive kaleidoscopeSidney Fels. 76-77 [doi]
- Virtual basketballMakoto Sato. 78 [doi]
- ants under a mushroomAmy Alexander. 79 [doi]
- The multi-cultural recyclerAmy Alexander. 80 [doi]
- Virtual orchestra performanceTapio Takala. 81 [doi]
- Fixed-base driving simulatorJames Gruening. 82 [doi]
- Garnet visionHiroo Iwata. 83 [doi]
- Journey into the brainKaren G. Littman. 84 [doi]
- Multi mega book in the caveYesi Maharaj Singh. 85 [doi]
- Alice: easy to learn interactive 3D graphicsJeff Pierce. 86 [doi]
- Cyber BunrakuKiyoshi Arai. 87 [doi]
- Journey to AnahuacTomas J. Filsinger. 88-89 [doi]
- Project ScienceSpaceR. Bowen Loftin. 90-91 [doi]
- Mind gardenParas Kaul. 92 [doi]
- Wango: COMPOSTCassandra Lehman. 93 [doi]
- Cyber space adventureYuichiro Kamata, Nobuo Masuda. 94-95 [doi]
- Dancing fire and waterVigdis Holen. 96-97 [doi]
- Fantasy3J. Michael Moshell. 98 [doi]
- PRoP: personal roving presenceEric Paulos. 99 [doi]
- Advanced technologies for virtual environmentsMary C. Whitton. 100-101 [doi]
- Sunset BoulevardScott L. Minneman. 102 [doi]
- Faery gardenEben Gay. 103 [doi]
- The land of timeYoun H. Lee. 104-105 [doi]
- Virtual environment ATC tutor (VEAT)Chuck Lexa. 106 [doi]
- Media3: the virtual hologramMasahiko Inami. 107 [doi]
- Big head racerValerie Dunford. 108 [doi]
- Ultra magic paper interfaceHiroshi Usuda. 109 [doi]
- Virtual explorerKevin Dean. 110 [doi]
- WonderSpace: interactive 3D animation browserToshiya Naka, Yoshiyuki Mochizuki. 111 [doi]
- Direct manipulation scene creation in 3D: estimating hand postures from multiple-camera imagesAkira Utsumi. 112 [doi]
- HORIZONS by TeleCommunityRobert Dunn. 113 [doi]
- 3D imaging sensing technologyAtsushi Yokoyama. 114-115 [doi]
- Point of vue, point of you/body to bodyElsa Mazeau. 116 [doi]
- Optical gesture recognition systemSeiji Kobayashi. 117 [doi]
- Talking head118 [doi]
- Traffic control119 [doi]
- Magic morphin mirror: face-sensitive distortion and exaggerationTrevor Darrell, Harlyn Baker, Franklin C. Crow, Gaile Gordon, John Woodfill. 120 [doi]
- Introduction - sketchesDavid S. Ebert. 127 [doi]
- Using video to create avators in virtual realityJoseph A. Insley, Daniel J. Sandin, Thomas A. DeFanti. 128 [doi]
- Dream grrls: metaphorsMargaret Dolinsky, Girt Sehmisch. 129 [doi]
- CyberHuman dance series: an articulation of body, space, and motion in performanceKatie Salen, Yacov Sharir. 130 [doi]
- Disability in the artsJon Berge. 131 [doi]
- Multi-media metamorphosis (or making the medium shoe fit)M. R. Petit. 132 [doi]
- TechnophobiaDooley Le Cappellaine. 133 [doi]
- Izzy bombus and the story of flightSandy Lowrance. 134 [doi]
- An American gothic... or a pound of preventionElliott Peter Earls. 135 [doi]
- Design speech acts: "how to do things with words" in virtual communitiesAnna Cicognani. 136 [doi]
- Agree to disagree onlineJanet Cohen, Keith Frank, Jon Ippolito. 136 [doi]
- Gradus: revealing the shape of the English languageMatt Grenby. 137 [doi]
- Computer graphics as stainless steel outputRonald Carraher. 138 [doi]
- Hand held tools for navigating informationDavid Small. 139 [doi]
