Abstract is missing.
- A Shift Towards Iterative and Open-Source Design for Musical InterfacesOwen Vallis, Jordan Hochenbaum, Ajay Kapur. 1-6 [doi]
- UnitInstrument: Easy Configurable Musical InstrumentsYutaro Maruyama, Yoshinari Takegawa, Tsutomu Terada, Masahiko Tsukamoto. 7-12 [doi]
- The Loudspeaker as Musical InstrumentJos Mulder. 13-18 [doi]
- An Ultrasound Based Instrument Generating Audible and Tactile SoundMiha Ciglar. 19-22 [doi]
- Neurohedron: A Nonlinear Sequencer InterfaceTed Hayes. 23-25 [doi]
- Designing Custom-made Metallophone with Concurrent EigenanalysisNobuyuki Umetani, Jun Mitani, Takeo Igarashi. 26-30 [doi]
- Freepad: A Custom Paper-based MIDI InterfaceSungkuk Chun, Andrew Hawryshkewich, Keechul Jung, Philippe Pasquier. 31-36 [doi]
- Music Programming in MinimJohn A. Mills, Damien Di Fede, Nicolas Brix. 37-42 [doi]
- An Epistemic Dimension Space for Musical DevicesThor Magnusson. 43-46 [doi]
- Investigating the Potential for Shared Agency using Enactive InterfacesA. Baki Kocaballi, Petra Gemeinboeck, Rob Saunders. 47-50 [doi]
- Cuebert: A New Mixing Board Concept for Musical TheatreNoah Liebman, Michael Nagara, Jacek Spiewla, Erin Zolkosky. 51-56 [doi]
- Dynamic Interactivity Inside the AlloSphereCharles Roberts, Matthew Wright, JoAnn Kuchera-Morin, Lance Putnam. 57-62 [doi]
- Creating Meaningful Melodies from Text MessagesFlorian Alt, Alireza Sahami Shirazi, Stefan Legien, Albrecht Schmidt, Julian Mennenöh. 63-68 [doi]
- Epi-thet: A Musical Performance Installation and a Choreography of StillnessTim Humphrey, Madeleine Flynn, Jesse Stevens. 69-71 [doi]
- From Mozart to MIDI: A Rule System for Expressive ArticulationTilo Hähnel. 72-75 [doi]
- Designing Mobile Musical Instruments and Environments with urMusGeorg Essl, Alexander Müller. 76-81 [doi]
- Evolving The Mobile Phone OrchestraJieun Oh, Jorge Herrera, Nicholas J. Bryan, Luke Dahl, Ge Wang. 82-87 [doi]
- Mapping Out Instruments, Affordances, and MobilesAtau Tanaka. 88-93 [doi]
- humanaquarium: A Participatory Performance SystemRobyn Taylor, Guy Schofield, John Shearer, Pierre Boulanger, Jayne Wallace, Patrick Olivier. 88-93 [doi]
- Composing For Improvisation with Chaotic OscillatorsMark Havryliv. 94-99 [doi]
- Beatback: A Real-time Interactive Percussion System for Rhythmic Practise and ExplorationAndrew Hawryshkewich, Philippe Pasquier, Arne Eigenfeldt. 100-105 [doi]
- Style and Constraint in Electronic Musical InstrumentsMichael Gurevich, Paul Stapleton, Adnan Marquez-Borbon. 106-111 [doi]
- LUSH: An Organic Eco + Music SystemHongchan Choi, Ge Wang. 112-115 [doi]
- TwinkleBall: A Wireless Musical Interface for Embodied Sound MediaTomoyuki Yamaguchi, Tsukasa Kobayashi, Anna Ariga, Shuji Hashimoto. 116-119 [doi]
- Expression and Spatial Motion: Playable AmbisonicsJoanne Cannon, Stuart Favilla. 120-124 [doi]
- Contrary Motion: An Oppositional Interactive Music SystemNick Collins. 125-129 [doi]
- Images as Spatial Sound MapsEtienne Deleflie, Greg Schiemer. 130-135 [doi]
- Relationship-Based Instrument Mapping of Multi-Point Data Streams Using a Trackpad InterfaceKevin Schlei. 136-139 [doi]
- Instrumentalizing Synthesis ModelsLonce Wyse, Nguyen Dinh Duy. 140-143 [doi]
- scoreLight: Playing with a Human-Sized Laser Pick-UpÁlvaro Cassinelli, Yusaku Kuribara, Alexis Zerroug, Masatoshi Ishikawa, Daito Manabe. 144-149 [doi]