- Dynamic3: interactive physics and physicality in three dimensionsReed Kram, John Maeda. 140 [doi]
- A zooming sketchpad, a multiscale narrative: Pad++, PadDraw, Gray MattersNoah Wardrip-Fruin, Jon Meyer, Ken Perlin, Ben Bederson, Jim Hollan. 141 [doi]
- Multimedia interactive artist's archive and retrospectiveJosepha Haveman. 142 [doi]
- Genderbender, smartstall, the automatic confession machineGregory Patrick Garvey. 143 [doi]
- The virtual harvester projectJohann van der Schijff. 144 [doi]
- Making caricatures with morphingErgun Akleman. 145 [doi]
- Visual simulation of waterfalls and other water phenomenaAshley T. Howes, A. Robin Forrest. 146 [doi]
- Volumetric modeling with implicit functions: a cloud is bornDavid S. Ebert. 147 [doi]
- A fast algorithm for illumination from curved reflectorsGustavo Patow. 148 [doi]
- A general model for the simulation of room acoustics based on hierachical radiosityNicolas Tsingos, Jean-Dominique Gascuel. 149 [doi]
- Radial basis function interpolation surface on space meshBaocai Yin, Wen Gao 0001. 150 [doi]
- Automatic reconstruction of complex 3D modelsToshi Chang, Luis Canales, Tom Ledoux. 151 [doi]
- Using CSG representations of polygons for practical point-in-polygon testsRobert J. Walker, Jack Snoeyink. 152 [doi]
- Varying spring constants for accurate simulation of elastic materialsAllen Van Gelder, Jane Wilhelms. 153 [doi]
- Display of high contrast images using models of visual adaptationJack Tumblin, Jessica K. Hodgins, Brian K. Guenter. 154 [doi]
- A visibility matching tone reproduction operator for high dynamic range scenesGregory Ward Larson, Holly E. Rushmeier, Christine D. Piatko. 155 [doi]
- Validating global illumination algorithms and softwareKarol Myszkowski, Andrei Khodulev, Edward A. Kopylov. 156 [doi]
- Composite lighting simulations with lighting networksPhilipp Slusallek, Marc Stamminger, Wolfgang Heidrich, Jan-Christian Popp, Hans-Peter Seidel. 157 [doi]
- Live Web stationery: virtual paper agingDorée Duncan Seligmann, Stephan Vladimir Bugaj. 158 [doi]
- An improvement on line scan-conversionJim X. Chen. 159 [doi]
- LiveType: a parametric font model based on features and constraintsAriel Shamir, Ari Rappoport. 160 [doi]
- Texture maps from orthographic videoBrian Jones. 161 [doi]
- Disparity morphing for automatic generation of stereo panoramas for image-based VRHo Chao Huang, Yi-Ping Hung. 162 [doi]
- Interactive contour modeling applied to image queryingZhibin Lei, David B. Cooper. 163 [doi]
- Curvelet feature extraction and matching for image retrievalZhibin Lei, Yin Chan. 164 [doi]
- Visual behavior programming with automatic script code generationShigeo Nakagawa, Hirofumi Ishida. 165 [doi]
- Making them behaveJohn Funge, Xiaoyuan Tu. 166 [doi]
- Learning fast neural network emulators for physics-based modelsRadek Grzeszczuk, Demetri Terzopoulos, Geoffrey E. Hinton. 167 [doi]
- Combining active and passive simulations for secondary motionJessica K. Hodgins, James F. O'Brien, Victor B. Zordan. 168 [doi]
- Rendering with paintstrokesIvan Neulander. 169 [doi]
- Motion tracking for special effects in the film industryMaria Lando. 170 [doi]
- Textured rulers and arcsChris Shaw. 171 [doi]
- Texturing implicit surfaces with particle systemsRuben Zonenschein, Jonas Gomes, Luiz Velho, Luiz Henrique de Figueiredo. 172 [doi]
- Fast polygonal simplification with vertex-cluster treesJoshua Mittleman, Jai Menon. 173 [doi]
- Model simplification using directional clusteringDana Marshall, A. T. Campbell III, Donald S. Fussell. 174 [doi]
- A wavelet-based multiresolution polyhedral object representationMike M. Chow, Marek Teichmann. 175 [doi]
- Intelligent transmission of 3D polygonal modelsPeter J. C. Brown. 176 [doi]
- Delivering high quality 3D to every deskRick Humphrey, Agha Ahsan. 177 [doi]
- Practical SIMDWilliam Bryant. 178 [doi]
- The haptic lensMichael J. Sinclair. 179 [doi]
- A low-cost digital panoramic cameraMichael J. Sinclair. 180 [doi]
- 3D digitizing made easier by unstructured sketchingSong Han, Gérard G. Medioni. 181 [doi]
- Feature based haptic rendering: architecture, protocol, and applicationJuli Yamashita, Cai Yi, Yukio Fukui. 182 [doi]
- A model for managing level of detail with head-tracked peripheral degradationBenjamin Watson, Larry F. Hodges, Neff Walker. 183 [doi]
- Virtual backdropsDaniel G. Aliaga, Anselmo Lastra. 184 [doi]
- Linear colour contouring for fine art printmakingPeter Lee. 185 [doi]
- Intergrating digital media and autographic fine art printmakingRaz Barfield. 186 [doi]
- Microscopic structural modeling of colored pencil drawingsSaeko Takagi, Issei Fujishiro. 187 [doi]
- Rendering with streamlinesRichard Coutts, Donald P. Greenberg. 188 [doi]
- Genetic shaders: interactive and automatic shader generationAladin M. Ibrahim, Donald H. House. 189 [doi]
- Sampling procedural shaders using affine arithmeticWolfgang Heidrich, Philipp Slusallek, Hans-Peter Seidel. 190 [doi]
- InvenTcl: making Open Inventor interpretive with Tcl/[incr Tcl]Sidney Fels, Silvio Esser, Armin Bruderlin, Kenji Mase. 191 [doi]
- The contour spectrumChandrajit L. Bajaj, Valerio Pascucci, Daniel Schikore. 192 [doi]
- Computer-generated physical models for scientific and engineering visualization: VR - V = RMichael J. Bailey, Dru Clark. 193 [doi]
- Hardware-assisted volume rendering for oil and gas explorationAlan Y. Commike, Scott Senften. 194 [doi]
- WormPlotsGeoffrey Matthews, Mike Roze. 195 [doi]
- A visualization of musicSean M. Smith, Glen N. Williams. 196 [doi]
- The mirror: reflections on inhabited TVGraham Walker, Rodger Lea. 197 [doi]
- Peloton: A VRML-based bicycling simulatorJ. Robert Ensor, Gianpaolo U. Carraro. 198 [doi]
- The electric body projectThecla Schiphorst, Sang Mah. 199 [doi]
- Visualization of the best approximationLi Chao. 200 [doi]
- RenderComp: the new video editing workflow paradigm for digital video publishingMarcus Julian. 201 [doi]
- Virtual parts catalog and component sourcing with VRMLFred Dech, Swaminathan Narayanan, Rade Tesic, Prashant Banerjee, Sudhir Anantharaman, John Yan. 202 [doi]
- Text-driven deaf-mute sign language synthesis systemYibo Song, Wen Gao 0001, Baocai Yin, Ying Liu, Lin Xu, Jie Yan, Haito Chen, Jian Zhou. 203 [doi]