- Disky: a DIY Rotational Interface with Inherent DynamicsKarl Yerkes, Greg Shear, Matthew Wright. 150-155 [doi]
- Development of the Waseda Saxophonist Robot and Implementation of an Auditory Feedback ControlJorge Solis, Klaus Petersen, Tetsuro Yamamoto, Masaki Takeuchi, Shimpei Ishikawa, Atsuo Takanishi, Kunimatsu Hashimoto. 156-161 [doi]
- A Pedagogical Paradigm for Musical RoboticsAjay Kapur, Michael Darling. 162-165 [doi]
- A Robot Musician Interacting with a Human Partner through Initiative ExchangeYe Pan, Min Gyu Kim, Kenji Suzuki. 166-169 [doi]
- Introducing L2Ork: Linux Laptop OrchestraIvika Bukvic, Thomas Martin, Eric Standley, Michael Matthews. 170-173 [doi]
- MoMu: A Mobile Music ToolkitNicholas J. Bryan, Jorge Herrera, Jieun Oh, Ge Wang. 174-177 [doi]
- Sound Bounce: Physical Metaphors in Designing Mobile Music PerformanceLuke Dahl, Ge Wang. 178-181 [doi]
- Use the Force (or something) - Pressure and Pressure - Like Input for Mobile Music PerformanceGeorg Essl, Michael Rohs, Sven G. Kratz. 182-185 [doi]
- Dislocated Sound: A Survey of Improvisation in Networked Audio PlatformsRoger Mills. 186-191 [doi]
- DRILE: An Immersive Environment for Hierarchical Live-LoopingFlorent Berthaut, Myriam Desainte-Catherine, Martin Hachet. 192-197 [doi]
- Hey Man, You're Invading my Personal Space ! Privacy and Awareness in Collaborative MusicRobin Fencott, Nick Bryan-Kinns. 198-203 [doi]
- Cross-Artform Performance Using Networked Interfaces: Last Man to Die's Vital LMTDCharles Martin, Benjamin Forster, Hanna Cormick. 204-207 [doi]
- Evaluating the Subjective Effects of Microphone Placement on Glass InstrumentsAlexander Refsum Jensenius, Kjell Tore Innervik, Ivar Frounberg. 208-211 [doi]
- Glitch Delighter: Lighter's Flame Base Hyper-Instrument for Glitch Music in Burning The Sound PerformanceRudolfo Quintas. 212-216 [doi]
- Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position SensingAndrew McPherson, Youngmoo Kim. 217-222 [doi]
- Developing a Hybrid Contrabass Recorder Resistances, Expression, Gestures and RhetoricCesar M. Grossmann. 223-228 [doi]
- The Bowed Tube: a Virtual ViolinAlfonso Perez Carrillo, Jordi Bonada. 229-232 [doi]
- Multimodal Musician RecognitionJordan Hochenbaum, Ajay Kapur, Matthew Wright. 233-237 [doi]
- A Left Hand Gesture Caption System for Guitar Based on Capacitive SensorsEnric Guaus, Tan Hakan Özaslan, Eric Palacios, Josep Lluís Arcos. 238-243 [doi]
- Support Vector Machine Learning for Gesture Signal Estimation with a Piezo-Resistive Fabric Touch SurfaceAndrew Schmeder, Adrian Freed. 244-249 [doi]
- Motion To Gesture To Sound: Mapping For Interactive DanceJan C. Schacher. 250-254 [doi]
- Generative Improv. & Interactive Music Project (GIIMP)Ian Whalley. 255-258 [doi]
- Searching for Cross-Individual Relationships between Sound and Movement Features using an SVM ClassifierKristian Nymoen, Kyrre Glette, Ståle Andreas Skogstad, Jim Tørresen, Alexander Refsum Jensenius. 259-262 [doi]
- "VirtualPhilharmony": A Conducting System with Heuristics of Conducting an OrchestraTakashi Baba, Mitsuyo Hashida, Haruhiro Katayose. 263-270 [doi]
- New Sensors and Pattern Recognition Techniques for String InstrumentsTobias Großhauser, Ulf Großekathöfer, Thomas Hermann. 271-276 [doi]
- Expressive Articulation for Synthetic Music PerformancesTilo Hähnel, Axel Berndt. 277-282 [doi]