- Virtual arts therapiesRebecca Mercuri, Ranjit Bhatnagar. 204 [doi]
- Working within the grid: interactive foundations design problems using grid structuresPatricia Nelson, Barbara Giorgio Booher, Loren Mork. 205 [doi]
- WordNozzleJason Lewis. 206 [doi]
- Visualizing the Midway Face of the Dixie National ForestDonald H. House, Scott A. Arvin, Greg S. Schmidt, Midori Kitagawa de Leon. 207 [doi]
- Performance capture and character animationAndré Bustanoby. 208 [doi]
- Motion capture and puppetryEmre Yilmaz. 209 [doi]
- Ubiquitous animation: an element-based concept to make 3D animations commonplaceRalf Dörner, Volker Luckas, Ulrike Spierling. 210 [doi]
- Isaacks: from life forms choreography to animationJimmy Gamonet de Los Heros, Sang Mah. 211 [doi]
- The tapir: combining myth and contemporary musical structures to create a personal perspective with 3D computer animationRaquel Coelho. 212 [doi]
- "Hercules": the 30-headed HydraRoger L. Gould. 213 [doi]
- Turner classic movies: "Hopper"Tom McClure, Jeffery Roth, Colin Miller, Ingrid Overgard, Jance Allen, Jana Canellos. 214 [doi]
- Up...down...up..Betsy de Fries, Jerry van de Beek. 215 [doi]
- Dynamically simulated characters in virtual environmentsDavid C. Brogan, Ronald A. Metoyer, Jessica K. Hodgins. 216 [doi]
- Transitions between dynamically simulated motions: leaping, tumbling, landing, and balancingWayne L. Wooten, Jessica K. Hodgins. 217 [doi]
- Animating quadrupeds with footprintsNick Torkos, Michiel van de Panne. 218 [doi]
- General Motors EV-1: "Appliances"Alex Seiden. 219 [doi]
- "The relic"John DesJardin. 220 [doi]
- "Dante's peak"David Isyomin. 221 [doi]
- "101 Dalmatians"Daniel Jeanette, Doug Smythe. 222 [doi]
- Passive 3D human motion captureIoannis A. Kakadiaris, Dimitris N. Metaxas. 223 [doi]
- Visual tracking and pose recovery for special effectsMichael Isard, Andrew Blake 0001. 224 [doi]
- Lip synchronization for animationDavid F. McAllister, Robert D. Rodman, Donald L. Bitzer, Andrew S. Freeman. 225 [doi]
- Layered compositing of facial expressionKen Perlin. 226-227 [doi]
- SIGGRAPH 97 electronic theater closeKevin Mack. 232 [doi]
- SIGGRAPH 97 electronic theater openEileen O'Connor. 232 [doi]
- 10, 000 feetD. J. Cassel. 233 [doi]
- 2D life in a 3D worldCindy Ball. 233 [doi]
- 'ACRI' the makingShuji Asano. 234 [doi]
- ADNMarc Thonon, Patrick Chereau. 234 [doi]
- Ahoy, the movieBruce Pukema. 235 [doi]
- Advanced problem solvingKevin Souls. 235 [doi]
- American dreamD. Brian Weber. 236 [doi]
- Excerpts from "An American werewolf in Paris"John Grower, Diane Holland. 236 [doi]
- The animation of M.C. Escher's "Belvedere"Sachiko Tsuruno. 237 [doi]
- AnacondaDon Levy. 237 [doi]
- Automated highways/excerptsKleiser-Walczak Construction Company. 238 [doi]
- BabyBob Hoffman. 238 [doi]
- Barbie as RapunzelPam Lehn. 239 [doi]
- Batman & RobinSuzanne Datz. 239 [doi]
- Bell Atlantic "Big deal"Alison Brown. 240 [doi]
- BBC autumn on oneAmanda Libotte. 240 [doi]
- BodyVentureEngineering Animation Inc.. 241 [doi]
- Billy Ray Shyster's house of discount special effects & animation emporiumPaul Kevin Thomason. 241 [doi]
- Butterfiles in the rainMark Fontana. 242 [doi]
- The boxThomas J. Barter Jr.. 242 [doi]
- Canada Dry "Domino"Vicki Dobbs Beck. 243 [doi]
- Caltex starpowerStuart Smith. 243 [doi]
- Changing heart - opening 3D sequenceAlbert Hastings. 244 [doi]
- Certified public accountants (CPA) "Pin heads"Vicki Dobbs Beck. 244 [doi]
- A cloud is bornDavid S. Ebert. 245 [doi]
- Cheerful countryPierre Hénon. 245 [doi]
- Congress Center Messe Frankfurt visualizationUli Spierling. 246 [doi]
- ConscienceEmre Yilmaz. 246 [doi]
- ContactKen Ralston, Steve Rosenbaum. 247 [doi]
- 'Cowboy' by Noriuki MakiharaAlistair Beattie. 247 [doi]
- Critical depthBenjamin Harrison. 248 [doi]
- Deadly mister mistyAlison Colman. 248 [doi]
- digital SmokeJohn R. Anderson. 249 [doi]
- Digital truth in Tian An MenMarianne Barcilon. 249 [doi]
- "DJ asylum" - the orbBenjamin Stokes. 250 [doi]
- The DNA storyLaurent Larsonneur. 250 [doi]
- A dummy affairJason Giddings. 251 [doi]
- "A drug against war" KMFDMH-Gun labs. 251 [doi]
- EmakiKeiji Yamauchi. 252 [doi]
- DustcitySebastian Drouin, Christophe Mutin, Olivier Dumont. 252 [doi]
- Enhanced processor lifetime through deuterium processingBarbara Mason-Fossum, Benjamin Grosser. 253 [doi]
- "Equus" the legend of the unbridled spiritAlethea Renee Pappas. 253 [doi]
- F8Michael J. Clousen. 254 [doi]
- FACADE: modeling and rendering architecture from photographs and the campanile modelPaul E. Debevec. 254 [doi]
- Fifth element: Leeloo's reconstruction & Times Square montageBob Hoffman. 255 [doi]
- FacesJoji Hayashi. 255 [doi]
- Filter-regulator-lubricatorMartin Danzer. 256 [doi]
- FlipbookSatoshi Kitahara. 256 [doi]
- Gabola the greatJudy Conner. 257 [doi]
- FluxJamie DeRuyter. 257 [doi]
- Galaxy guardianStephen Baker. 258 [doi]
- General Motors EV-1 "Appliances"Vicki Dobbs Beck. 258 [doi]
- (Generik) l'Oeil du cycloneMarie-Laure Tardy. 259 [doi]
- Geodesics and wavesKonrad Polthier. 259 [doi]
- "Ghosts" motion capture how-toBob Hoffman. 260 [doi]
- The ghost and the darknessTim McGovern. 260 [doi]
- The giraffes of MordilloGeorges Lacroix. 261 [doi]
- Good vibrationsHarald Evers. 261 [doi]
- Halls penguins airportJudy Conner. 262 [doi]
- Guten appetit/good mealRobert Zwirner. 262 [doi]
- HarvestChristina Schmidlin. 263 [doi]
- Heartbeat for "Where we work"Tom Casey. 263 [doi]
- HolographAmanda Libotte. 264 [doi]
- The HologlobeBarbara Summey. 264 [doi]
- HomeBob Hoffman. 265 [doi]
- human natureScott Carroll. 265 [doi]
- I want to believeGeoff Wyvill. 266 [doi]
- Hydra of HerculesEdward Kummer. 266 [doi]
- IlluminationGregory A. Dismond. 267 [doi]
- (IMC) the dolphinKazuma Morino. 267 [doi]
- Impressions of San FranciscoPeter Litwinowicz. 268 [doi]
- Inherited memoriesCynthia Beth Rubin. 268 [doi]
- Interactive learning and teaching environmentStefan Lehmann, Thomas Overberg. 269 [doi]
- Inside the cellLaurent Larsonneur. 269 [doi]
- JACKDoug Pfeifer. 270 [doi]
- Interactive virtual environment walkthroughKian Bee Ng. 270 [doi]
- Kuru kuruHiroshi Matsumoto. 271 [doi]
- Keizan musouzu (a reverie in the mountains)Hideo Nakazawa. 271 [doi]