- Network Jamming: Distributed Performance using Generative MusicAndrew R. Brown. 283-286 [doi]
- Glass Instruments - From Pitch to TimbreIvar Frounberg, Kjell Tore Innervik, Alexander Refsum Jensenius. 287-290 [doi]
- A Malleable Interface for Sonic ExplorationChris Kiefer. 291-296 [doi]
- OSC Virtual ControllerVictor Zappi, Andrea Brogni, Darwin G. Caldwell. 297-302 [doi]
- Extending the Soundcard for Use with Generic DC Sensors Demonstrated by Revisiting a Vintage ISA DesignSmilen Dimitrov. 303-308 [doi]
- Disembodied and Collaborative Musical Interaction in the Multimodal Brain OrchestraSylvain Le Groux, Jônatas Manzolli, Paul F. M. J. Verschure. 309-314 [doi]
- Designing Expressive Musical Interfaces for Tabletop SurfacesJordan Hochenbaum, Owen Vallis, Dimitri Diakopoulos, Jim W. Murphy, Ajay Kapur. 315-318 [doi]
- Toward Algorithmic Composition of Expression in Music Using Fuzzy LogicWendy Suiter. 319-322 [doi]
- Expressive Wearable Sonification and Visualisation: Design and Evaluation of a Flexible DisplayKirsty A. Beilharz, Andrew Vande Moere, Barbara Stiel, Claudia Calo, Martin Tomitsch, Adrian Lombard. 323-326 [doi]
- Understanding and Evaluating User Centred Design in Wearable ExpressionsJeremiah Nugroho, Kirsty A. Beilharz. 327-330 [doi]
- Online Map Interface for Creative and InteractiveSihwa Park, Seunghun Kim, Samuel Lee, Woon Seung Yeo. 331-334 [doi]
- Analysis of Piano Playing Movements Spanning Multiple TouchesAristotelis Hadjakos, Max Mühlhäuser. 335-338 [doi]
- Designing a Shareable Musical TUISebastian Heinz, Sile O'Modhrain. 339-342 [doi]
- Visualizations and Interaction Strategies for Hybridization InterfacesAdrian Freed. 343-347 [doi]
- ANTracks 2.0 - Generative Music on Multiple Multitouch Devices Categories and Subject DescriptorsBjörn Wöldecke, Christian Geiger, Holger Reckter, Florian Schulz. 348-351 [doi]
- Hé: Calligraphy as a Musical InterfaceLaewoo Kang, Hsin-Yi Chien. 352-355 [doi]
- The Sponge A Flexible InterfaceMartin Marier. 356-359 [doi]
- SurfaceMusic: Mapping Virtual Touch-based Instruments to Physical ModelsLawrence Fyfe, Sean Lynch, Carmen Hull, Sheelagh Carpendale. 360-363 [doi]
- Mechanisms for Controlling Complex Sound Sources: Applications to Guitar Feedback ControlAengus Martin, Sam Ferguson, Kirsty A. Beilharz. 364-367 [doi]
- Wireless Sensor Data Collection based on ZigBee CommunicationJim Tørresen, Eirik Renton, Alexander Refsum Jensenius. 368-371 [doi]
- Synchronization of Multimodal Recordings for Musical Performance ResearchJavier Jaimovich, Benjamin Knapp. 372-374 [doi]
- POLLEN A Multimedia Interactive Network InstallationGiuseppe Torre, Mark O'Leary, Brian Tuohy. 375-376 [doi]
- Irregular IncurveXiaoyang Feng. 377-379 [doi]
- Peacock: A Non-Haptic 3D Performance InterfaceChikashi Miyama. 380-382 [doi]
- Associating Emoticons with Musical GenresJukka Holm, Harri Holm, Jarno Seppänen. 383-386 [doi]
- Untouchable Instrument "Peller-Min"Yoichi Nagashima. 387-390 [doi]
- Ground Me ! An Interactive Sound Art InstallationJavier Jaimovich. 391-394 [doi]
- Mmmmm: A Multi-modal Mobile Music MixerNorma Saiph Savage, Syed R. Ali, Norma Elva Chávez. 395-398 [doi]
- An Interactive Responsive Skin for MusicChih-Chieh Tsai, Cha-Lin Liu, Teng-Wen Chang. 399-402 [doi]