- Kutchae!Hironori Terai. 272 [doi]
- The landing partyDavid Haxton. 272 [doi]
- Levi'sMarianne Barcilon. 273 [doi]
- Las Campanas redshift survey in 3DTom Casey. 273 [doi]
- Lindbergh, ' and the trans-rational boyJoshua Mosley. 274 [doi]
- The lost world: Jurassic ParkVicki Dobbs Beck. 274-275 [doi]
- Lup 1 or, natural born collectorStephane Jeandrevin. 275 [doi]
- Mainstay Mutual Funds' up...down...up..Betsy de Fries. 276 [doi]
- MandelbloomLewis N. Siegel. 276 [doi]
- Mars attacks!Suzanne Datz. 277 [doi]
- Mass manipulatorPablo Mederico Faivre, Florencia Faivre. 277 [doi]
- MTV top of Japan (open)Hironori Terai. 278 [doi]
- Men in blackVicki Dobbs Beck. 278 [doi]
- New D.N.A. patternHironori Terai. 279 [doi]
- NessieJeffrey Galloway. 279 [doi]
- NPSNET-IV: inserting the human into the networked synthetic environmentMichael Zyda. 280 [doi]
- The NICE projectAndrew Johnson. 280 [doi]
- Nuturing selfAmanda Hoeltke. 281 [doi]
- OnceJoshua Cordes. 281 [doi]
- One fine evening in IstanbulCemil Turun. 282 [doi]
- Open-mike nightJonah Hall. 282 [doi]
- Pellucid spacesSteven Churchill. 283 [doi]
- Parasite eveNoriko Kurachi. 283 [doi]
- Pepsiman "montage"Vicki Dobbs Beck. 284 [doi]
- PetsJohn Lally, Valerie Mih. 284 [doi]
- PlugMeher Gourjian. 285 [doi]
- PhantomMasa Inakage. 285 [doi]
- Protozoa's VRML skitsBryan Kelly. 286 [doi]
- Protein latticePeter Hennessey. 286 [doi]
- Rave artGlenn Grillo. 287 [doi]
- RANKAINobuo Takahashi. 287 [doi]
- ROBITJaime Clifton. 288 [doi]
- Revenge doesn't payGeoffrey Richardson. 288 [doi]
- Robotic faculty (Williams college winter studies program 1997)Kleiser-Walczak Construction Co.. 289 [doi]
- The rockMary Reardon. 289 [doi]
- The roulettePierre Hénon. 290 [doi]
- Rolie Polie OlieKelly McManus. 290 [doi]
- Scientific visualization of space-based debrisTim Cotter. 291 [doi]
- RunnersKazuma Morino. 291 [doi]
- SharingMichael McCarthy, Jason Zirpolo. 292 [doi]
- The shapemaker preludeMark Allen. 292 [doi]
- SmirnoffMarianne Barcilon. 293 [doi]
- Simulation of 1994 Northridge earthquake aftershockGregory Foss, Anjana Kar. 293 [doi]
- Some leavesStuart Sharpe. 294 [doi]
- Smithsonian cinder coneEngineering Animation Inc.. 294 [doi]
- V. S. R&D Division: SOULBLADE295 [doi]
- Star Trek - the experienceSuzanne Datz. 295 [doi]
- Star Wars trilogy special editionVicki Dobbs Beck. 296 [doi]
- The steadfast tin soldierEdward Kummer. 296 [doi]
- The Taj MahalAnuj Rawla. 297 [doi]
- Submarine gardenSteven Churchill. 297 [doi]
- TanabataYasuo Ohba. 298 [doi]
- The tapirRaquel Coelho. 298 [doi]
- Titanic, anatomy of a disasterTom Casey. 299 [doi]
- Titanic TD 27Bob Hoffman. 299 [doi]
- TotaPetAlan Price. 300 [doi]
- Top Ramen - space searchVictor Wong. 300 [doi]
- Tour into the pictureKen Anjyo. 301 [doi]
- Toy racerLee Ford Parker. 301 [doi]
- Tug WilsonJohn Francis. 302 [doi]
- Toy story treatsAllison Smith Murphy. 302 [doi]
- Virtual AndreBob Hoffman. 303 [doi]
- Usonia: Frank Lloyd Wright's vision for AmericaMax Strang. 303 [doi]
- WatermanVictor Wong. 304 [doi]
- The wishing dreamChristopher Roos. 304 [doi]