- Interactional Sound and Music: Listening to CSCW, Sonification, and Sound ArtNick Bryan-Kinns, Robin Fencott, Oussama Metatla, Shahin Nabavian, Jennifer G. Sheridan. 403-406 [doi]
- Using IR Optical Marker Based Motion Capture for Exploring Musical InteractionStåle Andreas Skogstad, Alexander Refsum Jensenius, Kristian Nymoen. 407-410 [doi]
- "playing robot": An Interactive Sound Installation in Human-Robot Interaction Design for New Media ArtBenjamin Buch, Pieter Coussement, Lüder Schmidt. 411-414 [doi]
- Multimodal Guitar: A Toolbox For Augmented Guitar PerformancesLoïc Reboursière, Christian Frisson, Otso Lähdeoja, John A. Mills, Cécile Picard-Limpens, Todor Todoroff. 415-418 [doi]
- The GRIP MAESTRO: Idiomatic Mappings of Emotive Gestures for Control of Live Electroacoustic MusicMichael Berger. 419-422 [doi]
- Sonic Virtual Reality Game: How Does Your Body Sound ?Kimberlee Headlee, Tatyana Koziupa, Diana Siwiak. 423-426 [doi]
- Auditory Masquing: Wearable Sound Systems for Diegetic Character VoicesAlex Stahl, Patricia Clemens. 427-430 [doi]
- The Ghost: An Open-Source, User Programmable MIDI Performance ControllerPaul Rothman. 431-435 [doi]
- Towards a Taxonomy of Realtime Interfaces for Electronic Music PerformanceGarth Paine. 436-439 [doi]
- Interactive Music Studio: The SoloistHyun Soo Kim, Je-Han Yoon, Moon-Sik Jung. 444-446 [doi]
- Surfing the Waves: Live Audio Mosaicing of an Electric Bass Performance as a Corpus Browsing InterfacePierre-Alexandre Tremblay, Diemo Schwarz. 447-450 [doi]
- Examining the Spectator ExperienceA. Cavan Fyans, Michael Gurevich, Paul Stapleton. 451-454 [doi]
- Musical Exoskeletons: Experiments with a Motion Capture SuitNick Collins, Chris Kiefer, Zeeshan Patoli, Martin White. 455-458 [doi]
- The Helio: A Study of Membrane Potentiometers and Long Force Sensing Resistors for Musical InterfacesJim W. Murphy, Ajay Kapur, Carl Burgin. 459-462 [doi]
- FerroSynth: A Ferromagnetic Music InterfaceStuart Taylor, Jonathan Hook. 463-466 [doi]
- P[a]ra[pra]xis: Towards Genuine Realtime 'Audiopoetry'Josh Dubrau, Mark Havryliv. 467-468 [doi]
- ImprovGenerator: Online Grammatical Induction for On-the-Fly Improvisation AccompanimentKris Makoto Kitani, Hideki Koike. 469-472 [doi]
- DeviceCycle: Rapid and Reusable Prototyping of Gestural Interfaces, Applied to Audio Browsing by SimilarityChristian Frisson, Benoît Macq, Stéphane Dupont, Xavier Siebert, Damien Tardieu, Thierry Dutoit. 473-476 [doi]
- Reflective Haptics: Resistive Force Feedback for Musical Performances with Stylus-Controlled InstrumentsAlexander Müller, Fabian Hemmert, Götz Wintergerst, Ron Jagodzinski. 477-478 [doi]
- Revisiting Cagean Composition Methodology with a Modern Computational ImplementationAlison Mattek, Mark Freeman, Eric Humphrey. 479-480 [doi]
- Movement in a Contemporary Dance Work and its Relation to Continuous Emotional ResponseSam Ferguson, Emery Schubert, Catherine J. Stevens. 481-484 [doi]
- Gesture Controlled Virtual Instrument with Dynamic Vibrotactile FeedbackTeemu Ahmaniemi. 485-488 [doi]
- Creating Integrated Music and Video for Dance: Lessons Learned and Lessons IgnoredJeffrey Hass. 489-492 [doi]
- Packages for ArtWonk: New Mathematical Tools for ComposersWarren Burt. 493-496 [doi]
- Wiiolin: a Virtual Instrument Using the Wii RemoteJace Miller, Tracy Hammond. 497-500 [doi]
- The PlanetsMax Meier, Max Schranner. 501-504 [doi]